This week: Novelist Joe Meno!
Joe Meno is a fiction writer and playwright who lives in Chicago. A winner of the Nelson Algren Literary Award, a Pushcart Prize, a Great Lakes Book Award,Â and a finalist for the Story Prize, he is the author of five novels,Â The Great Perhaps, The Boy Detective Fails, Hairstyles of the Damned,Â How the Hula Girl Sings, andÂ Tender as Hellfire. His short story collections areÂ Bluebirds Used to Croon in the ChoirÂ andÂ Demons in the Spring. His short fiction has been published in the likes ofÂ McSweeneyâ€™s,Â One Story, Swink, LIT,Â TriQuarterly,Â Other Voices,Â Gulf Coast, and broadcast on NPR. He was a contributing editor toÂ Punk Planet, the seminal underground arts and politics magazine. His non-fiction has appeared inÂ The New York TimesÂ andÂ Chicago Magazine.
This week: The west coast bureau keeps on bringing it large! Patricia Maloney talks with the concept engineer and Otolith Group co-founder Kodwo Eshun.
Kodwo Eshun is a British-Ghanaian writer, theorist and film-maker. He studied English Literature (BA Hons, MA Hons) at University College, Oxford University and Romanticism and Modernism MA Hons at Southampton University. He is currently course leader of the MA in Aural and Visual Cultures at Goldsmiths College, University of London.
This week: This week we talk with artist, writer, and WhiteWalls co-founder Buzz Spector!
Buzz Spector is an artist and critical writer whose artwork has been shown in such museums and galleries as the Art Institute of Chicago, Los Angeles County Museum of Art, Museum of Contemporary Art Chicago, Corcoran Gallery of Art, Washington, DC, and the Mattress Factory, Pittsburgh, PA. Spector’s work makes frequent use of the book, both as subject and object, and is concerned with relationships between public history, individual memory, and perception. He has issued a number of artists’ books and editions since the mid-1970s, including, most recently, Time Square, a limited edition letterpress book hand altered by the artist and published in 2007 by Pyracantha Press and ABBA at Arizona State University in Tempe. Among his previous publications are Between the Sheets, a limited edition book of images and text published in 2004 by The Ink Shop Printmaking Center in Ithaca, NY, Details: closed to open, an artistsâ€™ book of photographic details from images in the Swarthmore College Peace Collection, (List Art Gallery, Swarthmore College, 2001) and Beautiful Scenes: selections from the Cranbrook Archives (Cranbrook Art Museum, Bloomfield Hills, MI, 1998).
Spector was a co-founder of WhiteWalls, a magazine of writings by artists, in Chicago in 1978, and served as the publication’s editor until 1987. Since then he has written extensively on topics in contemporary art and culture, and has contributed reviews and essays to a number of publications, including American Craft, Artforum, Art Issues, Art on Paper, Exposure, and New Art Examiner. He is the author of The Book Maker’s Desire, critical essays on topics in contemporary art and artists’ books (Umbrella Editions, 1995), and numerous exhibition catalogue essays, including Conrad Bakker: untitled mail order catalogue (Creative Capital, Inc., 2002) and Dieter Roth (University of Iowa Museum of Art, 1999).
Spectorâ€™s most recent recognition is a 2005 New York Foundation for the Arts (NYFA Fellowship. In 1991 he was awarded a Louis Comfort Tiffany Foundation Fellowship, and in 1982, 1985, and 1991 he received National Endowment for the Arts Fellowship Awards. He is Dean of the College and Graduate School of Art in the Sam Fox School of Design & Visual Arts at Washington University in St. Louis.
This week: Our final installment in the Open Engagement series. This week we talk to Jule Ault!