Punk fashion a must from Paris to Chicago
Let’s play a game: SCA #Anarchy Themed Benefit or Jean Paul Gaultier’s runway show at Paris Fashion Week?
Let’s play a game: SCA #Anarchy Themed Benefit or Jean Paul Gaultier’s runway show at Paris Fashion Week?
Did some big movie thingy happen last night? Whatever. The real thing we’ve been waiting for is finally here: The Whitney Biennial plus Armory double punch. Chicago is about to be quieter than a John Cage performance and emptier than Detriot as the Midwesterners gear up for their big moment at the WB this week. Nevermind this list of 21 art events in March, the action’s happening in NYC.
In the tradition of William Siertua’s 2012 Whitney Houston Biennial at Murdertown in Logan Square, another posthumous tribute biennial is set to take place at Julius Caesar in Chicago. Painter and pedagog, Molly Zuckerman-Hartung is the only artist to appear in both the 2014 Whitney and 2012 Whitney Houston Biennials, but MZH and co-2014 “participant” Diego Leclery are absent from the 2014 WHB at the space they formerly ran together. Opening March 16th, the Julius Caesar edition of the Whitney Houston Biennial features those artists who assist and collaborate with Whitney Biennial artists.
Not to be one-uped by Chicago, NYC is countering with their own “everywoman” Whitney Houston Biennial in Dumbo, and raises with the last ever Brucennial, which we hear is also a ladies only exhibition. Looks like women, or at least nods to them, are big in the forecast in 2014.
At least those of us back home in Chicago can take some solace in the fact that the VIP opening is shaping up to be the equivalent of a really good Ren opening. No shade though, WTT? couldn’t be more stoked for the 17 or so Chiagoans in the Biennal. We’re especially curious to see what cool dad Diego Leclery cooks up, and who doesn’t love a good Elijah Burgher occult dropcloth? Oh and did we mention that you should also totes go gawk at B@S’s own Duncan MacKenzie and Richard Holland doing interviews at Volta?
We’ll be here waiting on the couch until y’all get back.
The West Loop felt anything but “regional” at Deanna Lawson’s and Derrick Adams’ opening at RHG last Friday night. Hour d’erves were passed and the galleries were filled with well suited-up New York banker looking cats. Posh attendees, including artist Mickalene Thomas (both artists first appeared at Hoffman’s in Thomas’ exhibition tête-à-tête in 2012) and Bomb Mag editor, Betsy Sussler, (who both flew in for the affair) swirled around the charasmatic and stylish Lawson and Adams, who were just as striking as the work. Blurring the lines between the two, Adams showed up to the exhibition in a herringbone suit and camoflague print button-up that matched the patterns in the trees of his large scale collage works.
The main gallery was devoted to Deanna Lawson’s nothing if not sumptuous large format photographs. The most arresting piece in the show is arguably Mickey & Friends <3, 2013, a commanding horizontal photograph of unclad women embracing in front of a Mickey Mouse mural. Mickey licentiously glances over at them. The three nude ladies posing in unison in front of a red velvet curtain was a close second. Lawson even manages to make a simple pink blanket on a red bench look steamy.
In the front two rooms of RGH, Derrick Adams’ large collages merged the architectural with the psychological. Adams constructed his own “Borough” of homes from elementary school fence decorations, Restoration Hardware catalog furniture, and camoflague pattern trees. Figures are incorporated into the doll houses through fashion mag cutouts, sewing patterns and art historical fragments. Further underscording the metaphorical dimension of the homes are the miniature versions of portraits from Adams’ Deconstruction Worker series hanging on the walls of his own doll houses. The exhibiton is capped by an actual doll house in the front gallery window construced from silhouettes in Adams’ distinctive style.
Rhona’s been killing it on the freshness tip lately. The Lawson and Adams exhibitions are on view until April 5th.
Rhona Hoffman Gallery is located at 118 N Peoria St #1A.
If you work anywhere near the Cultural Center you owe it to yourself to visit for Wired Fridays. We caught footwork master Deejay Earl two Fridays ago and it was pretty much life changing. The “study room” area on the first floor turns into a club with most eclectic midday crowd you’ve ever seen. Best people watching ever, old ladies, footworkers, tourists, you name it. Earl took the bizarre scene in stride and his set was on point.
Case of the Vase. Art never makes the headlines unless it’s something bogus like that whole Ai Wei Wei fiasco at the Perez Art Museum in Miami. Be still my Facebook stream. At least this one thoughtful meditation by Ben Mauk on the medias overblown reaction to the case almost makes up for it. Mauk’s mention of Damien Hirst’s hundred million dollar monstrosity also reminds us of Rachel Cohen’s fascinating piece for Believer Magazine on the relationship between bankers and artists throughout the ages. Overlap much?
Really though? If you do happen to find yourself in big ol’ New York City trying to fit in at Whitney Biennial Fashion Week, you might want to stock up on ADIDAS pants and slip on sandals with socks. Just remember one thing: no one out-normals Chicago. We’re not even really gonna get into it but this article pretty much sums up our feelings on the norm-non-matter.
[Social] Practice makes perfect at CAA. Obvi must read Jason Foumberg’s Scene + Herd for Artforum. That Dieter Roelstraete photo is beyond.
#Your an idiot. Can’t help it, I really feel that “really annoying—while at the same time making you kind of half smile every time you read it” thing.
