In this episode Duncan visited “Drumheller” in the “Badlands” of “Alberta.” We learn a little about life, love, and the magic that can happen way outside the center
Jason de Haan is a multidisciplinary Canadian artist working in installation, sculpture, video, drawing, collage, photography, and bookworks. This includes the exploration of uncertain and unexpected spaces, temporal flux, natural phenomena and systems, transmissions, and open timelines, with a focus upon the points at which the invisible and residual reveal their contingencies.
Miruna Dragan is a post-conceptual artist whose work reflects themes of locality and dispersion through questions of imminence and transcendence. Operating within and between various modes of studio research including drawing, lens-based media, site-specific intervention and others, her work interprets surreal geographies through the reanimation of archetypes, myths and symbols.
Kate gives us the low down on what ACRE has been up to and why we aught to be filling out our Chicago Arts Census. In a magic episode in which Brian is introduced to the cult of ACRE and we glimpse the utopia of artistic support, community, and friendship.
This week we check in with two members of the MdW art fair and assembly brain trust, Nicholas Wylie and Brandon Alvendia and learn a little bit about drifts. This marks a true return to form as we tailgate an art fair and record while feeding hot dogs, Marz beer, and vegetarian chili to all those true lovers of art. Then we spend a few minutes chatting with the brilliant John Engelbercht and Kalmia Strong from Iowa City’s Public Space One and try and get the lowdown on what is going on in Iowa, and figure out why the art world need to know about it.
Teresa Tam’s practice utilizes spaces and experiences that are familiar and then alters them into something a bit foreign through re-interpretation and re-creation. She likes to conceive her projects as sketches: iterations of ideas and systems rendered but never reaching finality. Her work is also developed to include and emphasize visitor interactions as integral components. She focuses on themes that touch upon alienation within nebulous belonging, the position of an individual within a community, excessive labour, and an obsession with objects that contextualize relationships and realities of diaspora individuals. She specializes in digital platforms, functional installations, all things shaped in paper, and body-based exchanges and objects. She graduated from AUArts in 2014 and is the other half of Yolkless Press.
We talk alternative and artist economy, the traditions of preforming industry, the inscription of labor, and publish artist books. Duncan learns that Teresa’s studio is in the same building as his studio from 25 years ago. That makes him feel a touch old, also they have put a lot of work into the building.
Today on Bad at Sportscenter: Devin Balara and Bobby Gonzales! Another little transportive interview from summer sessions at the Ox-Bow School of Art in Saugatuck, be ears now and listen in to what a porch-hang with two generous geniuses and (whatever we’d call a) Jesse. Enjoy a careening, ebullient conversation in never mids west.
Tamara Lee-Anne Cardinal is a mixed-media artist, community activist, and perpetual learner. Born in Lloydminster, Saskatchewan, she has been a visitor to Otôskwanihk/Mohkinstsis (Calgary) for the past nine years.
