EDITION #17

September 9, 2013 · Print This Article

Fall already freaking jam packed with openings

It’s official, Chicago artists are back from their residencies and vision quests and it is time for the fall gallery season. Inaugurated this weekend with about a million openings from River North to the ‘burbs and back again, we’re still reeling. Here are some photos while we iron out our thoughts:

Oh, this brave new art world! We didn’t know QR codes could actually do something but this interactive curiosity greets you at the entrance to Technoromanticism, a strictly new media show curated by Alfredo Salazar-Caro at Jean Albano Gallery on Friday night.

Performance finally showed some skin at the second iteration of THIS IS NOW A MAGAZINE: Dwyer/Fraccaro/Wylie in Logan Square last week. Things were anything but comfortable at the Comfort Station during a performance using CAM4 and something having to do with Buffalo Bill that we wish we could erase.

This pink combo stole our heart at LVL’s opening for Quandry on Saturday night.

Volume Gallery debuted their completely amazing and beautiful renovated space on Friday night with a show by Jonathan Muecke. Despite all the new space (or maybe because of it) the gallery was totally packed. This photo is from SightUnseen


Tyson Reeder’s opening at Peregrine Program celebrated some of Club Nutz greatest hits, and reminded us that we need to hit the beach one last time before fall!

Sterling Lawrence was super conceptual and all, but we thought these Alain Biltereyst pieces at Devening Projects + Editions were cute in a good way and would fit way better in my studio apartment.

Also, this?!

Reading is Fundamental

  • Cave of Lascaux blows everyones mind:
    Scenes from the Stone Age: The Cave Paintings of Lascaux at the Field Museum closed this weekend and if you didn’t make it we are truly sorry. This show had more new media than the SAIC BFA exhibition and we swear those cave paintings could be hanging in Shane Campbell and no one would bat an eye. We would go into greater detail, but fortunately for you, dear reader, Daniel Baird’s already wrote a piece on the exhibition and it is awesome. Who knew that ancient cave paintings were so totally superficial? Totes recommend you read it, we’ve been using Dan’s ideas to sound smart at openings all weekend.
  • Woman makes strong case for ladies:
    In case you couldn’t tell, WTT? loves the ladies, and we couldn’t be more excited to see the rest of the art world catching on. One lady show opened up this weekend with two to follow next week at Heaven and at the Frogman Gallery. “Lady Painters” curator, Gwendolyn Zabicki, sent us a hot tip on some required reading by participating artist, Sarah Weber. “Had I written a critical essay for Lady Painters, I would have liked to have written the very excellent one by Sarah Weber for Being a Woman in an All Woman Show.” WTT? couldn’t agree more. You can prep for both of these openings next weekend by reading Weber’s statement now.
  • Art Newspaper on artists in newspapers:
    Writer, Martin Bailey, covers the seriously late breaking news of Van Gogh’s ear incident after re-discovering an article from the Parisian paper Le Petite Journal published shortly after the incident on December 26, 1888. While doing research for his book on the artist, Bailey discovered the clipping, shedding new light on possibly the best artist gossip of all time. Making news in Paris all the way from Arles? Van Gogh is just lucky that the Impressionists didn’t have Facebook.
  • Extra, Extra: Art group travels to space, reports in NewCity?
    Speaking of newspapers, we almost forgot that people print those things anymore (oh wait, did we mention the newspaper we’re printing during EXPO?). Thankfully, we were reminded this week by the totally out of this world spread by Sarah Belknap, Marissa Lee Benedict and Joseph Belknap in NewCity. The photos are completely gorgeous and worth seeing in IRL.
  • Stop by LVL3’s MRKT and pick up a FREE copy of San Fransisco Arts Quarterly featuring an interview with the gallery’s director, Vincent Uribe, and artist, Josh Reames.

Reed’s drumkit.

Artists confused, think they are musicians

Last Thursday night WTT? made our first outing to Constellation. The venue’s unassuming brick facade under the overpass on Belmont and Western betrays the clean yet cozy interior of the bar. Intent on seeing live music on a Thursday night, Constellation was a great option. That is to say, the show was free. This art reporter was intrigued by the line-up: two reasonably well known visual artists (1/2 of Sonnenzimmer, Nick Bucher, and recent Hatch resident, Jordan Martins) performing with Constellation’s purveyor, Mike Reed, on drums.

Not to be mistaken for real musicians, the artists turnt virtuosos played an assortment of objects that would have made any dadaist proud.

