Episode 647: Jessica Stockholder
Jessica Stockholder is reticent to be called a living legend, but on this week’s episode, Bad@SportsCenter speaks with living legend, JEsSicA sTOckHoLDeR! With an impending sabbatical from University of Chicago, Stockholder will still be doing all of the things, including a year-long residency in Berlin, and upcoming exhibitions at The Contemporary Austin and the Centraal Museum, Utrecht. Our charming discourse addresses her process, materiality, language, and the essentialism of production to existence. Can we get an Amen?!?
Episode 646: Dan Berger Iceberg Projects
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This week we bring you a special and timely conversation between our very own Dana Bassett and Dr. Daniel Berger recorded at Iceberg Projects where Berger has curated the current show, “Flesh of My Flesh,” an exhibition of painting, film, sculpture, photography and print work by the late David Wojnarowicz. Dan and Dana discuss Wojnarowicz’s aesthetic and historical legacy, the AIDS crisis, and the upcoming screening of Films by David Wojnarowicz and Friends, featuring “Silence=Death.”
Wojnarowicz’s screening takes place this Sunday, July 22nd at Northwestern’s Block Museum. More information can be found here: http://icebergchicago.com/davidwojnarowicz.html.
“Flesh of My Flesh” is on view at Iceberg Projects until August 4th.
TOP V. WEEKEND PICKS (7/19-7/25)
1. Kills time July 21, 2018, 5-7PM Work by: Alejandro T. Acierto with Thomas Kong The Back Room at Kim’s Corner Food: 1371 W Estes Ave, Chicago, IL 60626 2. Barbara Kasten Residency at IIT Architecture July 22, 2018, 2-4PM S. R. Crown Hall: 3360 S State...
Episode 645: Susanne Doremus
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Bad @ SportsCenter kicks back this week with Chicago painter, Susanne Doremus, for a delightful exchange over her current show at Devening Projects, Cabinet:1. In her newest exhibition, Doremus has drawn down the emblematic grand scale of her paintings, inaugurating new spaces for her visual lexicon of calligraphic line and exposed revisions. We visit the affinity of drawing and painting, the influence of teaching on studio practice, and the function of audience on the objet d’art.
