I received a copy of Arty Party in the mail a few weeks ago. Created by Sara Drake and James Payne the comic came about while taking both an art history and comic class at the same time. As their website notes; “Arty Part started when Sara was having trouble writing one panel gags for her comics class. The easiest answer to this was, of course, to make fun of artists. I posted the initial three we made togetherÂ here. We were tonally and visually inspired byÂ The New Yorker cartoons but also by the over-the-top stupidity of Johnny Ryan’sÂ Angry Youth Comix and Ivan Brunetti’sÂ Haw!. The material came directly from the History of Art 541 course taught by Kris Paulsen that I took last fall. The class was based on David Joselit’s bookÂ American Art Since 1945.” I have seen some of Sara’s other work and enjoyed the quick read. Banalization has a pretty sweet viewer set up for the comic itself, but if you are interested in purchasing a copy either check out the following locations:
I just started reading Six Nonlectures by E.E. Cummings and I love it. Each time I set down my book I fantasize about being a Harvard grad class of 1936 (or earlier) and I want to write in that canonical W.A.S.P.-yÂ literary style. A style first introduced to me in middle school through The Great Gatsby and Catcher in the Rye, and later impressed upon me in college through Burroughs, Stevens, Kerouac, and other dudes. These frequently referenced stories are part of an American myth that I can’t seem to shake.
My friend Paul Cowan knows what I’m going through. He recently released a collection of short stories entitled The Music and the Wine that follow a series of unnamed protagonists through everyday scenarios. The vignettes are about “nothing,” meaning ideas that are hard to describe: why your favorite pants are your favorite or what it feels like when someone steals your jokes. Paul once told me that he thought reading fiction was indulgent and his writing is decidedly enjoyable.
The Music and the Wine is a bizarre homage to the great American novel. In Wilke Dairy Co. Cowan acknowledges his indirect nostalgia for a time that only really exists in retrospect. He celebrates the Midwest and the 1950s. In Wilke Dairy Co. the narrator recalls a perfect night making out with Ann Wilke, a dairy heir, in her parents’ basement. The narratives are funny, nearly satirical, and my favorite is about a divisive social butterfly. It begins, “Itâ€™s a thin line between love and hate. And I never walk that line.â€
The Music and the Wine is available from Paul Cowan and Golden Age. On Saturday, March 27th 7-10pm please join us at Golden Age for Alla Prima, a show of new works by Paul Cowan. Visit www.shopgoldenage.com for more information.
The kind folks across the pond at The Wizard’s Hat sent me two copies of Issue 03 (The Magic Number) of their illustration zine to give away. â€œThe Wizard’s Hat is an illustration house & zine created by Jeffrey Bowman and Andy.J Miller as the platform for producing collaborative projects under one name. The house focuses itself on self initiated projects involving many of today’s most established illustrators as well as producing its own body of projects based on their love of illustration.â€
Jim Stoten, Olimpia Zagnoli, Gemma Correll, Will Bryant, Nick Deakin, Nousvous, Robert Loeber, MrGauky, James Gulliver Hancock, C86, HeyHeyHey, Zeptonn vs. Welmoet, Kipi Ka Popo, Edward McGowan, Ashkahn Shahparnia, John Ringhofer, Andy J.Miller, Jeffrey Bowman
John Ringhofer,Â Half Handed Cloud, Jim Stoten, Jimtheillustrator, Andy J.Miller, ‘Ponstinople Clones’ feat Nick Philpin
Hit me up if you want a copy. First two people will get one.