Work by Meryl Bennett and Matt Taber, Britton Black, Anita Brathwaite, Guerrilla Smiles, Jane Georges, John Kurtz, Julia Haw, Marc Hauser, Deborah Lader, Jean Loup Sieff, Grace Molek, Harvey Moon, On The Real Film, Rabbits, Alfredo Salazar-Caro, Bill Sosin, and Xiao Tse.
HAUSER Gallery is located at 230 W. Superior St. Reception Friday, 6-9pm.
Curated by Zach Dodson, Dan Gleason, and Caroline Picard, with work Jesse Ball, Irina Botea, EC Brown, Lilli CarrÃ©, Ezra Claytan Daniels, Edie Fake, Heather Mekkelson, B. Ingrid Olson, Frank Pollard, Aay Preston-Myint, Deb Sokolow, Bill Talsma, and Viktor Van Bramer.
Hyde Park Art Center is located at 5020 S. Cornell Ave. Reception Sunday, 2-5pm.
Work by Justin Bendell, Terence Hannum, Thad Kellstadt, David More, and Bert Stabler.
The Franklin is located at 3522 W. Franklin Blvd. Reception Saturday, 6-9pm.
Work by Kiam Junio, Chelsey Sprengeler, Natalia Nicholson, Joshua Roginsky and Collin Pressler.
Anatomy/Gift/Association is located at 1619 W. 16th St. Reception Saturday, 7-9pm.
Work by Lilli Carre and Alexander Stewart.
Roots and Culture is located at 1034 N. Milwaukee Ave. Reception Friday, 6-9pm.
Work by Learning.
Fill in the Blank Gallery is located at 5038 N. Lincoln Ave. Reception Friday, 7-11pm.
Work by Nancy Rosen.
The Family Room is located at 1821 W Hubbard St., # 202. Reception Friday, 6-11pm.
3. FLAT 7 at Floor Length and Tux
Work by Julie Rudder, Kendrick Shackleford, David MorÃ©, Catie Olson and EC Brown. This fish is not the work, it’s just FLAT’s awesome logo.
Floor Length and Tux is located at 2332 W Augusta Blvd, 3F. Reception Saturday 7-10pm.
Shameless self promotion, but it’s going to be an awesome show. Co-curated by Andrew Blackley, Stephanie Burke and Steve Ruiz. Featuring the work of Duncan Anderson, Susan Giles, Anna Kunz, Oliver Laric, and Nathaniel Robinson.
LVL3 is located at 1542 N Milwaukee Ave, 3. Reception Saturday, 6-10pm.
Bring a T-shirt to silkscreen. Work by Tony Tasset, Pamela Fraser, Rebecca Mir, Aay Preston-Miint and others.
He said, She said is located at 216 N Harvey Ave, Oak Park. Reception Sunday, 2-4pm.
1. Pamela Fraser at Golden Gallery
Golden Gallery, generally a crowd pleaser, is putting up another strong show. This round it consists of works on paper by artist Pamela Fraser. The works (from what I could find and discern) are all abstract, hyper-color pieces. Is “eye candy” a bad word in the art world?
Golden Gallery is located at 816 W. Newport Ave. Opening reception is Friday from 6-9pm.
2. Alumni at David Weinberg Gallery
I went to SAIC for grad school, but I don’t believe that gives me a complete bias for SAIC grad work. However, when I see good work from my fellow alums, I got to give it a shout.Â David Weinburg is putting on an exhibition of “recent” SAIC grad work, including that of Amy Mayfiled, Noelle Allen, Helen Maurene Cooper, & Michael Ratulowski. If you haven’t seen their work yet (which, if you’ve been in Chicago a while, is unlikely) make sure you stop by. If you already know their work, head over for a refresher on why they’re awesome.
David Weinberg GalleryÂ is located at 300 W. Superior St. Opening reception is Friday from 5-8pm. Read more
Times are tough, but there’s a lot to look forward to with the coming Fall art season in Chicago. Here’s what Meg and I are most looking forward to seeing over the next three months — and be sure to check out Stephanie’s guide to Friday and Saturday openings below!
9/11 Philip Von Zweck at ThreeWalls (M, C) The title of this show is “The Fortieth Anniversary of the First Anniversary of May -68 (in September).” Von Zweck is a significant and much-beloved figure in the Chicago art scene who ran a highly respected apartment gallery for a number of years. This exhibition marks his return to a more traditional solo artist exhibition framework.
9/11 Luis Gispert at Rhona Hoffman (C) New large-scale photographic portraits and videos by the Miami-born, Brooklyn-based Gispert that focus on immigrant sectors of the American workforce and the search for expressive outlets outside the realm of labor. A three-channel film focuses on Gispert’s friend Rene, a Cuban immigrant who works in a Miami restaurant supply store.
9/11 Jessica Labatte at Scott Projects (M). Labatte’s exhibition Bright Branches documents found objects collected from Chicago alleys and junk stores.
