An Introduction to Relational Aesthetics and Social Practice

By the title of this essay I imply not that I am providing an introduction to this topic, for the uninitiated, from the perspective of experience.  Rather, I intend to share the experience of my own introduction to this topic, in preparation for a course I will be...

An interview with Adam Overton in his home

My whole experience, though, is just one of transitioning from one medium to another and feeling like there’s a thread running throughout all of it and therefore I don’t know this thing anymore. So for instance, you know I was a jazz drummer, and there were many moments where I just realized once I got into the computer, doing computer music, that I don’t need drums to do the thing that I want to do. And with jazz, one of the attractions was this notion of moment-form, like being in the moment, and this notion of working intuitively or even psychically with other people, and working within constraints or structures together and seeing what happens, and those sorts of things have continued in some shape or form throughout. So the mediums keep shifting, but…the general progression is like jazz drums, sensors attached to the body, then there was a big breakthrough halfway through grad school where it was, um, what I call biometric pieces, but minus the sensors where we used our fingers instead, where it was like checking someone’s pulse at the neck and watching their blinks. And all the sudden the tunnel vision got like this because all the sudden you’re staring into someone’s eyes for sixteen minutes in a piece and it’s really intimate and it was like “wow, this is amazing and it’s so much fun and really weird and I’m falling love with people just looking at them,” and it’s really uncomfortable…

“All the leaves are brown and the sky is grey…”

“All the leaves are brown and the sky is grey…”

Since moving here, I’m beginning to wonder if Los Angeles is just a microcosm – I hate that word, but there you go – of the US generally. In Los Angeles, there is a horrific gap between the rich and the poor; general public disregard for public institutions; shitty public transit; overwhelming belief in outmoded or disappeared dreams. Proposition 13 heralded a nationwide tax revolt and subsequent gutting of social services, leading in part to the evacuated and disjunct nation we have today. And if art can do anything in LA, perhaps it is a signal of what art – or anything, or anyone – might be able to do in the US generally, across all of its destroyed or depressed cities and towns.

Open Season: A Reflection on Open Engagement

Open Season: A Reflection on Open Engagement

by Jen Delos Reyes Two countries. Five conferences. Seven years. 14 partnerships. Over 700 presenters. Over 1600 attendees. Since the first Open Engagement conference in 2007 this event has become a key meeting point for people interested in socially engaged art....