The New York Times recently posted selections of this years Whitney Biennial as interactive 360 panoramic installation shots. It’s pretty similar to Google’s street view but without the zoom feature. Check it out here.
Meg Onli is a visual artist and blogger born and raised in Los Angeles, California. Meg moved to Chicago, Illinois in 2005 where she received a Bachelor in Fine Arts from the School of the Art Institute of Chicago. She has been with the Chicago-based art and culture podcast/blog Bad at Sports since 2006 where she is currently the Associate Producer. She has an unfathomable apatite for documentary films, 60s & 70s performance art, and cute cats. Meg has exhibited work in Los Angeles, Chicago, and New York City. Currently, she is working on a project that documents her steps in recording Motwon’s first girl group sensation, the Marvelettes, version of “Where did Our Love Go?â€
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The theme a lot of papers are running with for this year’s Whitney is one of “a depressing wasteland of mediocrity”? Having only seen photos I don’t have an opinion myself but I do have to ask why is something like Charles Long’s sculpture included? I get William Cardova even though I wish it was based on subject matter more current then the 60’s Black Panther movement?
For more photo’s check out Newsday’s coverage.