Sub-Rural # 33, 50 Paintings

Sub-Rural # 33, 50 Paintings

One has to appreciate the soft-landing easel painting made after fending off a characterization as an elitist commodity a decade or so ago. The breadth of painting’s identity has benefited from its desirability in both professional and lay contexts, as well as...
Sub-Rural # 32, Parceled Pastoral

Sub-Rural # 32, Parceled Pastoral

As culture becomes more virtual, qualitative, global and for the last few decades fatigued from distancing itself from the epistemological and topographic world of our fathers and it shrinks from higher education offerings, its form and space fall more in sync with...
Sub-Rural # 31, Christopher Sperandio

Sub-Rural # 31, Christopher Sperandio

Christopher Sperandio has been a big fan of cartooning since his youth. He sensed early that comics were a great way to disparage privileged culture, parody the middle class, and speak plainly to conventional publics – which of course he has also had the pleasure to...
Sub-Rural # 30 Alan W. Moore Collection

Sub-Rural # 30 Alan W. Moore Collection

The first post-modern movement, where a community of artists made work almost exclusively influenced by their immediate environment, was in Lower Manhattan in the late 70s. Artists engaged the people and places where they lived and worked, rather than just occupying...
Sub-Rural #29, Pamela Longobardi

Sub-Rural #29, Pamela Longobardi

Growing numbers of artists have hybrid civic practices, but often their studio production is sidelined by fractious processes of subject research and documentation. It’s a challenge to find spaces for creative expression in contexts more suited for data. Aesthetics...