Top 5 Weekend Picks! (4/18-4/20)

April 17, 2014 · Print This Article

1. This is Where It Felt Like at Gallery 400

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Work by Elena Feijoo, Jesse Malmed, Julie Potratz and Jonathan Loïc Rogers.

Gallery 400 is located at 400 S. Peoria St. Reception Friday, 5-8pm.

2. Tenebris at Spudnik Press Cooperative

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Work by James Bouché and Kyle Tata.

Spudnik Press Cooperative is located at 1821 W Hubbard, Suite 302. Reception Friday, 7-9pm.

3. Past Future Perfect at Maxwell Colette Gallery

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Work by J. Mikal Davis.

Maxwell Colette Gallery is located at 908 N. Ashland Ave. Reception Friday, 6-10pm.

4. Fixation at Zhou B Art Center

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Work by Brianna Angelakis, Eloy Morales, Ivonne Bess, Daniel Ochoa, Tara Betts, Tim Okamura, Brian Busch, Jaime Perandones, Grace Cavalieri, Marcos Raya, Matthew Cherry, Nadene Robbins, Rory Coyne, Cesar Santos, Miranda Graham, Ryan Schultz, Patrick Earl Hammie, Tracy Stuckey, Karen Kaapcke, Harry Sudman, Jennifer Koe, Torri Thomas, Lauren Levato, Daena Title, Earnesto Marenco and Nick Ward.

Zhou B Art Center is located at 1029 W. 35th St. Reception Friday, 7-10pm.

5. Melting at Peanut Gallery

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Work by Derek Weber.

Peanut Gallery is located at 1000 N. California St. Reception Sunday, 5-9pm.




Top 5 Weekend Picks! (3/14-3/16)

March 13, 2014 · Print This Article

1. Beneath the Paving Stones, the Beach at Gallery 400

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Work by Matt Brett, Houston Cofield, Colleen Kiehm, Melissa Myser.

Gallery 400 is located at 400 S. Peoria St. Reception Friday, 5-8pm.

2. From Utopia at SideCar

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Work by Clare Britt.

SideCar is located at 411 Huehn St., Hammond, IN. Reception Saturday, 5-10pm.

3. Spring Undergraduate Exhibition at Sullivan Galleries

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Work by 300 SAIC undergraduate students.

Sullivan Galleries is located at 33 S. State St. 7th Fl. Reception Saturday, 12-6pm.

4. Mary’s Room at Aspect/Ratio

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Work by Martin Murphy.

Aspect/Ratio is located at 119 N. Peoria St. Reception Friday, 6-8pm.

5. Personhood at Paris London Hong Kong

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Work by Kyla Mallett.

Paris London Hong Kong is located at 845 W. Washington Ave. 3rd Fl. Reception Friday, 5-8pm.




Top 5 Weekend! (1/17-1/19)

January 16, 2014 · Print This Article

1. Ghost Nature at Gallery 400

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Work by Sebastian Alvarez, Jeremy Bolen, Irina Botea, Agnes Meyer-Brandis, Robert Burnier, Marcus Coates, Assaf Evron, Carrie Gundersdorf, Institute of Contemporary Zoology, Jenny Kendler, Devin King, Stephen Lapthisophon, Milan Metthey, Rebecca Mir, Heidi Norton, Okosua Adoma Owusu, Katie Patterson, Tessa Siddle, and Xaviera Simmons with AOO.

Gallery 400 is located at 400 S. Peoria St. Reception Friday, 5-8pm.

2. Center of the Circle at Heaven Gallery

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Work by Sarah and Joseph Belknap

Heaven Gallery is located at 1550 N. Milwaukee Ave. Reception Friday, 6-9pm.

3. Pictures and Places at Links Hall

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Work by Edie Fake.

Links Hall is located at 3111 N. Western Ave. Reception Friday, 7-9pm.

4. Walking Driftward at Spudnik Press

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Work by Hannah Ireland.

Spudnik Pressis located at 1821 W. Hubbard St. Reception Saturday, 6-9pm.

5. Stone Throw at TRITRIANGLE

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Work by Jake Myers.

