by Guest | May 23, 2014 | Blog
Guest post by Erin Leland Staged inside the 2014 Whitney Biennial, three operas, originally written and scored by American composer Robert Ashley, and currently directed by Alex Waterman, took place: Vidas Perfectas, The Trial of Anne Opie Wehrer, and Crash. A floor...
by Guest | May 21, 2014 | Blog
Guest post by Jessica Cochran “I like the term project,” he remarked in 1969, “because it is never clear what exactly is meant by it…it covers lots of different things; it is more open and full of possibilities.” Seth Sieglaub (as quoted in Your Everyday Art World by...
by Terri Griffith | May 21, 2014 | Blog
As thick as the phone book of the town I grew up in, the catalogue for the 2014 Whitney Biennial is a whopper, coming in at 419 pages. But seeing as how this year’s Biennial was an impressive three floors, the attendant corridors, stairwells, random outside spaces,...
by Guest | May 20, 2014 | Blog
Guest video post made for Bad at Sports by John Neff Steve Reinke is an artist and writer best known for his work in video. His work is in many collections including the Museum of Modern Art (New York), the Centre Pompidou (Paris) and the National Gallery (Ottawa),...
by Meredith Kooi | May 20, 2014 | Blog
Most of the time we want meaning to be immediately clear to us. Things should not be ambivalent. The glass should be see-through. The two-way mirror makes us uneasy; those on the other side can see us, but we can’t see them – when we look into the glass, we are...
