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We sit down with curator Rachel Adams to talk about institutional evolution, artists as infrastructure, and how curatorial practice shifts between museums and biennials. Rachel reflects on working with artists like Cauleen Smith, Liz Magic Laser, and Beatriz Santiago Muñoz, the power of slow curation, and why she’s drawn to hybrid spaces that defy the market.
Along the way: phantom titles, artist contracts, Minneapolis moments, and a manifesto in a box of ice cream bars.
Cauleen Smith cauleensmith.com
Liz Magic Laser lizmagiclaser.com
Beatriz Santiago Muñoz lima.art
Candice Hopkins indigenousnewyork.org
Nato Thompson https://www.natothompson.com/about
Christina Vassallo columbusmuseum.org
Sarah Schultz mplsart.com
Alison Hearst themodern.org
Andrea Andersson riversinstitute.org
Franklin Sirmans pamm.org
Mary Jane Jacob https://never-the-same.org/interviews/mary-jane-jacob/
Independent Curators International (ICI) curatorsintl.org
image: Asad Raza, Orientation, 2022. Courtesy of the artist. Photo: Field Studio.
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