Martins started the set playing guitar, but soon switched over to two broken guitar necks on a table which he “played” by jamming screwdrivers between the strings while strumming with chopsticks. Butcher wasn’t any more conventional “playing” a record player and what looked like a jumble of assorted cables that we’re not even sure were plugged in.

Even real musician, Mike Reed, got into the readymade spirit. It was weird enough that he played the drums with a tiny rake, but what was next to the drums was a regular Duchamp. Was it a rice cooker on a styrofoam cooler? Some instrument we’ve never seen before? We’re still not sure.

Despite using what appeared to be broken instrument pieces and household bric-a-brac, the trio was other wordly, playing a set that meandered through melodic ups and downs, punctuated by Butcher’s off beat electronics. Super chill for a Thursday night, I just wish they had better cocktails. (The Pimm’s cup was alright.)

Constellation is located at 3111 N Western Ave.

Header image is a photograph from inside Scenes from the Stone Age: The Cave Paintings of Lascaux at the Field Museum.

Got any T? email me!
(or get @ me on twitter)





Top 5 Weekend Picks! (7/26-7/28)

July 26, 2013 · Print This Article

1. Timeshares at LVL3 Gallery

lvl3

Work by Calvin Ross Carl, Josh Reames, and Maria Walker.

LVL3 Gallery is located at 1542 N. Milwaukee Ave. Reception Saturday, 6-10pm.

2. Nothing Grows in the Shadows of Great Trees at Defibrillator Performance Art Gallery

defib

Work by Nick Bastis and  Anthony Romero.

Defibrillator Performance Art Gallery is located at 1136 N Milwaukee Ave. Reception Saturday, 7:30-10pm.

3. Antagonists Anonymous Presents at TRITRIANGLE

tritri

Work by Cleav’d Cleaver, Blood Transfusion, Piss Piss Piss Moan Moan Moan, and Billington/Walker.

TRITRIANGLE is located at 1550 N. Milwaukee Ave. Fl 3. Reception Friday, 9pm.

4. Serenade at Terrain Exhibitions

terrain

Curated by Tempestt Hazel, with work by Jeff Austin, Rob Frye,Ramah Jihan Malebranche, Michael and Yhelena Hall, Viktor Le and Stephen Lieto.

Terrain Exhibitions is located at 704 Highland Ave., Oak Park. Reception Sunday, 5-8pm.

5. Like It Is: Paris Portraits at Corbett vs. Dempsey

Picture 6

Work by Hedwig Eberle.

Corbett vs. Dempsey is located at 1120 N. Ashland Ave. Reception 5-8pm.




EDITION #6

April 1, 2013 · Print This Article

Dubya takes to painting

Many of history’s greats are known to have painted a sun-dappled landscape or two in their day. Everyone from Winston Churchill to Dwight D. Eisenhower, and even Adolph Hitler have handled a palette. Just like Van Gogh and Gaugain’s portrait exchange, Eisenhower even painted a portrait of his venerable ally, Churchill.

Surprisingly, 43rd President George W. Bush has finally managed to join their ranks, not in political savvy, but through his newfound pastime of “makin’ paintin’s.” By now the entire internet is aware that George W. Bush is a prolific artist, having painted at least 50 dog portraits as well as some landscapes and even a couple n00dz. For once, What’s the T? couldn’t be more proud of our former Commander in Chiefing, and we have created a special hypothetical art collection based on his oeuvre.

The Jogging’s oddly clairvoyant portrait of G.W. from July 2012.

In other news, everyone’s a critic.

Reading is Fundamental

#best.gif

Progress, 2013
by James T. Green

“T” around Town

The stars must be aligning on April 6th since damn near every gallery in the city is having an opening. It’s ridic. In Logan Square, it’s finally Spring and the Comfort Station is reopening with an exhibition by Isak Applin and Adam Ekberg. Chicago’s fav Italian artist living in Vienna, Helmut Heiss, has also triumphantly returned for his upcoming ACRE show at Slow in Pilsen. Happy sources report that Heiss’s contribution is large and shiny.

Furthermore, Anthony Romero and Jesse Butcher have an opening at Happy Collaborationists that we heard is inspired by hippies and mud. Word is that Haseeb Ahmed and Daniel G. Baird’s opening at Roots and Culture will dramatically change the gallery space, incorporating a fountain and maybe even fish (but don’t quote us).

