This week: The epic Industry of the Ordinary show! Duncan and Richard interview Adam Brooks and Matthew Wilson who are Industry of the Ordinary. Go check out their show at the Chicago Cultural Center!
“Through sculpture, text, photography, video, sound and performanceÂ Industry of the OrdinaryÂ are dedicated to an exploration and celebration of the customary, the everyday, and the usual. Their emphasis is on challenging pejorative notions of the ordinary and, in doing so, moving beyond the quotidian.”
This week: SoPra fest continues, the usual cast of characters talks to Stephen Wright about what is and isn’t art.
Stephen Wright is an art writer, independent researcher and curator and professor of art history and theory at the Ã‰cole europÃ©enne supÃ©rieure de l’image (Angouleme / Poitiers). Former research fellow in the “Art and Globalisation” programme at the Institut national d’histoire de l’art (Paris) and programme director at the CollÃ¨ge international de Philosophie (Paris), he is a founding user of the Usual College of the Academy of Decreative Arts. He has organised conferences at Tate Modern (London), Columbia University (New York), Palais de Tokyo (Paris), INHA (Paris), MusÃ©e d’art contemporain (Montreal), Aksanat (Istanbul), Videobrasil (Sao Paulo)… Member of the International Art Critics Association, former European Editor of the Montreal-based contemporary art journal Parachute (1997-2005), and editorial board member of the London-based journal Third Text, he has written widely on emergent art and art-related practice as forms of knowledge production in a context of globalisation.
As a curator, he has produced a series of exhibitions and publications dealing with art practices with low coefficients of artistic visibility, including The Future of the Reciprocal Readymade (New York, 2004), Dataesthetics (Zagreb, 2007), Rumour as Media (Istanbul, 2006), Palestinian Products (Cairo, 2005), Recomposing Desire (Beirut, 2008) and Diggers All! (Montreal, forthcoming 2010).
Laureat t of the European Art Essay competition (2008), he is currently working on the book-length essay Arbitrating Attention, and is putting together a collection of essays, Specific Visibility. A selection of his writings are available on the blog n.e.w.s. to which he is an active contributor,http://northeastwestsouth.net/node/56
This week: More SoPra! From the Open Engagement 2012 Duncan, Abby Satin Sky, Randall, Jesse, and Brian team up against Sal Randolph!
Sal Randolph lives in New York and makes art involving gift economies, social interactions, public spaces, texts, and instructions, including Opsound, (a site for the exchange of copyleft music) the Free Biennial and Free Manifesta (a pair of open guerrilla ‘biennials’), Free Words (a book infiltrated into bookstores and libraries), and Money Actions (an ongoing series of interventions in which she gives away money to strangers.
Her Money Actions have been part of the 2011 Ljubljana Biennial, the Live Biennale in Vancouver, Art in Odd Places, and textual version have been exhibited at Christina Ray Gallery. Other projects have taken place at Manifesta 4, Roda Sten, the Palais de Tokyo, Burofriedrich, Art Interactive and Pace Digital Gallery. In early 2012 she was an artist in residence at Proteus Gowanus in Brooklyn where she offered members of the public free tickets to unknown destinations.
Recently she has also performed live with her manual typewriter as part of ‘And the Winner is Nick Kahn’ at the Cantor Fitzgerald Gallery at Haverford. Her work has been commented on in Olav Velthius’ Imaginary Economics; Contemporary Artists and the World of Big Money, Eileen Myles’ The Importance of Being Iceland, as well as on National Public Radio and in The Art Newspaper, Tema Celeste and the Village Voice.
She is currently investigating games, recipes, algorithms, codes, and texts, playing video games, and writing about about experience, participation, and value in art.
This week: Duncan, Brian, Abigail Satinsky and special guest host Jacob Wick (MFA candidate in social practice at CCA in SF, he has a hot dog stand and it’s art….kidding….kidding) talk to Sean Joseph Patrick Carney about @socialmalpractice, Fuck James Franco and more more more! Everyone gets silly, editing was exciting. After that Richard and Max report live from the Chicago Toy and Game Fair. Max thinks the Star Wars nerds from the 501st are scary as hell.
Sean Joseph Patrick Carney is an artist, educator and writer living and working in Portland, Oregon. He has exhibited original work and performances nationally and internationally in New York, San Francisco, and Amsterdam, amongst others. Carney’s interdisciplinary art practice includes stand-up comedy, sculpture, performance, sound, critical writing, satire, and public happenings. He is the founder and director of Social Malpractice Publishing, an artist book distributor. In 2011, he co-founded the Conceptual Oregon Performance School (C.O.P.S.), a free, artist-run summer institute focused on contemporary performance strategies and critical theory. Carney earned a BFA in Printmaking with a Minor in Secondary Education from Arizona State University in 2004, and an MFA in Visual Studies from Pacific Northwest College of Art in 2009 where he now works as an arts administrator in the Graduate Studies Department and as a faculty member in Intermedia.
This week: We kick off with the most depressing intro ever (yet still hilarious) and then get to the good stuff. We talk to Shannon Jackson at the Open Engagement conference, preceded by a (unfortunately) truncated conversation with Jen Delos Reyes.
Shannon Jackson is Professor of Rhetoric and of Theater, Dance and Performance Studies. She is also currently the Director of the Arts Research Center. Her most recent book is Social Works: Performing Art, Supporting Publics, and she is also working on a book about The Builders Association. Other awards and grants include: Lilla Heston Award for Outstanding Scholarship in Performance Studies (NCA); Junior Faculty Fellowship, Radcliffe College; the Kahan Scholarâ€™s Prize in Theatre History (ASTR); the Spencer Foundation Dissertation fellowship; the Black Theater Network; the National Endowment for the Humanities, and several project grants from the Walter and Elise Haas Fund, UCIRA, the San Francisco Foundation, and the LEF Foundation. Selected adaptation, performance, and directing credits: White Noises, The Smell of Death and Flowers, Hull-House Women, Catastrophe, The Successful Life of 3. Jackson serves on the boards of Cal Performances, the Berkeley Art Museum, and the Berkeley Center for New Media. She serves on the editorial boards of several journals, has been a keynote speaker at a variety of international symposia, and has co-organized conferences and residencies with the Arts Research Center, The Builders Association, Touchable Stories, American Society of Theatre Research, the American Studies Association, the Women and Theatre Project, Berkeley Repertory Theatre, the Multi-campus Research Group on International Performance, and UCBâ€™s Center for Community Innovation. Jackson was an Erasmus Mundus visiting professor in Paris at the Maison des Sciences de lâ€™Homme Nord and at the UniversitÃ© Libre de Bruxelles for the 2008-09 academic year. Before moving to Berkeley, Jackson was an assistant professor of English and Literature at Harvard University from 1995 to 1998.
Jen Delos Reyes is an artist originally from Winnipeg, MB, Canada. Her research interests include the history of socially engaged art, group work, and artists’ social roles. She has exhibited works across North America and Europe, and has contributed writing to various catalogues and institutional publications. In 2008 she contributed writing to Decentre: Concerning Artist-Run Culture published by YYZBOOKS. In 2006 she completed an intensive workshop, Come Together: Art and Social Engagement, at The Kitchen in New York. She has received numerous grants and awards including a Social Sciences and Humanities Research Council of Canada Grant. She is the founder and organizer of Open Engagement, a conference on socially engaged art practices. She is currently an Assistant Professor and teaches in the Art and Social Practice MFA concentration at Portland State University.