by Caroline Picard | Aug 9, 2016 | Blog
How do we hear the voices of the under-represented and the oppressed? Are we capable of hearing the voice of something that speaks a different language? Can we hear the voice of the non-human?
by Caroline Picard | Aug 8, 2016 | Blog
Video feedback is an example of self-organization of pattern in nature, which is why this behavior starts to look like trees or phytoplankton or zooplankton, which under the microscope also have the most incredible skeletal structures. This is what I’m really interested in: how you see biological patterns mirrored in digital space.
by Caroline Picard | Aug 7, 2016 | Blog
The following comic was inspired by In The Cosmic Fugue (Oct-Dec 2015): a solo exhibition by Jacob Hashimoto, and originally appeared on Hyperallergic. Thanks to Jillian Steinhauer for all of the editorial support.
by Caroline Picard | Aug 6, 2016 | Blog
Capitalism has only been around for a few hundred years. Industrialization is an even shorter period. And the world that we are living in is undergoing rapid change all the time. It seems strange that we are so willing to embrace so many kinds of change that continue ongoing violence in tacit and explicit ways, but are so reticent to embrace change that would result in a lessening of this violence—of course the reasons for this are structural, but we need, at least, to hold on to a perspective that what we are living through is an anomaly and that there are multiple ways of living differently. We don’t need petrocapitalism to survive; it is slowly killing everything we need, from human knowledge systems and cultural vibrancy to the air and water and land and other-than-human creatures.
by Caroline Picard | Aug 5, 2016 | Blog
The cosmogram is a technological and navigational tool and it also facilities audience participation, specifically movement, improvisation, and ritual. This design can also be simulated (re-appropriated) using software to explore geometry and other subjects. We live in a time where more and more things (devices) are connected and, yet, more and more people feel disconnected or divided across race, class and gender lines. I see Afrofuturism 3.0 as a mechanism to bring people together through art.