Sub-rural #12, Geographic Mega-parcels

Sub-rural #12, Geographic Mega-parcels

Contemporary art exists under duress in rural America. The artworld still traffics in an obsolete nature vs. culture dichotomy, not through individual works that explore the hybridity of art language or identity, but in nature as synonymous with rural, (what...
Sub-rural #12, Scott Espeseth

Sub-rural #12, Scott Espeseth

  Scott Espeseth’s sedate composition, “Aluminum Storm” embodies the artist’s punning sound-images, ashen palette, and generally understated rendering of his immediate environment. “Storm” depicts the stark metal siding of a neighbor’s unassuming frame house and...
Sub-rural #9: Bruno David Gallery

Sub-rural #9: Bruno David Gallery

  Bruno David moved his gallery from New York City to St. Louis in 2004. In the process he wedded a national and global art conversation with the Midwest and has remained equally attentive to artists who represent the breadth of St. Louis and the region. David...
Sub-rural #8: Human Versus Ape

Sub-rural #8: Human Versus Ape

By Paul Krainak Robert Pogue Harrison’s “Juvenescence: A Cultural History of our Age,” may be a few years old, but it’s prescient. Its cover bears an image of Constantin Brancusi’s 1908 “Head of a Sleeping Infant,” suggesting, along with the title, a culture indulgent...