TRITRIANGLE is located at 1550 N. Milwaukee Ave. 3rd Fl. Reception Friday, 7-11pm.




Judith Brotman: New Beginnings, Happy Endings

October 30, 2013 · Print This Article

 

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“The 93 Dreams of Summer,” mixed media with audio, 2013.

 

For over two decades now Judith Brotman’s practice has hinged on relationships built between people. This has taken several forms over the years, and hopefully you’ve had the opportunity of seeing some of her recent work at Bike Room in “I Dozed, I Napped, I Writhed, I Dreamed (reviewed here by Bad at Sports’s own Caroline Picard); at Slow Gallery with “New Word”; or at Gallery 400 in “Whisper Down the Lane.”

For the exhibition “New Word,” Brotman used the Jewish Kabbalistic prompt of finding a word to follow for the rest of your life as an impetuous to generate 1000 new words, including some of the following examples:

skibbring (milestone)

curloup (turnip)

bettergeal (cousin)

squobe (Nutella)

ifflorgi (synthesize)

Brotman relinquished some control over the piece’s manifestation by “not touching the work,” tasking the organizer of the exhibition to fabricate the piece by inscribing the words on the wall for her. Although many of the words are humorous sounding, and the project on the whole involves a certain amount of playfulness, it forces a certain obligation and responsibility on the viewer as well.

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“New Word,” words written directly on gallery wall and scratched off when selected by someone, 2013. Photo by Robert Chase Heishman.

 

In her piece “93 Dreams of Summer” from “Whisper Down the Lane” she generated several texts, related to koans in both their brevity and enigmatic nature, and created a sound recording of her reading them which viewers were invited to listen to over headphones. The phrases, while often absurd, are also witty and poetic, reflecting the skill and comfort with which Brotman writes:

 

Dream 6. You invent a machine that can play the violin, devein shrimp, and shred documents all at the same time.

Dream 27. You live in a world where there are restrictions to saying “Good job,” to your children. Saying it too often leads first to fines, then imprisonment, and ultimately the death penalty. You breathe a sigh of relief.

Dream 55. You are twelve years old, and God comes to visit dressed as a lawn chair. You say hello and sit down.

Dream 87. You legally change your name to “Tater.”

 

In both these exhibitions, Brotman engages language— either via the written word, or words read aloud— and they also both feature words or texts generated by her. Although she has stated she’s as influenced by visual phenomena as she is by literature, Brotman also views both works as engaging with that same, singular, overarching concern that continues to occupy her regardless of the medium she is experimenting with— relationships.

Her interest in relationships has translated into a focus on narratives, especially love stories. Brotman’s tastes run the gamut from day time soap operas to tales of unrequited love, or unconventional, odd ball works that, while they’re well known pieces of literature, may not typically be thought of as love stories (take Frankenstein for example, one of her favorites).

The pivotal moments, or moments of drama that these stories often hinge on, draw Brotman to them, and while she can appreciate the tension and theatricality that arise from their seemingly unending series of climaxes, she’s as equally taken with “the possibility that things will go wrong…”

In a cruel example of life imitating art, Brotman had just such a pivotal moment this past summer, in the form of a hand injury; “…(I) lost the use of my wrist and I couldn’t make anything and I didn’t know if it was going to come back, and it was very depressing… and people were saying to me, this is going to be an opportunity, and I… wanted to punch them, with the good hand (of course).”

This did lead to an opportunity however, and it took the form of a long-term project that, although she claims to have no idea how it may develop over time, imagines it going on, “for the rest of (her) life.”

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“The Reading Project,” Rebecca Duclos reading to Brotman in her home, 2013.

 

The parameters of the project involve Brotman visiting the homes of friends and near strangers alike. She asks them to read to her aloud for forty-five minutes to an hour while she audio records them and takes some still photographs. There’s a certain amount of latitude in what they may choose to read, but Brotman requests that it be a text of meaning.

“Careful what you say, because… when I started at the School of the Art Institute in the late eighties I said there is one thing I will never, ever do, and that is performance,” jokes Brotman. And while her artistic overture is somewhat fluid in this project, she is still interested in the same kinds of dramatic tensions and relationship cultivation.

