Our latest post for our Center Field column on art:21 blog is up! This week, Martine Syms talks to Derek Chan, whose 12 x 12 exhibition at theÂ Museum of Contemporary Art Chicago opens on November 6th. A brief excerpt:
Derek Chan and I have been friends for a little over four years. We both moved from Los Angeles to Chicago in the Fall of 2005. We had several mutual friends and emailed back and forth a few times but never met up. I spent that summer in Los Angeles and unknowingly started talking to Derek at a party. Inevitably, our conversation turned to Chicago and I laughed when I realized that this was the guy Iâ€™d had so much trouble making time for. Since then weâ€™ve stayed close, meeting often to check in with each other, share food, and hang out.
One of Derekâ€™s large abstract landscapes, Eclipse, was stored at my house for a year. I was happy to look at it every day. While works like Eclipse captured autobiographical moments with grand gestures, Derek has since focused his attention on the quotidian. During his residency at Theaster Gatesâ€™ Dorchester Project in South Chicago, Derek began making daily ink drawings to document his thoughts and share them with his fellow residents. All 260 images are available for download on Derekâ€™s website. As part of the Whitney Biennial, Derek presented Being/Becoming, a durational performance that included ink drawings and temporary interventions to the Whitneyâ€™s courtyard. Derek developed a system of marks, influenced by Tibetan rituals, to record the passage of time and his interactions with museum visitors.
Cries and Whispers from the Salt Song Trail is a continuation of this practice. This forthcoming book chronicles his recent journey to the Four Corners region of Arizona through drawings and writings about the sacred places he visited. Golden Age, the project space I run in Chicago, is publishing Cries and Whispers in conjunction with Derekâ€™s upcoming exhibition Derek Chan: A Way of Life at the Museum of Contemporary Art Chicago (November 6 â€“ 28, 2010). Continue reading.
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