Super secret sneak peak of someone’s work. @meredithandanna

Auctions have been trending, so it’s no surprise that LVL3’s 4th Annual HArts for Art is also this Saturday. Guilt free, a portion of the proceeds will benefit local not-for-profit Better Boys Foundation, but the work is going fast. Almost a week out and work by Israel Lund has already been claimed. We heard that the raffle is going to be bangin’ too.

At least the SAIC MFA show isn’t this weekend. Good luck.

The Weatherman Report

Max Pechstein, Schneeschmelze (Melting Snow), 1922 Oil on canvas (30 3/10 × 38 3/5 in), 1970

Grand Marquee on Irving Park Rd.

SMALLTIME ARCHIPHILE:

The Patio Theater

Smalltime Archiphile centers on architecture’s place – sometimes event-based, sometimes aesthetic– in usually small, marginal and forgotten incarnations around Chicagoland.

The Patio Theatre is arguably the most magnificent movie house in all of Chicago. With awesome programming by the Chicago Cinema Society, a revamped 1920’s Baroquesque interior and streamlined Deco marquee, Patio uses the vehicle of space, time and, more specifically color, to heighten its graphic grandeur.

Ornamentation and Chandelier on Ceiling

Color envelopes you in ways only rococo could – through ornamentation, stucco, mirrors, chandeliers, vaults – in variations of gold leaf, reds, blues, yellows and greens. The Patio Theater’s procession starts with its stark yellow and red sans-serif Deco marquee. Once inside, you encounter a nearly 20ft high chromatic ceiling ticketing foyer, followed by a minimally modern concession stand, and finally culminating in the most mindfucking auditorium punctuated by a starry night twice the size of the Music Box Theatre’s. It’s a series of effects that contemporary architects can’t even fathom approaching i.e. using color to form, shape, line and syncopate a procession, not as appliqué.

Patio’s use of color is palpable and interactive. The culmination of this comes in the auditorium’s screen covering that employs classic vaulting effects with an abundance of color to achieve simulacrum by easily inhabiting both traditional building technique (without traditional necessity) and pushing nuanced ornateness in graphic (without being kitsch).

Auditorium – Starry night, Chateau Window Walls and monumental vault screen enclosure

Sitting there watching a Samurai classic like Shogun Assassin on a Saturday night in Portage Park, not Lakeview, Logan Square, Southport or any other “hot spot” is an added bonus to this prismatic gem. Architecture ‘looks’ all the time and the colorful Patio Theater trumps most classic Chicago movie houses in terms of how comfortable it is in its own skin – inside and out.

The Patio Theater is located at 6008 W. Irving Park Rd, Chicago, Illinois 60634.

TRENDING: Music

Fish, the band, at The Chicago Music CD showcase at The Mutiny on Thursday Night Photo courtesy of Chicago Music CD Record Label.

Cla$$’s 3ft triangle stole the show. Photo courtesy of Chicago Music CD Record Label.

My Bad’s Scott Reeder takes a selfie with adoring fans. Photo courtesy of Chicago Music CD Record Label.

TRENDING: Music

#FREETHEUNIVERSE takes over The Mutiny Thursday night. Photo courtesy of Chicago Music CD Record Label.

Now you can stop dreaming about it. Nick Cave(s) sighting courtesy of Caroline Picard.

Everything we know about Passover we learned at Bobby Conn‘s final residency performance at the Hideout last Tuesday. His full band including Tim Jones fronted brass section was nothing short of a Pesach miracle.

Respect the crown: Kim Gordon with White/Light at the MCA last Tuesday night.




EDITION #5

March 18, 2013 · Print This Article

MCA programming edgier than a basement party in Pilsen

In her recent AFC review, Robin Deluzen wrote that the MCA is “on a roll” and What’s the T? couldn’t agree more.

This Tuesday will mark the opening of Jason Lazurus’ much anticipated and hotly discussed 12×12 BMO Harris Bank Chicago Works Exhibition. The exhibition appears to actually be three in one and has more programming than Michigan Avenue has drunk people on St. Patricks Day. The schedule includes (but is not limited to) signs for strolling, piano performances, a gif film screening (April 18th at Gene Siskel Film Center/ Conversations the Edge), and sign-making tutorials. The exhibition(s) and performances will be on view through June 18th.