Generosity seems inherent in the act of inviting someone into your domestic space, thoughtfully selecting a text of meaning, and then sharing both your time and energy in reading it aloud, but the work is complicated by some of the quieter, darker reasons for Brotman’s impetus for the project— a cultural critic of a fast paced, compartmentalized, multi-tasking society that listens to books on tape, reads off a tablet, and texts or emails instead of making face time.

Although the project is only newly underway, Brotman has noticed that it asks a lot of her as a listener as well, and requires a heightened level of “focus and presence.” The project seems to repay careful, thoughtful and active listening, but Brotman is honest about stating that, “…pivotal moments may or may not happen.” Although the action of being read to is repetitive, there’s so much variation within each discrete event that it’s difficult to generalize. She does go on to say that, “…many of the readings have been exquisite and some have not been. Sometimes I can’t wait for it to end— and that’s usually when the reader can’t wait for it to end—…. And then sometimes it really is like a little love story… I have this feeling of being carried away, there’s this falling in love moment, that, I don’t know what else to call it, I’m inspired, I’m excited, I’m curious, I leave feeling like I have 300 times more energy then when I came in.”

The act of reading aloud to someone is usually an intimate affair, but Brotman is experimenting with performing the readings publicly, and recently had the opportunity of being read to for part of “The American Dream: (W)holy Grail” in Edgewater. And although previously her site-responsive installations constructed largely from objects crafted from paper were exceedingly fragile and ephemeral, she is deriving a certain amount of pleasure from  the act of archiving, cataloguing and retaining these readings. It’s clear that the performance itself, rather then it’s mere accumulation, is still what’s most compelling to her though; “it has stripped down to the core what I care about most.” Perhaps as the project marches on, she will find herself generating love stories instead of merely listening in on them.

 

Interview conducted in October 2013.

The author would like to thank Judith Brotman for her assistance.

All images courtesy of the artist unless otherwise noted.

 

 

 

 




EDITION #15

August 12, 2013 · Print This Article

Work by Jen Stark at the Chicago Fashion Outlet.

Art Exhibition Opens at Rosemont Outlet Mall

An opening like no other took place on the last day of July at the freshly minted $250 million dollar Fashion Outlets of Chicago in Rosemont. Featuring 11 artists curated by miami based Primary Projects, the Fashion Outlet and newly formed collective, The Arts Initiative, did it up luxury outlet mall style at the preview of the various murals and installations throughout the mall. With work by Jen Stark, Jim Drain, Cody Hudson, Daniel Arsham and Bhakti Baxter, the art contained within might make this the edgiest mall ever.

Sam Vinz, Claire Warner and Aron Gent under the Friend’s With You inflatables installation at the Chicago Fashion Outlet.

A collision of Chicago’s and Miami’s most noteworthy in the arts, attendees danced the night away under the deft entertainment of DJ Sinatra and many many top shelf bars.

Friend’s With You’s Sam Borkson and fellow artist, Jim Drain, lovingly embrace at the reception.

Curious what was in the gift bag? A hat from Roxy, an iPhone 5 case from Coach (too bad I’m still only on that 4), a “The Arts Initiative” water bottle, a leather cuff from Ports, a security neck pouch from Samsonite, a “Fashion Outlets” pen and even a scarf from The Limited. Totally killer.

Drain’s completed mural.

Definitely recommend (even sans the gift bag).

Reading is Fundamental

  • Wait, I thought it was 2013!? If you like your iPhone and the internet, you would probably enjoy this sweet little read from the Summer 2013 issues of Artforum, 2011: Michael Sanchez on Art and Transmission. This recommendation comes from a bar, but is better than that makes it seem.
  • Trends Totally Trending: Not often is a gossip column the subject of gossip, but What’s the T? was recently featured in Art Info’s “In the Air: Art News and Gossip” spot for EXPO CHICAGO’s partners and special exhibitions. That’s right! WTT? is going IRL. We hope you’re as excited for The Expo Register as we are. Stay tuned y’all.
  • Total badass gets her due: Who knew that Ileana Sonnabend was so completely rad? She asked for a Matisse instead of a wedding ring. I mean, really. Thankfully, this piece by Kelly Crow for the Wall Street Journal sheds light on the major gallerist and collectors fascinating past. Sonnabend fans will be pleased to know that the MoMA just released plans for “Ileana Sonnabend: Ambassador for the New,” an exhibition which will feature some of Sonnabend’s most noteable discoveries and longtime friends.