9/11 Craig Doty: Women at Roots and Culture (M,C). The women in Doty’s new photographic series have been described as appearing “physically exhausted as well as ethically or morally debased,” i.e. a wet and shivering woman looking out past viewers with few narrative clues as to why, etc. Given Choire Sicha’s description of Doty as “a sick little pervert” whose previous body of work was “very John Hughes meets John Waters meets John Lydon,” well, let’s just say we can’t wait to see his approach to the subject for ourselves.
9/12 Doug Ischar at Golden (M,C). A body of work from 1985, never before seen in its entirety, is the enticement here. Ischar’s show is titled Marginal Waters and features images taken in Chicago’s now-defunct Belmont Rocks.
9/19 Jonas Wood at Shane Campbell Gallery (C). He’s from L.A. and showed at Black Dragon Society, plus he’s collaborated with painter Mark Grotjahn…for now, that’s all I need to know to want to see Wood’s show.
9/19 Jason Lazarus, Wolfgang Plöger, Zoe Strauss at The Art Institute (M). A show of recent photographic acquisitions of these artists’ works by the Art Institute.
9/20 Allen Sekula, Polonia and Other Fables at The Renaissance Society (C). New photographs by anti-globalization hero Sekula that focus on Chicago’s rich labor history, its Polish working-class population along with The University of Chicago’s famous lineage of economic theorists. Heady yet vital stuff from this woefully under-recognized L.A.-based artist.
9/25 – 9/27 Mikhail Baryshnikov at Harris Theater (M). It’s Baryshnikov dude. ‘Nuff said.
9/30 Heartland at the Smart Museum (C). Co-organized by the Smart Museum of Art and the Van Abbemuseum, a survey of artists from the Midwest aka the American Heartland. Hopefully it’ll subvert the syrupy connotations of it’s title, or at least be the kind of show that people argue, bitch and moan about rather than simply ignore.
10/2 – 10/4 Western Exhibitions and Golden Age at the NY Art Book Fair (M). The only event to make it to our list that is not in Chicago. If your in New York at the beginning of October check out two Chicagoans holding it down at the Fair.
October, opening date TBA, Carroll Dunham at He Said/She Said (C). Carroll Dunham shows in a suburban apartment gallery: the Oak Park home of Pamela Fraser and Randall Szott. Can’t wait for this.
10/8-21 Chicago International Film Festival (M) In it’s 45th year the film festival the two week festival is the hub for all film fanatics. This festival might be the only time to catch certain films so be sure to check out their schedule in advance.
10/10 Jeremy Deller: It Is What It Is: Conversations About Iraq, at the MCA (M) Commissioned by The Three M Project Jeremy Deller will invite numerous participants to discuss their knowledge of the Iraq War. Some guest will include verterans, and scholars.
James Welling at Donald Young (C)
10/10 Playing with Pictures: The Art of Victorian Photocollage at The Art Institute (C). I’m a sucker for Victoriana, and this exhibition –the first “to comprehensively examine the little-known phenomenon of Victorian photocollage, presenting work that has rarely-and in many cases never-before been displayed or reproduced” — is probably the one show I’m most looking forward to seeing this fall. A medium mostly practiced by aristocratic women, Victorian photocollage combined human, animal, and botanical forms in all sorts of wacky and whimsical ways, and I’m looking forward to reading the accompanying full-color catalogue to learn more about the ways that female artists of this era approached the form some sixty odd years before Picasso and Braque started playing around with it.
10/13 Alex Halsted and David Moré at Gallery 400 (C). Chicago-based Moré “collaborates” with an elephant nose fish, who emits an electrical pulse as a navigation tool which the artist then amplifies. I love the gallery’s blurb on this show: “This performance duo mixes issues of displacement, communications, commercial sound and inter-species contact in a singularly engaging bio-tech format.” Yep, pretty much says it all.
10/16 In Search of the Mundane at ThreeWalls (M) Organized by Randall Szott and InCUBATE According to ThreeWalls this series will , “include boozy brunches, a lecture on the art of storytelling, various leisure excursions, and a tour of personal collections.”
10/17 Liam Gillick Curates the MCA Collection (M, C). We love the way that the MCA is experimenting with the curation of its permanent collection. The MCA has invited Liam Gillick to select works for its next hanging.
11/TBA James Welling at Donald Young (C). New work by L.A. photographer Welling, whose ongoing interest in the experimental and abstract possibilities of photography set his work apart from contemporaries like Sherrie Levine and Cindy Sherman as well as today’s younger generation focusing heavily on portraiture. Welling’s last show at Donald Young featured photograms of flowers and “torsos” (the latter actually made out of screens sculpted to resemble human curves) made without the use of a camera; the results were gorgeous, and I’m looking forward to seeing what he delves into next.
12/4 Carrie Schneider at MCA 12×12 (M, C) Often using herself as her main character, Schneider melds several genres of art-making including body art, performance, self-portraiture photography and film in images that are haunting, creepy, and hallucinatory in their resonance. If someone ever gave Schneider a huge project budget she could give Matthew Barney a run for his money, but for now we’ll look forward to seeing the new short film Schneider plans to premiere in her first solo museum outing at the MCA. According to the MCA’s website, the film, made in Helsinki, Finland while the artist was there on residency, continues the artists’ ongoing exploration of doubled selves and the uncanny.