This week: From our residency at Expo Chicago 2013 we talk to the new (as of June 2013) Director of the Renaissance Society at the University of Chicago, Solveig Ovstebo.
Applications are now open (and quickly closing!) for Artist-In-Residence program at the University of Chicago.
The Arts + Public Life Initiative and the Center for the Study of Race, Politics & Culture invite applications for their joint 2012/13 Artist-in-Residence Program beginning November 2012 and culminating in a public exhibition at the Reva and David Logan Center for the Arts in August 2013.Â The program awards a ten-month residency to outstanding Chicago-based artists and collaborativesâ€”with an emphasis on those whose work critically engages issues of race and ethnicityâ€”and provides the opportunity to (1) draw on the University of Chicagoâ€™s resources, critical faculty, and student body to develop, advance, and disseminate their work; (2) deepen individual practices through critique, public engagement, skills and knowledge sharing; and (3) create a space where personal inquiry and collaborative relationships can flourish.
With the â€œcity as laboratoryâ€ framework, we invite creative professionals to explore how they can impact campus, community, and city alike. Artists selected for this program are at all stages in their careers and work in all disciplines, including drawing, painting, sculpture, photography, film, video, new media, installation, fiction and nonfiction writing, poetry, dance, music, interdisciplinary, social practice, and architecture.
more info here
Deadline: September 7th, 2012
This week’s newsbits
While you were busy getting high on bath salts this week, it was announced that international badass and Chicago-based artist Jessica Stockholder is set to begin making Chicagoâ€™s largest public artworkâ€¦ever.
From the press release:
[The artist and a team of workers] will install, piece-by-piece, Color Jam, Stockholderâ€™s three-dimensional vinyl artwork containing flashes of color and geometric shapes that spill from building facades onto the sidewalk and streets, commissioned by Chicago Loop Alliance.
The piece will be surrounding buildings, sidewalks and streets at the intersection of State and Adams Streets in the Chicago Loop.
The official â€œopeningâ€ of Color Jam will be on Tuesday, June 5th at 10 am.
Press release fun facts:
Color Jam is the largest public artwork in Chicagoâ€™s history and the largest contiguous vinyl project in the U.S. It is composed of over 76,000 square feet of colored vinylâ€”enough material to make 50,000 vinyl records, wrap over 130 city buses or cover one and a half football fields. Printing Color Jam on a standard HP home printer would require 2,100 ink cartridges and 180 hours of continuous printing.
Follow the live streaming at www.colorjamchicago.com. The public artwork will be at the intersection of State and Adams Streets from June 5 through September 30, 2012.
Susanne Ghez, who has led The Renaissance Society since 1973, has informed the Board of Directors of The Renaissance Society of her intention to step down from her position as Executive Director and Chief Curator in January 2013.
Throughout her 40 year tenure, Ghez has introduced Chicago to many groundbreaking artists, including Robert Smithson Joseph Kosuth, Feliz Gonzalez-Torres, Arturo Herrera, Laura Letinsky, and Kara Walker. Understanding the necessity of the artist catalogue, she decided to expand the museumâ€™s publication program and helped to facilitate the museumâ€™s digital archive and website.
From 1999 to 2002, she served as co-curator of Documenta 11 and continued to widen the international scope on Chicago arts. In 2002, Ghez was awarded the 2002 International Lifetime Achievement Award for Curatorial Excellence from Bard College Center for Curatorial Studies.
The Renaissance Society is an internationally renowned non-collecting museum of contemporary art located on the campus of The University of Chicago, at 5811 South Ellis Avenue, 4th floor, Chicago, IL 60637. The board of The Renaissance Society has formed a transition committee that is working with executive search firm Phillips Oppenheim to identify the museumâ€™s next leader.
Some exciting, if no-longer-breaking news: as has been rumored for awhile, last week it was announced that artist and Playmobil dragon collector Jessica Stockholder will join the faculty of the University of Chicago’s Department of Visual Arts (DOVA) and will serve as the department’s new Chair. Her appointment will begin July 1st. Stockholder had been a faculty member at Yale University’s School of Art since 1999. She joins DOVA at a time when big changes are in the works, including the new Reva and David Logan Center for the Arts, slated to open in Spring of 2012 and which will house the department as well as studio, teaching, rehearsal, and performance space for a number of campus arts programs. The Logan Center is said to have been a key factor in Stockholder’s decision to join the U of C faculty.
Stockholder’s appointment is part of DOVA’s overall effort to energize a department that is known for its interdisciplinary focus. In the press release announcement, Stockholder emphasized her own history of crossing mediums: â€œI donâ€™t consider myself either a painter or a sculptor. My work is very pictorial at its core, even though it involves space and material.â€
Check out this quick but informative interview with Stockholder conducted by ArtInfo last February. The bit about Stockholder “moving to Hyde Park in Chicago over the summer” pretty much gave the big news away then, but it’s nice to have all the rumors confirmed. Stockholder is a terrific artist, engaging and accessible, too — and for God’s sake, she collects Playmobil dragons — what more could you ask for in a faculty member or Department Chair? DOVA has chosen most wisely, methinks.
This week: Duncan talks to installation and performance artist Tania Bruguera.
Tania Bruguera (born 1968, Havana, Cuba) is a Cuban installation and performance artist, trained at the Instituto Superior de Arte in Havana and at the School of the Art Institute of Chicago. Bruguera’s work pivots around issues of power and control.
She lives and works between Chicago and Havana. She is the founder and director of Arte de Conducta (behavior art), the first performance studies program in Latin America, which is hosted by Instituto Superior de Arte in Havana. She is also an Assistant Professor at the Department of Visual Arts of The University of Chicago, United States and is an invited professor at the University IUAV in Venice, Italy.
A March 2009 performance by Tania Bruguera, at an arts centre in Havana, has been involved in controversy. During the performance Tania Bruguera put up a microphone and told people in attendance they could say whatever they wanted for one minute. Various of the attendees use the opportunity to ask for â€œfreedomâ€ and â€œdemocracyâ€. One of these was the awarded blogger Yoani Sanchez. The Cuban government denounced this in a statement saying that it considered â€œthis to be an anti-cultural event of shameful opportunism that offends Cuban artists and foreigners who came to offer their work and solidarity.”
Another controversial performance in September 2009 in the National University of Colombia (Bogota branch), included consumption of cocaine provided by the artist to the attendants. According to University officials, the artist asked for permission to carry a weapon and use cocaine but permission was denied.