Back in the beginning of June, Creative Time and artist Paul Ramírez Jonas set up a kiosk in New York City’s Times Square and gave away free keys to the city to groups of two. Keys that would enable the duos to see rarely visited or in some cases previously unacessable areas in all five boroughs.
Places such as:
- Brooklyn Museum
- Gracie Mansion
- Whitney Museum of American Art
- The Metropolitan Museum of Art
- The Louis Armstrong House Museum
- Among many others
The awarding of the keys has a small amount of built in pomp and circumstance requiring there to be two and that each oratorically awards the key to the other declaring why that person has earned this right.
None of the destinations are life altering or that exclusive (some are just dressed up marketing attempts) but it is a wonderful treasure hunt of sorts even if at times we do not like treasure hunts and an excellent artiface or conceit to excitingly get people to venture out into the city beyond the usual commercial destinations. To see the romantic corners & rooms of NYC so to speak.
The Art project was a kind of API but instead of allowing computers to share data or tools it empowered people with the theater, opportunity and open ended purpose to expand on it if they so desired, a Art Project Interface of sorts. Many have built other projects on top of it from bike routes, water gun assassinations to interestingly extending the romantic couple metaphor into literal dates.
Thats what Lauren Burke, a 26-year-old Manhattan lawyer, art reporter and photographer decided to do. Turning each of the locations into a date with the following statement:
Take one single girl, the most inspiring public art project yet, and summer in New York City and you have the idea for a perfect blog:
After being presented with the key to the city and now having the ability to unlock 24 secret sights around all five boroughs, 24 dates will be had throughout the summer, seeing if both love and intrigue can exist in the city where no one sleeps.
1) Every first date this summer must somehow incorporate a key to the city site
2) Each sight can only be visited once before another sight is visited.
3) Men or women may be repeated before sites, meaning that a site may be visited on a second date if the man or woman warranted a second visit.
4) No ex-boyfriends allowed as sight visits unless they too are warranting a second visit.
5) As the key to the city project is to expand our city horizons, each site visit date must also incorporate a food or drink spot never before tried.
5) Whoever wins my heart also wins my second key to the city.
6) Have fun, love life, love NYC, love love.,
So with summer approaching, 4th of July celebrations this weekend and a economy/job market that just keeps going down like it was from Jersey and in The Situation‘s room (not you Blitzer) find that special someone and explore the little known hidden free gems of your city or town with them. I have every intention to.
This week Patricia and Brian sit down again with Lawrence Rinder. In the last interview, they discussed his role as the director of the Berkeley Art Museum and Pacific Film Archive, and it new building campaign. In this conversation they focus on his curatorial career, and his most recent exhibition Galaxy: A Hundred or So Stars Visible to the Naked Eye. Previously he was the Dean at California College of the Arts, curated for the Whitney Museum of American Art, and founded the Wattis Institute for Contemporary Art at CCA. Read more
Are re-blogged links the blogger’s version of the sitcom flashback episode? Uh, maybe, but in any case, here’s a partial and purely subjective roundup of the past week in art, culture, etc. in Chicago and beyond, via a whole mess o’ handy links, of course….
*New City art editor Jason Foumberg has a nice recap along with some thoughtful analysis of last week’s “The Invisible Artist: Creators from Chicago’s Southside” panel discussion at the School of the Art Institute. UPDATE 4/4: There is some very interesting, enlightening, and pretty damn sharp back-and-forth going on in the comments section of this article by panel participants and others who strongly disagree with (or have misunderstood) Foumberg’s assessment of the panel and the issues it addressed.
*The mass firings of adjunct fine art faculty at Parsons The New School for Design: blogger Hrag Vartanian’s coverage has been some of the most thorough thus far. Check out his posts here, here and here as a start.
*Time Out Chicago writer Lauren Weinberg has a piece this week on the ways in which Musuems in Chicago and elsewhere are using social media.
*Big yawn: on the Twitter front, an update on @platea’s Twitter happening I blogged about a few weeks ago. UPDATE 4/4: NewCity reported on what happened during the Twitter Island project discussed in that same blog post, here.
*Via C-Monster: The Architecture of the Drug Trade. A fascinating look at the landscape of weed and the architecture of the grow house. Especially loved the comparison of the latter to Max’s bedroom in Where the Wild Things Are.
*Paddy Johnson of Art Fag City writes for The L Magazine on why Jenny Holzer is not the patron saint of Twitter in her review of Holzer’s Protect Protect Project, which originated at the MCA and is now at The Whitney.
*And finally, the hermeneutics of “pin diplomacy”: via Artnet Magazine, Madeleine Albright’s pin collection to be shown at the Museum of Arts & Design in New York. Pins weren’t mere jewelry for Albright, they added a subtle layer to her diplomatic efforts. She wore a bee pin when talks were getting pointed, a balloon pin when she felt hopeful, and a snake pin after Sadaam Hussein’s people called her a serpent. I’m so there!