This week, independent of one another, Chicago-based writers Caroline Picard and Jason Foumberg both raised questions related to sustainability in the art world. Within the context of Bad at Sports, Picard wondered about communal failure, ethics, and Utopia, particularly as those political concepts concerned the field of social practice. And at the alternative weekly publication Newcity, Foumberg offered a comparative overview of local, economic models in gallery practice.
Six months earlier, the proprietors of Chicago’s New Capital Projects, Ben Foch and Chelsea Culp, began a twenty-five day round-the-clock closing event for their gallery. Foch and Culp had, from the outset, planned a limited, two-year run of public exhibitions at their venue. And having reached the end of their finite schedule they threw open the doors to everyone interested in one last collaborative endeavor entitled “24HRS/25DAYS.” Whither came the funding for such a spectacle? In 2011, the Propeller Fund announced that Foch and Culp were recipients of a 6000 USD award.
Rather than being a survey of contemporary programming, this installment of Chicago Art in Pictures is a historical offering. If New Capital Projects’ success (and it was a success) seemed contingent upon its engagement with artists, its monetary subsidization, and its relatively brief public existence, then maybe too it was the case that only an informal, ethical consensus allowed for a momentary sort of Utopia within the city’s crumbling West Side.
While planning what might be possible for the future, it’s helpful to remember what has worked in the past. And so, some of the activity surrounding New Capital Projects in the year 2012 is suggested by the imagery below. A full schedule for “24HRS/25DAYS” is still available at New Capital Projects’ website. All artwork copyright original artists; photography copyright Paul Germanos.
Above: Ben Foch, left, and Chelsea Culp, center, with ACRE‘s (Moustache Phil) Philip Kaufmann, right, at New Capital Projects on a hot summer night, June 30, 2012.
Above: Estonian performance collective NON GRATA‘s “Force Majeure” in Chicago, at New Capital Projects, March 4, 2012.
Above: Meg Noe in “I, Who Have Known the Horror of Mirrors” on December 6, 2012, in “24HRS/25DAYS.”
Above: Elena Katsulis and Erin Peisert in “The Longer I had to Stand There” on December 6, 2012, in “24HRS/25DAYS.”
Above: A four second exposure of Jeff Harms‘ laminated wood sculpture on December 2, 2012, in “24HRS/25DAYS.”
Above: Estonian performance collective NON GRATA’s “Force Majeure” in Chicago, at New Capital Projects, March 4, 2012.
Above: KLOSS/STOLTMANN at New Capital Projects, June 30 – August 5, 2012.
Above: Nandini Khaund, foreground, and Melina Ausikaitis, background, on November 16, 2012, performing in “24HRS/25DAYS.”
Above: Matthew Lane in “Lane/Sirianni” at New Capital Projects, March 16 – April 7, 2012.
Above: Michael Sirianni in “Lane/Sirianni” at New Capital Projects, March 16 – April 7, 2012.
Above: Matthew Lane, left, speaking to Stephanie Burke, center, at New Capital Projects, March 16, 2012.
Above: New Capital Projects’ courtyard on a summer night, June 30, 2012.
Above: Joseph Rynkiewicz‘ installation “Bonfire,” on November 24, 2012, in “24HRS/25DAYS.”
Above: Kavi Gupta’s Joseph Rynkiewicz (at far right) with bonfire in progress on November 24, 2012, in “24HRS/25DAYS.”
Above: The Hills Esthetic Center‘s Leo Kaplan on December 2, 2012, presenting “Sunday, Sunday, Sunday,” in “24HRS/25DAYS.”
Above: Northwestern’s Sofia Leiby lectures Seth Sher at New Capital Projects, June 30, 2012.
Above: “A bowl of soup, a coffin, a door” installation by MCA’s Karsten Lund, SAIC’s Dana DeGiulio, Corbett vs. Dempsey’s Julia V. Hendrickson, and Sofia Leiby, on November 25, 2012, in “24HRS/25DAYS.”
Above: The Hills Esthetic Center’s Michael Kloss, left, and ACRE’s Emily Green, right, in AUSIKAITIS/KLOSS at New Capital Projects, September 1, 2012.
Above: Seth Sher, a/k/a Psychic Steel, left, and Meg Noe, right, at New Capital Projects, September 1, 2012.
Above: Conor Creagan in “Wonderful Tonight” on December 2, 2012, in “24HRS/25DAYS.”
Above: Roxaboxen’s (formerly) Liz McCarthy with Moustache Phil at New Capital Projects, June 30, 2012.
Above: Lynn Basa, left, shows “Burnt Journals” work to Sarah Weber, right, on November 24, 2012, in “24HRS/25DAYS.”
New Capital Projects
3114 W. Carroll St.
Chicago, IL 60612
http://newcapitalprojects.com/
- Chicago Art in Pictures: Summer of 2013 - August 20, 2013
- Chicago Art in Pictures: Best of 2012 – Year in Review - July 15, 2013
- Chicago Art in Pictures: SAIC Fashion 2013 - June 25, 2013
