When I was young my dad used to school me at Trivial Pursuit every time we played. I went on thinking he was a singular genius for a couple of decades.
My reverence flagged only when I realized all the questions in the game were written by baby boomers; the answer was always Jefferson Airplane, G. Gordon Liddy or Robert McNamara. At some point, probably when I started teaching college, I came to realize that his McNamara is my Condoleezza Rice; his Liddy is my Linda Tripp; his Syd Barret is my Jeff Mangum, etc., etc. Generations are structurally parallel to each other.
My students donâ€™t know this yet, and as a result they treat me like Iâ€™m Doris Kearns Goodwin when I reveal what is a fairly superficial knowledge of George W. Bushâ€™s cabinet, or the cast of various John Hughes films.
And thatâ€™s one of the best aspects of aging: ordinary, trivial information gleaned by osmosis eventually passes for legitimate historical knowledge.
Iâ€™m more aware of this osmotic knowledge when in New York. I donâ€™t watch any scripted television or queue up for summer blockbuster movies, but I still know about shows like PsychÂ andÂ Burn NoticeÂ only because I wait for subway trains. A fragmented and superficial education in contemporary pop culture comes with one’s New York address.
In Wisconsin Iâ€™m blind to pop culture. There are no subway posters and where I live, no billboards. If I stumble into a Gap for some socks I may be forced to learn a new song by the Shins or Snow Patrol, but otherwise I have no connection to what others in the world are up to if I don’t turn on a television or open a magazine.
This topic came up with some friends in New York. It turned out that we had all heard of the show Breaking BadÂ but couldnâ€™t say anything about its nature other than the guy in it was also in the movie, Drive. It occurred to us that we didn’t even know people who knew people in New York who watchedÂ Pscyh or Corazon Caliente, yet everyone at the table knew both shows to the depth that I do Condoleeza Rice, which is to say, not very.
The question of who was watching shows like Burn Notice andÂ Breaking Bad simmered in my head for a few weeks when some acquaintances in Wisconsin urged me, without my provocation, to watch Breaking Bad.Â
â€œItâ€™s amazing, you gotta check it out. Itâ€™s totally unique.â€
After the recommendation, all five of them dove into a conversation aboutÂ Breaking Bad’s merits and left me in the dust.Â I contemplated the elegance and ease of five individuals sharing consciousness through a television show. I was momentarily jealous that they had a conversational topic to share, so sat out the round sifting for pumpernickel chips in the bar snack mix. The mix had been removed of all the good stuff leaving mostly pretzels and some goldfish crumbs. This forced the revelation that in a place like Cedarburg, Wisconsin, where the culture is relatively homogenous, sharing consciousness is easier than it is in New York.
I interjected having seen a poster of Burn Notice on the Nassau subway stop where someone had scratched a vagina in ball-point pen between the legs of its starâ€¦whose name I didnâ€™t know.I didn’t realize for several beers that I had my shows confused.
Writing this from a subway platform at Nassau and Manhattan Avenues, under a poster for Rock Star beverage and a superhero movie set to explode, an eclectic crowd mills on the platform. Asians carry Asian-language newspapers under their arms; Polish women tote the Polish daily Nowy Dziennik, and kids of a million backgrounds are drinking various energy drinks.
Iâ€™m about to shoehorn onto a train with the most diverse cross section of individuals on any train in the world, who themselves live within most Byzantine network of pop-media advertising anywhere else. I wonder how elegantly all this diversity interfaces. Does anyone know who watches Burn Notice? How much consciousness do we share in New York versus a one-bar town in Iowa? How much of this NYC multitude ends up inside of me superficially through osmosis, and how much through engaged scholarship?
I have no idea what “Nowy Dziennik” translates to, nor will I ever know what Burn Notice is about.
They always say that New York is a melting pot, but I think sometimes itâ€™s more like the lava lamp on Grace Slickâ€™s nightstand.
I should probably ask the woman to my left how to say â€œhelloâ€ in Polish.
- Gavin Brown at the Green Gallery in Milwaukee - January 16, 2014
- The Wisconsin Triennial and the Value of Context - December 11, 2013
- From the Curb in Milwaukee: Usable Space - October 25, 2013