Next Tuesday, March 26th, Chicago’s White/Light will be performing with [freaking] Kim Gordon. The only thing more exciting would be a Sonic Youth secret reunion show, but WTT? isn’t complaining. Tickets are free (!), but space is limited. Get our your camping gear out, this will be one for the ages.

As if all that and a bag of chips wasn’t enough, Oak Park natives, Tavi Gevinson and Jonah Ansell will be at the museum on April 23rd to discuss their work on the animated short, Cadaver. No offense Jonah Ansell, but OMG TAVI! The event includes a screening of the short and a discussion with Gevinson and Ansell moderated by Heidi Reitmaier, the MCA’s Beatrice C. Mayer Director of Education.

Oak Park Suburbanites, Gevinson and Ansell

Reading is Fundamental

Local band Fish proves e-cigs still trending. Image courtesy of The Foundation for Jiggles.

Local bands play music at bar

If you’ve ever walked by The Mutiny, you’ve probably noticed the “Bands Wanted” notice prominently displayed in their front window. If you’ve ever actually been inside the Fullerton Ave bar, you probably know why.

Regardless, a consortium of artists from The Hills to The West Pilsen Sculpture Garden have somehow managed to further expand their practices and are now “with the band, man.” The innocuously named “Chicago Music CDs showcase / CD release party” promises to be a glorious happening of music and stuff.

The show will feature “emerging new chicago music and experimental performance talent” such as FREE THE UNIVERSE (members of Fish, New Capital, Auditor), Fish (members of FREE THE UNIVERSE, Auditor), Ghosts (members of My Bad) and My Bad (members of Ghosts), amongst other bands no one has ever heard of because they probably didn’t exist until this show.

At least it’s free.

Thursday, March 28th at 8PM. The Mutiny 2428 N Western Ave, Chicago, Illinois 60647.

Michelle Obama has bangs!

Brandon Alvendia’s Sofa King What?

Show was worth the trek to Bridgeport. His practice invigorates others and that’s what’s important.

Header image is a detail shot of Heather Mekkelson‘s recent installation at +medicine cabinet in Bridgeport, near Sofa King.

‘The Alley’

SMALLTIME ARCHIPHILE:

The Fireside Bowl

‘Over the line’ and ‘Hey motherfucker, we’re that Spic band’ aren’t two expressions you might simultaneously hear unless you like The Big Lebowski and Los Crudos. But you may have heard it at some point in the 1990s while bowling your mediocre 104, eating a pizza and watching an iconic hardcore punk show at Fireside Bowl. Seldom do you get the productive slippage between national slacker pastime and radical teenage angst that would have been a mainstay at Fireside. This modern gem modularly clad in red-and-white metal tile façade, symmetrically planned with bowling on one end and horizontal circulation on the other, activating corner spaces where the action happened – stage left and bar right – looks more like a Firestone than a punk bowling alley.

Los Crudos show, 1999

Beginning with its 40 ft signage that is part pop-advertising, part surrealist call-to-bowl, Fireside’s modernism plays out in typical plan, allowing basic front-to-back bowling to occur next to stage dives, dog piles and circle pits in a circulatory space no wider than 15 ft – folding slow-paced sport and high-energy hardcore into the same form. Sporting seedy bar décor and MS-DOS-like scoring machines, Fireside’s ability to transport you to a time you never experienced is uncanny. Built in the 1940s, no doubt typified by modernist aesthetic leanings, Fireside is a monument to simplicity of a pre-digital era, where you could’ve killed two birds – bowling and slamdancing – with one roll.

Night shot of Fireside facade

Fireside still has shows, although not as iconic or plentiful as this show list from the mid 90s. Take a gander, go to Logan Square and be a shitty bowler, while this building still exists between eras, pastimes and subcultures, easily annihilating any validity to cosmic bowling.

The Fireside is located at 2646 W Fullerton Ave, Chicago, IL 60647.

Alvendia and Sofa King proprietor Christopher Smith speaking with a visotor at the opening.


Comfort Station regains will to comfort

The much-beloved Logan Square Comfort Station is much-missed during the winter months when the tiny art shelter is too cold to host their usually full schedule of exhibitions, screenings and musical performances. As a result of actual community effort, the 1915 structure is embarking on a much needed and environmentally friendly weatherproofing, funded in part by a Kickstarter and in-partnership with Logan Square business, Biofoam, a sustainable insulation company.

Limited Edition Print by Sonnenzimmer available through contribution to LSCS Kickstarter Campaign.

