Sub-Rural #37, Do No Harm Month

Sub-Rural #37, Do No Harm Month

“Comin’ in from London, from over the pole Flyin’ in a big airliner Chickens flyin’ everywhere around the plane Could we ever feel much finer?” * Madison, Wisconsin isn’t London but It’s a point in an archipelago of Great Lake...
Sub-Rural #36, Rosalyn Schwartz

Sub-Rural #36, Rosalyn Schwartz

  Cut flowers in vases are a codification and confiscation of nature and aesthetically masterful. The vase alone denotes a significant stratification of education and class. On the other hand, there’s the genre of botanical art, which hung near the lowest rung of...
Sub-Rural #35, Monsters Redux

Sub-Rural #35, Monsters Redux

It’s no secret that the east coast art economy attracts more industry affiliates than it can support. Subsequently thousands artists become dispersed in differently-sized communities with their own subjects, traditions, and patronage each year. The ideal place for...
Sub-Rural # 34, 2023 Distanced

Sub-Rural # 34, 2023 Distanced

As curatorial trends power themselves into into the Janus stage of 2024 I remember how much new art was once about finding justifications for change and building a coherent narrative out of real life – if possible folding oneself into, or talking back to, a...
Sub-Rural # 33, 50 Paintings

Sub-Rural # 33, 50 Paintings

One has to appreciate the soft-landing easel painting made after fending off a characterization as an elitist commodity a decade or so ago. The breadth of painting’s identity has benefited from its desirability in both professional and lay contexts, as well as...