This week: San Francisco checks in with a discussion with Aaron GM and Ginger Wolfe-Suarez
In this episode Art Practical contributors Zachary Royer Scholz, Elyse Mallouk, and Patricia Maloney speak with artists Aaron GM and Ginger Wolfe-Suarez. This was one of several conversations held over the weekend of the fair as part of â€œIn and Out of Context: Artists Define the Space between San Francisco and Los Angeles,â€ a program that invited artists to consider the two cities as a continuously evolving constellation of dialogues, shared interests, and overlapping approaches. An abridged transcript of the conversation can be read on Art Practical.
Aaron GM lives and works in Los Angeles. He studied at both San Francisco Art Institute and UCLA. Recently he exhibited a solo presentation at the NADA Art fair in Miami Beach (2010). Other Recent solo exhibitions include capezio (2010) at ltd los angeles, Timeshares (2009) at Parker Jones Gallery in Los Angeles, and sales calls(2008) at Blanket Gallery in Vancouver. Aaron has shown in group exhibitions both nationally and internationally.
Ginger Wolfe-Suarez is an emerging conceptual artist, writer, and theorist. Her work often takes the form of large-scale sculpture, exploring the psychology of built space. Both an exploration into the experiential phenomena of body-object relationships, and a questioning of the material nature of sculpture interweave concepts of memory and process. Wolfe-Suarez teaches studio critique and art theory, and is currently Visiting Faculty in the graduate program at San Francisco Art Institute. Her writings on art criticism have been published internationally, and her artwork has been recently exhibited at Silverman Gallery, ltd Los Angeles, KUNSTRAUM AM SCHAUPLATZ in Vienna, Artist Curated Projects in Los Angeles, Mills Art Museum, Yerba Buena Center for the Arts, and High Desert Test Sites, among others. She studied at Goldsmiths College in London and later received her BFA from The School of the Art Institute of Chicago, and her MFA from the University of California at Berkeley. Wolfe-Suarez lives and works in Richmond, CA, where she raises her three-year-old son.
This week: As part of the Art Los Angeles Contemporary art fair, which took place January 27-30 at the Barker Hanger of the Santa Monica Airport, the crew from Art Practical produced â€œIn and Out of Context: Artists Define the Space between San Francisco and Los Angeles,â€ a series of conversation that imagined the two cities as â€œa continuously evolving constellation of dialogues, shared interests, and overlapping approaches.
In this episode Patricia Maloney andÂ Art Practical editor Victoria Gannon chatwith San Francisco-based artist Luke Butler, again in the parking lot of the Santa Monica Airport, as part of their ongoing quest to find a quiet spot away from the bustle of the fair. Butler reflects on his longstanding admiration for Captain Kirk while Patricia and Victoria wonder if heâ€™ll suddenly start speaking in Klingon. Later, Patricia andÂ AP editor Tess Thackara speak with artist Sarah Cain about her years living and working in the Bay Area before relocating to Los Angeles, her working process, and the oases she finds in LA.
Luke Butler received his MFA from California College of the Arts in 2008. Heworks in paintings and collage; much of his imagery comes from pop culture, most often from television and movies of his childhood includingÂ Starsky and Hutch andÂ Star Trek, along with other iconic images, such as that of former U.S. presidents. Butlerâ€™s work was included in the 2010 California Biennial at the Orange County Museum, Newport Beach, CA. He is represented by Silverman Gallery in San Francisco, CA.
Sarah Cain received her BFA from the San Francisco Art Institute in 2001 and her MFA from the University of California Berkeley in 2006; she attended Skowhegan in 2006. Her work has been exhibited at the San Francisco Museum of Modern Art; the Santa Barbara Contemporary Arts Forum; the Orange County Museum of Art, Newport Beach, CA; KN Gallery, Chicago; and the Seiler + Mosseri-Marlio Gallery, Zurich. Cain received a Pollock-Krasner Foundation Grant in 2007 and a SECA Art Award in 2006. She is represented by Anthony Meier Fine Arts, San Francisco and Honor Fraser Gallery, Los Angeles.
Also check out last weeks show withÂ Lisa Anne Auerbach and Michael Parker/a> if you didn’t catch it, they have a great conversation onÂ torn porn and being oneâ€™s own bumper sticker to the Shakers and how artists can make change in the work. Airport parking lots, who ever thought so many interesting conversations were going on at them?
This week: Patricia Maloney sits down with queer feminist artist and writer Emily Roysdon, as well as Phyllis Wattis MATRIX Curator Elizabeth Thomas. The conversation took place on December 10, 2010, as Roysdon was in the final stages of preparing for her exhibition at the University of California, Berkeley Art Museum’s Emily Roysdon: If I Don’t Move Can You Hear Me?/MATRIX 235, on view through March 6, 2011. Topics range from nostalgic delusions in Berkeley to hallucinations of the apocalypse on New Yorkâ€™s West Side. Along they way, they cover regulation, claiming space, collaboration, ecstatic resistance, and opening up language to find meaning.Â http://www.bampfa.berkeley.edu/exhibition/235
This interview is part of the ongoing collaboration between Bad At Sports and Art Practical.
Emily Roysdon is an artist and writer living and working in New York and Stockholm. She completed the Whitney Museum Independent Study Program in 2001 and an MFA at UCLA in 2006. She employs wide-ranging methods in developing her projects, including performance, photography, installation, text, and video, among others. Roysdonâ€™s concept of “ecstatic resistance,” which reflects on the impossible and imaginary in politics, was featured in simultaneous exhibitions ofÂ Grand Arts in Kansas City, and X Initiative in New York. Recenlty, her work has been included in the 2010 Whitney Biennial, Greater NY at PS1, Manifesta 8, and the Bucharest Biennial 4.Â Roysdon is editor and co-founder of the queer feminist journal and artist collective, LTTR.
This week: Bad at Sports presents an interview from our media partner Art Practical. Kim Anno is interviewed by Bruno Fazzolari as a part of his ongoing series of interviews with artists regarding abstraction. Kim Anno is an Associate Professor of Painting at CCA who makes videos, photos and paintings with an undercurrent of environmental activism. Bon Appetit!
This week: Patricia sits down with artist Mads Lynnerup during his recent sojourn in San Francisco. They talk about spotting Cyndi Lauper at the New Museum, precocious nerdy kids at the Guggenheim, navigating the ever-growing professionalization of the art world, everyday routines, and the merits of being a prankster.
Mad Lynnerup was born in Copenhagen, Denmark and lives and works in Copenhagen and New York. He completed his MFA from Columbia University in 2007 and received a BFA from San Francisco Art Institute in 2001. He has shown his work at the San Francisco Museum of Modern Art; The Mori Art Museum, Tokyo; P.S. 1 and Socrates Sculpture Park, both New York; and Zacheta National Gallery of Art, Warsaw. Lynnerup works across such diverse media as video, sculpture, drawing, and printmaking. Many of the themes in his work have roots in his constant interest in the everyday and his surroundings.
This is the third collaboration between Art Practical and Bad At Sports.
Image: Routines (SÃ¸nder Boulevard), 2008 (video still); installation, video and poster series. Courtesy of the Artist and Baer Ridgeway Exhibitions, San Francisco.