An unnamed investment group has agreed to pay $100 million in cash for the final piece of Daimen Hirst’s June 3rd show at London’s White Cube Gallery. The platinum skull, studded with 8,601 diamonds was the final piece and brings the 2 gallery exhibition to a total of 180 million pounds ($362.4 million),
“The sale is expected to close in three to four weeks, when all the paperwork is finished, Frank Dunphy, Hirst’s business manager said. The group of buyers would be required to show the skull for two or three years in museums around the world.”
Usually, buyers operating at the $100 million level would get a discount, private dealer Richard Polsky said.
The buyers probably wouldn’t be “diamond people,” because the skull’s price was so much higher than the value of the diamond content, said London jeweler and art collector Laurence Graff, who looked at the skull when it was on show and didn’t buy it.
“I’m in the diamond business and I would only be interested in diamonds at diamond prices,” Graff said in a telephone interview today.”
The skull’s sale would enrich Hirst, 42, whose fortune has been valued at 130 million pounds by the London-based Sunday Times and who may get 75 percent or more of the proceeds of a sale, according to art professionals.
The Art Newspaper, also of London, which reported the talks with the investment group in its September issue, said the skull had been discounted to 38 million pounds, though Dunphy denied that.
At about 50 million pounds, the skull would represent a price increase for Hirst that exceeded even those of Mark Rothko and Andy Warhol, which tripled or quadrupled their auction records in May. Hirst’s record of 9.7 million pounds — the highest for a living artist at auction — was set in June at Sotheby’s, when a telephone bidder bought a pill cabinet, “Lullaby Spring,” that cost the New York seller about 730,000 pounds in 2002, auctioneers said.
The White Cube shows drew collectors from Eli Broad to five museums who purchased Hirst’s works, including at least two from the U.S., according to the gallery.
The singer George Michael paid 3.5 million pounds for “Saint Sebastian, Exquisite Pain” — a glass tank containing a black calf, its suspended body tied to a post and pierced by dozens of arrows. A split shark fetched 10 million pounds and three “crucified” sheep sold for 6 million pounds, Marlow said.
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“Finally” sells. 2 months for $100 mil? Considering how we all know the way diamonds are valued, it would be great for me to hear a few educated explainations as to why or how the price tag for this was figured. Probably a discount, but still the logic or reasoning for the cost of this piece, how?
logic/reasoning: crazy people want to own crazy art. and they have a lot of money.
I think that’s really all there is to it.
(have to say, if i were to choose one of the pieces from the show, the skull would probably be it: I mean, wtf do you do with a crucified sheep? doesn’t really go well in the living room. now, a diamond-encrusted human skull, I could just swap out the plastic skull I have on my mantelpiece right now.)
Well then, I better hurry up and chop off my ear. Or figure out how to connect with the sane collectors
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