Do you understand?

I was standing with Rolando, looking at ¿por qué no fui tu amigo?, a solo show by Daniel Aguilar Ruvalcaba, curated by Chris Sharp, currently on view at Kurimanzutto, in the rear gallery. We were looking at an array of audiovisual equipment — rechargeable batteries...
Back to the future

Back to the future

In an article written in early 2012 for Frieze, Lars Bang Larsen wonders if the problem with social practice, or any art that bases itself in or on “the social,” as it were, is its contemporaneity. For Larsen, it is—or at least was, three years ago—the...
Why do I give a shit about art?

Why do I give a shit about art?

Zona MACO and Material, the fairs that ran more or less concurrently the first week of February here in Mexico City, helped synthesize a number of threads floating around in my mind since arriving here. Those threads: Boris Groys’s essay “On Art Activism,” published...
Spinning likes into gold with NO Space

Spinning likes into gold with NO Space

I met Debora Delmar and Andrew Birk, co-runners of NO Space, at Cantina Riviera, on Chiapas in Colonia Roma. I recommend the lechon and the taco de pulpo asado, if they have it. We drank Dos Equis lager exclusively. In early February, in the midst of the Material Art...
Integrating that material into our experience with lleom

Integrating that material into our experience with lleom

I met Roberto Cruz Arzabal, Cinthya García Leyva, and Susana González Aktories at a corner café in Coyoacan, a neighborhood adjacent to UNAM. Cruz, García, and González are three of six members of the laboratory of extended literature and other materialities (lleom),...