Is this ok? Is this a responsible use of this privilege? How much does Bad at Sports pay its writers? Its readers? I’m like you, reader. I’m in the weeds. I’m in the thick of it. Everyone is paying everyone else too much. Our government runs smoothly but we don’t have any use for it. There are no trains and no one runs for anything, not even office.
This is a record of this moment but also a place to put open tabs. We should all share all the open tabs. The radio today told me social media was 2000 years old because we used to tell each other things too. I turned off the radio and listened to myself singing and chopping.
Also, this band, The Fugue, that I saw at Bard in 2002 or 3 (first year of college). They were friends of a friend and they played a good show. Then, this year, I found this funny clip on youtube (though my interest in television courtroom interruptions).
This led me to re-visit this.
(which is really part of that this)
The re-release of Codex Seraphinianus by Luigi Serafini (which learned about from Bad at Sportsers PvZ and RH).
idyrself by Krystal South.
Editions and Additions by Jacob Edmund
(Draft for) Infinite Black Flag
This other medium inane idea I just made up.
A gif for every one of 1001 Nights.
A list of the dumbest lists on BuzzFeed.
Under 1 who is under 1 (part of a profile on an athlete/artist who is 8 months old).
Sibling Cinema (thanks to the Frameworks list-serv for responding so well to my query) :
These three, posted elsewhere, but that do something together:
Guy Sherwin — Man with Mirror (1976/2011)
Peter Campus — Three Transitions (1973)
The Marx Brothers — Duck Soup (1933, excerpt)
News broke this weekend that artist, Walter Latimer, is a former Junior Olympics jump rope record holder! Check out the soon to be viral video of his performance at the SAIC Art Bash.
Spotted: Independent Art Champion and Champion of the Arts, Anthony Stepter at the opening of Has the World Already Been Made? x4 by Daniel G. Baird & Haseeb Ahmed at Roots & Culture.
Now on view at The Poetry Foundation.
The AAM calls the proposed limit on charitable deductions “harmful,” but Bloomington’s Michael Ruston disagrees. Notable is his alternative suggestion of an equitable tax credit that would apply across donors, begging the question: should people in higher tax brackers really recieve more credit than those in a lower tax bracket if they are donating the same amount of money?
Surprisngly absent from the AAM document is a mention of the $59 million dollar increase to the Smithsonian Institution to fund, amongst many other initatives, The National Museum of African American History and Culture.
We’re most excited about the $500,000 proposed for building a telescope in Greenland to scope some black holes, but with a riveting 230 pages of FY14 Budget Proposal, there’s bound to be something for everyone. Right?
Abigal Deville’s opening at Iceberg Projects this weekend was TO DIE FOR. Iceberg’s normally crisp gallery was lost to a literal whirlwind of materials collected from Roger’s Avenue and transformed by the artist. More than worth the trip to Roger’s Park.
April 27th, 11am– 9pm. At Roots & Culture 1034 N Milwaukee Ave.
Serving a menu of brunch, lunch all day, and dinner.Brunch 11am-2pm. Dinner 6pm-8pm. Kitchen closes at 8. 10 seats available at a time. First come, first serve. BYOB. Vegetarians, of course, are welcome!
Work by Eric Fleischauer, Jesse McLean, Steve Ruiz, Doug Smithenry, Theo Darst, Todd Mattei, Morgan Sims, Aaron Orsini, and Adam Rux. Curated by Jake Myers & The Octagon Gallery.
Co-prosperity Sphere is located at 3221 S Morgan. Reception Friday, 7pm-12am.
Work by Justin Amrhein.
Firecat Projects is located at 2124 N. Damen Ave. Reception Friday, 7-9pm.
Work by Jason Robert Bell.
Thomas Robertello Gallery is located at 27 N. Morgan St. Reception Friday, 6-8pm.
Works from The Richard Harris Collection.
Chicago Cultural Center is located at 78 E. Washington St. Reception Friday, 5:30-7:30pm.
Work by Chuck Jones and ACRE resident Matthew Schlagbaum.
Slow is located at 2153 W 21st St. Reception Friday, 6-9pm.
Work by The Alliance of Pentaphilic Curators (Jason Dunda and Teena McClelland), John Arndt, Conrad Bakker, Dexter Sinister, Christa Donner, Kota Ezawa, Edie Fake, Eric Fleischauer, Stephen Lapthisophon, Jason Lazarus, Dani Leventhal, Aspen Mays, Mary Patten, Jenny Perlin, Public Collectors, Jason Salavon, Paul Lloyd Sargent, Cauleen Smith, Edra Soto, Stephanie Syjuco, Sergio Vega, and Philip von Zweck.
Gallery 400, 400 S. Peoria St. Reception Friday, 5-8pm.
Work by Tom Burtonwood, Holly Holmes, and James Jankowiak.
SideCar, 411 Huehn St, Hammond, IN. Reception Saturday, 5-10pm.
Work by Larry Lee
Kirk’s Apartment, 3710 N Marshfield. Reception Friday, 6-9pm.
Work by Liz McCarthy.
ACRE Projects, 1913 W 17th St. Reception Sunday, 4-8pm.
Reading by Mike Edison.
The Renaissance Society, 5811 S. Ellis Ave, Cobb Hall Room 307. Reading begins at 2pm.