This week: Artist and videographer Jillian Mayer!
Born in 1984 in Miami, the artist and filmmaker Jillian Mayer lives in South Florida. Her work has been shown at the Utah Museum of Fine Arts, Salt Lake City (2014); Orlando Museum of Art, Orlando, FL (2014); Locust Projects, Miami (2013); Museum of Modern Art, New York (2013); Bass Museum of Art, Miami (2012); and World Class Boxing, Miami (2012). Her video Scenic Jogging was one of the 25 selections for the Guggenheim’s YouTube Play: A Biennial of Creative Video and was exhibited at the Solomon R. Guggenheim Museum, New York; Peggy Guggenheim Collection, Venice, Italy; Guggenheim Museum, Bilbao, Spain; and Deutsche Guggenheim, Berlin (2010). Her videos have also been shown at the Rotterdam Film Festival (2014); Sundance Film Festival (2012, 2013); SXSW, Austin, TX (2012, 2013); and New York Film Festival (2013).
A recipient of the Sundance Institute New Frontier Story Lab Fellowship (2013); the Zentrum Paul Klee Fellowship, Berne, Switzerland (2013); the Cintas Foundation Fellowship, New York (2012); and the NEA Southern Constellation Fellowship at Elsewhere Museum, Greensboro, NC, Mayer was included in the “25 New Faces of Independent Film” by Filmmaker Magazine (2012). She was recently featured on the cover of ART PAPERS. Mayer is represented by David Castillo Gallery, Miami.
This week: Shame on us, we are still posting audio from Miami 2013! This week we talk to Tatiana Hernandez of the Knight Foundation.
Tatiana Hernandez joined Knight Foundation in 2011.
She leads the Knight Arts Challenge, Knight’s open contest for discovering the best arts ideas in Miami, Detroit, Philadelphia and St. Paul. Through her work, she manages a portfolio of over 350 grantees, totaling nearly $100 million in investments.
Hernandez serves on the boards of the National Association of Latino Arts and Cultures and Machine Project, an experimental artist space in Los Angeles. She was named a 2014 Marshall Memorial Fellow, a program of the German Marshall Fund.
Before coming to Knight Foundation, Hernandez worked on issues in public education, most recently as the development director at Green Dot Public Schools where she oversaw $15 million per year in funding and was responsible for over $2 million in new support. Prior to her work in education, she served as the deputy director of programs for Best Buddies International, a Miami-based nonprofit that builds one-to-one friendship opportunities for people with intellectual disabilities.
Hernandez has written and spoken on the importance of new organizational models, equity in grantmaking and innovation in the arts.
This week: Brian and Patricia are joined by sound artist and Machine Project collaborator Chris Kallmyer to sit down with PAULINE OLIVEROS on the eve of her performance at the UC Berkeley Art Museum.
Oliveros is a revered figure in contemporary American music. Her career spans fifty years of boundary dissolving music making. In the ’50s she was part of a circle of iconoclastic composers, artists, poets gathered together in San Francisco.
Recently awarded the John Cage award for 2012 from the Foundation of Contemporary Arts, Oliveros is Distinguished Research Professor of Music at Rensselaer Polytechnic Institute, Troy, NY, and Darius Milhaud Artist-in-Residence at Mills College.
Oliveros has been as interested in finding new sounds as in finding new uses for old ones –her primary instrument is the accordion, an unexpected visitor perhaps to musical cutting edge, but one which she approaches in much the same way that a Zen musician might approach the Japanese shakuhachi.
Pauline Oliveros’ life as a composer and performer is about opening her own and others’ sensibilities to the universe and facets of sounds. Since the 1960’s she has influenced American music profoundly through her work with improvisation, meditation, electronic music, myth and ritual.
Pauline Oliveros is the founder of “Deep Listening,” which comes from her childhood fascination with sounds and from her works in concert music with composition, improvisation and electro-acoustics. Pauline Oliveros describes Deep Listening as a way of listening in every possible way to everything possible to hear no matter what you are doing.
Such intense listening includes the sounds of daily life, of nature, of one’s own thoughts as well as musical sounds. Deep Listening is my life practice,” she explains, simply. Oliveros is founder of Deep Listening Institute, formerly Pauline Oliveros Foundation, now the Center For Deep Listening at Rensselaer.
As we sit back and ponder the upcoming Miami Basel, we share Dawn Kasper one of our favorite friends we made at last year’s Pulse Miami where we were supported by Cannonball. The conversation ranges from death- to children- to strip clubs. Enjoy.
This week: Dr. Robert Cozzolino Senior Curator and Curator of Modern Art, at the Pennsylvania Academy of the Fine Arts talks the forthcoming UofC Press book on the History of art in Chicago and more! Next, Sarah Trigg talks about her book Studio Life: Rituals, Collections, Tools, and Observations on the Artistic Process.
In googling for pictures I stumbling across a website dedicated to obscure noise albums on which they have info on a record that turns out to be a bootleg album of music Bob and I did together in the mid 90s that some industrious Finnish lad was churning out copies of. You can download it.
They really did love us in Finland.