This week: This week, our resident feminist commentator Patricia Maloney sits down with one of her heroes, the Los Angelesâ€“based artist Andrea Bowers to talk about her solo exhibition, Andrea Bowers: #sweetjane, on view through April 13, 2014 at the Pitzer College Art Galleries and Pomona College Museum of Art in Southern California. #sweetjane explores the Steubenville, Ohio, rape case and the social mediaâ€“driven activism that brought the young men responsible to trial in two distinct ways. At Pitzer is a 70-foot long drawing of the text messages sent between the teenagers in the 48 hours following the assault on the young woman who is known in the media and throughout the trial as Jane Doe. At Pomona is a video installation comprised of appropriated media footage and billboard-size photographs of disguised Anonymous protestors at the trial. Taken together, the installations create an incredibly damning document, not only of the events and of the young men, who were depicted sympathetically by the media, but also of the significant tolerance in this country around sexual assault. Bowersâ€™ activities in creating this work reflect the fluidity between art and activism that is a hallmark of her practice, as well as her belief that art can bear witness to the individual gestures and commitments that collectively enact significant social change.
An abridged text version of this conversation will be published by our friends at Art Practical on March 27, 2014.
Andrea Bowers received her MFA at the California Institute of the Arts in 1992. Solo exhibitions include: Secession, Vienna, Austria; REDCAT, Los Angeles, CA; and the Santa Monica Museum of Art, Santa Monica, CA. Her work has been included in exhibitions at the Whitney Museum of American Art, New York, NY; Bard College, Annandale-on-Hudson, NY; Sammlung Goetz, Seedamm Kulturzentrum, Switzerland; Kunsthalle Basel, Switzerland; Museum of Contemporary Art, Los Angeles, CA; New Museum of Contemporary Art, New York, NY; Frankfurter Kunstverein, Frankfurt, Germany; Stedelijk Museum voor Actuele Kunst; Armand Hammer Museum, Los Angeles, CA; Kunstmuseum Bonn, Bonn, Germany; Walker Art Center, Minneapolis, MN; Museum of Contemporary Art, Chicago, IL.
This week: Another of our interviews from the Hand in Glove conference! Duncan and Patricia speak with artist Martha Wilson.
Martha Wilson is a Philadelphia based feminist performance artist. She is the founding director of Franklin Furnace. Over the past four decades she has developed and “created innovative photographic and video works that explore her female subjectivity through role-playing, costume transformation, and ‘invasions’ of other peoples personas”.
In the early 1970s while studying in Halifax in Nova Scotia, she began to make videos and photo/text performances. When she moved to New York City in 1974 she continued to develop and explore her photo/text and video performances Due to this and her other works during her career she gained attention around America for her provocative characters, costumes, works and performances.
During 1976 she founded and became director of the Franklin Furnace Archive, which is an artist-run space that focuses on the exploration, advertisement and promotion of artists books, installation art, video and performance art. By promoting these certain areas of work, due to their content they challenge the established normality of performance, art work and books. Other aspects that are addressed through the promotion of the archive are the roles artists play within the visual arts organisations, and the expectations around what is acceptable in the art mediums.