January 29, 2014 · Print This Article
Last year I was invited by performance company ATOM-r (Anatomical Theatres of Mixed Reality) to sit in on several rehearsals while they worked on their latest piece together, The Operature. Since that time, the work has had a showing in York, they have produced a book with Pinups Magazine, recently opened a two person exhibition at Julius Caesar in Chicago, and continue to work towards the Chicago premiere of The Operature at the National Museum of Health and Medicine (175 w Washington, Chicago IL) March 21st, 22nd, and 28th 2014. A collection of notes from their rehearsals follows.
1. Chris’ Back and Thigh
The theater holds between 200 and 300 spectators in six concentric galleries of narrow rows that provide standing room only. The bodies of the recently deceased are laid out as actors, like the dancer to the choreographer, the corpse submits itself to the movements of the doctor. The body following the request of the scalpel, as eager to articulate the interior secrets of the body as the doctor is to discover them.
2: Justin’s Kidney and Chest
From where I sit in rehearsal I can easily make out the performers as they move about the table. Even as they tower above me, dancing from corner to corner. I need only lift my head slightly to keep them in my full view. The table is to my left. I am thinking about watching, about the pleasures of looking at bodies, and of the duets that emerge from my gaze. The duet between these men, their fingers nimbly grazing their partners torso, weight shared across thighs, every movement mirroring the duet of scalpel and chest, doctor to corpse, witness to theater, and beyond to the dimly lit corners of the farthest circle, where the excitement of discovering the interior of oneself is imagined with each brushing shoulder.
3: Sam’s Ankle and Neck
Professor, tattoo artist, writer, and sexual misfit Samuel Steward kept a deeply coded and painstakingly noted account of his sexual encounters. Penile measurements sit alongside anecdotes and the occasional picture. A box of approximately 900 cards, the stud file is an archive of sexual experience and an attempt at exerting ownership over one’s body. Stewards thirst is that of the anatomical doctor, both delighting in the bodily pursuit, in the ecstasy that comes from leaning against the submitted frame.
4: Blake’s Pubic Bone and Shoulder
In rehearsal, at the moment, we are oscillating between the record of Samuel Steward and the technology of the anatomical theater. Movements are derived equally from sexual and surgical acts, both having striking similarities conceptually and visually. Through each week and each iteration of the work, I am left to ponder the watching of bodies as they are laid out before eager spectators, however they might be displayed in private or public exhibitions and however large or small the audience might be. This is how I understand the performance to function: as a technology of looking. The way a photograph captures a submitted partner or the way a surgical table in the center of an audience can amplify the form.
*Images courtesy of Christopher Schulz, Christa Holka, and Stephanie Acosta
Anatomical Theatres of Mixed Reality (ATOM-r) is a provisional collective exploring forensics, anatomy, and 21st century embodiment through performance, language and emerging technologies. Participants include Mark Jeffery (choreography), Judd Morrissey (technology & dramaturgical systems), Justin Deschamps, Sam Hertz, Christopher Knowlton, and Blake Russell (collaborators/performers).
Memo: To Whomever It May Concern
Re: Acquisition of an iPad
From: The Bad at Sports Team
Okay, it has come to our attention that we can’t afford an iPad, either collective or individually. And while we are neither a formal non-profit at the moment, or a worthwhile cause, you can’t get help if you don’t ask.
We want an iPad(s). The art potential here is big big big! There is all sort of amusing shit we could do with one of those bad boys. We’ll take donations of any recent technology for that matter, computers, audio gear, advanced military weapon systems. Send us your working discarded wazmos. You’ll be contributing to … a cause, not a good cause mind you, but a cause none the less. And with the growing numbers of BAS folks with kids, or kids on the way, we surely could use some entertainment. If we’re jolly, we’re funnier, and who wants to listen to a bunch of cranky jerks. Well, you probably, as you are reading this instead of something meaningful, but you catch my drift.
Call our hotline (312) 772-2780 with details. And thank you!
The Galaxy Dress is the center piece of the “Fast Forward: Inventing the Future” exhibit at the Museum of Science and Industry in Chicago. The museum is celebrating its 75 years and has commissioned the GalaxyDress for their permanent collection.
The wearable dress made up of over 24,000 full color super thing LEDs, 4,000 Swarovski crystals & enough bateries to keep it on up to an hour at a time is something to be seen first hand and no photo or video recording does it justice. All this makes The Galaxy Dress the largest wearable display in the world.
Designed by Francesca Rosella and Ryan Genz, the London-based design duo behind interactive clothing company CuteCircuit
October 8, 2009 · Print This Article
How hard is it to make a Piano sound even remotely like a human voice? Well Austrian composer Peter Ablinger spent a few years to create a sound wave to note translation system that gets pretty close. The video is of the system in action reading text from the “Proclamation of the European Environmental Criminal Court at the 2009 World Venice Forum”. Watch and be amazed at just how many keys it takes in succession to even get close to a single human vowel.
September 25, 2009 · Print This Article
Mode Studios designed and installed four 35ft long Interactive Installation Art Screens throughout the International Headquarters of Microsoft. The screen is made up of a horizontal series of hanging vertical tubes with LEDs built into them to create a solid image. The visual display is completely procedural without any prerecorded interactions or video. Everything that is shown is a byproduct of multiple variables from room traffic, weather, noise and heat in the focus locations in the room to create the movements or subjects on the screen with the potential of never showing the same interaction twice. The video of the installation is below and apart from the promotion hard sell it is a good example of art installation tech that is growing now.