Not only will the Comfort Station get a physical makeover, their programming returns on Saturday, April 6th* with the exhibition “Sounds from the second floor: Isak Applin and Adam Ekberg”. What’s the T? has also heard rumors of a brand new website and more new programs for the Station’s 2013 Season.

Comfort Station Logan Square has impressively reached their Kickstarter goal with over a week to go, but if you donate now you still have a chance to get the most Logan of Squares tote bag possible and your name on a list alongside Chicago art luminaries and trendsetters (this reporter included).

* Which is, thankfully, not in conflict with the April 7th two-hour Mad Men Season 6 premiere.




Play By Play : What to Expect in the Coming Months

January 18, 2013 · Print This Article

tt-green-tennis-court

I came on as the Managing Editor of the Bad at Sports blog about a month ago. It’s been an exciting turn and I hope to do well by it. A few people have asked what my vision going forward is, and I thought I might say something about it here. I hope to continue reflecting on the dynamic energy in Chicago’s contemporary art world while connecting to conversations and aesthetic agendas in other cities and disciplines. That agenda was set in place a while ago and I believe I can continue to guide and focus that intention. There is room for experimentation in that vision, which seems necessary to me. Bad at Sports has never presented a tidy, singular package and as such, I believe it would go against the nature of the project to filter content and tone through a single, editorial lens. Its roots in independent, DIY and Punk Rock collectivism remain at the heart of the project’s vitality and the blog is a platform for unique and individual voices that pass through the subject of contemporary art and culture. As such it becomes a nexus of concerns and responses to culture at large. That is something I hope to preserve under my stewardship. As an artist-run forum, Bad at Sports has the unique capacity to reflect on a host of subjects, exposing the intellectual, aesthetic and social networks that define and subsequently influence cultural production. I believe it is our job to explore and discuss the contexts we inhabit. In doing so, we further establish a living touchstone and future archive of contemporary discourse.

Some changes should be apparent already — others will fall into place like pieces of a puzzle in the coming months. The process is organic, but I’ve been trying to set up a casual, thematic architecture  that unfolds over the course of a given week. Eventually, I hope to schedule two posts a day, one before 2pm and one after. Built in to this, is room for special occasions and guest writers — those posts would either go live in the evenings, or fill in existing gaps. To that end I’ve been inviting a number of new writers, many of whom I have admired for a long time.

Here is something of a loose schedule:

Mondays: Essays and reflections from old favorites Jeriah Hildewin, Shane McAdams and Nicholas O’Brien — writers who have been posting with consistent dedication. In addition, I’m excited to announce a new bi-weekly column by Dana Bassett, whom you may know for her ACRE Newsletters.

Tuesdays are dedicated to three subjects: Performance, Social Practice, Language (or the performance thereof) and Object Oriented Ontology. Confirmed participants include longstanding contributor Abigail Satinsky and Mary Jane Jacob (Social Practice), Anthony Romero and João Florêncio (performance), Gene Tanta (language), Robert Jackson (OOO).

On Wednesdays, we will read about artists and art in other cities. The following writers will post on rotation: Jeffery Songco is covering the Bay Area, Sam Davis continues to represent Bad at Sports’ Los Angeles Bureau, Sarah Margolis-Pineo is writing about Portland. Juliana Driever will be relaying posts, interviews and artist profiles about New York, and then we’ll bring it back to the Midwest with Kelly Shindler’s dispatch from St. Louis, and Jamilee Polson Lacy writing about Kansas City.

Thursdays herald our illustrious Stephanie Burke’s Top 5 Weekend Picks and a new monthly contribution from author/translator Johannes Göransson whose writing you can also find here.

Fridays have been set aside for art reviews and artist profiles with contributions from Danny Orendoff, Monica Westin, Abraham Ritchie and myself.

WEEKENDS will feature a range and flux of the above, plus Brit Barton’s Endless Opportunities, cultural reflections and short essays by Terri Griffith, continued posts from Jesse Malmed, in addition to a monthly contribution from the newly confirmed Bailey Romaine and Adrienne Harris.

My last note is this — there is room in this schedule for additional posts, posts that would feature special events, festivals and conferences in the city. That space would also be available to, at times, connect the blog and the podcast. As a first indication of this, we will be highlighting IN>TIME, a performance festival that is going on as we speak, from January until March.

Otherwise if you have any comments, suggestions or, even guest posts you would like to submit, please feel free to contact me at: caroline@lanternprojects.com