Time to Slip at Gallery 400

We heard a rumomr that the upcoming TIMESLIP film screening is not to be missed. Featuring 11 films by 10 makers, the screening is curated by Jesse Malmed and includes work by Jillian Mayer and Lucas Leyva, J.J. Murphy and Hollis Frampton.

From the horses mouth: This is going to be great. Time travel in the expanded field. Time-based media in the multiverse. Dream baby, trypp central, 2 Live Crew (seri), ducks, Adam and Eve, Judy Garland, hella headies, the first computer film, time tunnels, and on. And, like your mind, this is FREE. Surprises guaranteed.

Screening from 7:30-8:30, Thursday August 22nd at Gallery 400.

Who Wore it Better, Better?

Ron Ewert and Mike Kloss of the Hills at MCA First Friday last week VS Yuri Stone and Zachary Kaplan at Medium Cool on Sunday.

The Weatherman Report

John Marin, Movement, Sea, Sky, and Ledges, 1940, Watercolor on paper, 15 1/4 × 20 3/4 in

Demdike Stare

Empty Bottle, Full on Bass

A Miami Techno Transplant’s take on the Demdike Stare Concert last Saturday

I’m here reporting from the Empty Bottle, celebrating my Chicago life’s one week anniversary the way I prefer to spend all mildly festive occasions, by melting my brain with whiskey and dark techno. Tonight I’m all excited because I get to see one of my favorite bands live for the first time: DEMDIKE STARE. The duo is well known for merging occult, black magic vibes with droning electronics and sparse, off kilter beats. Demdike Stare have evolved their sound throughout the years from super dark horror movie vibes to dark worldly ragas and, finally, their latest releases reflect maturation of all these sounds with a bit of straight forward dark techno tastefully sprinkled in.

Needless to say, I’m fucking pumped.

I arrive at the venue “Miami time” which turns out to be just when shit starts everywhere. My circadian rhythm must be super on point today and I show up just as the first act, Stave, is going on. The set is some heavy industrial tech vibes. I am feeling it. A cigarette. Duane Pitre is up next delivering on some soothing melodious drone incorporating guitar loops and electronics. Lots of people are talking and not really listening but the vibe is right and everyone’s sonic palette is cleansed.

I’m in the ally evening out my buzz and the walls start to pulse. Demdike-fucking-Stare. I run inside. They spend the beginning of the set evolving drones, feeling out the crowd, reacting. What does the spirit of the crowd say? Probably something like, “TECHNO!” The bass kicks into 4/4 and as the crescendo of the track “Dysology” hits everyone knows its getting serious. The visuals that accompany their live set become more frantic. The main themes of the video include babes and esoteric rituals, everyone approves. Just as my mind is about to transform into pure jelly, the set ends abruptly, like all good things in life. And everyone goes home to dream about robots and witches. The End.

The view inside of Praire Production.

Medium Cool and Partly Cloudy.

Shame on you if you didn’t make it out to Sunday’s Medium Cool Art Book Fair, we know you heard about it. Rising like a pheonix, the fair was organized by Ria Roberts and brought out the most delicious coffee-table eye-candy ever seen in the West Loop.

These button’s were seriously trending.

Limited edition poster by Carson Fisk-Vittori

Fashionistas, Chelsea Clup and Ben Foch modeling the necklaces by Vincent Uribe and Noël Morical they picked up at LVL3’s booth.

Trendsetter, Hamza Walker, models sunglasses (obviously) by Josh Reames from the LVL3 booth.


Issue Press‘s booth featuring a “Book Box” vending machine, manned by George Wietor.

Sofia Leiby‘s SCRAP HEAP booth featured scraps and ephemera from Chicago artists’ studios.