This week: We talk to the new Manilow Senior Curator at the MCA Dieter Roelstraete.
Originally trained as a philosopher at the University of Ghent, Belgian-born Roelstraete has worked at the MuHKA since 2003. His curatorial projects there include Emotion Pictures (2005); Intertidal, a survey show of contemporary art from Vancouver (2005); The Order of Things (2008); Auguste Orts: Correspondence (2010); Liam Gillick and Lawrence Weiner â€“ A Syntax of Dependency (2011); A Rua: The Spirit of Rio de Janeiro (2011) and the collaborative projects Academy: Learning from Art (2006); The Projection Project (2007); and All That Is Solid Melts Into Air (2009). He is currently preparing a retrospective of Chantal Akerman, opening at MuHKA in February 2012.
In 2005, Roelstraete co-curated HonorÃ© dâ€™O: The Quest in the Belgian pavilion at the 51st Venice Biennale. He has also organized solo exhibitions of Roy Arden (Vancouver Art Gallery, 2007), Steven Shearer (De Appel, Amsterdam, 2007), and Zin Taylor (Ursula Blickle Stiftung, Kraichtal, 2011), as well as small-scale group shows in galleries and institutions in Belgium and Germany.
Roelstraete is an editor of Afterall and a contributing editor to A Prior Magazine, and has published extensively on contemporary art and philosophical issues in numerous catalogues and journals including Artforum, Frieze, and Mousse Magazine. He is one of the founders of the journal FR David and a tutor at De Appel in Amsterdam. In 2010, his book Richard Long: A Line Made By Walking was published by Afterall Books/The MIT Press, and a volume of his poetry was recently published by ROMA.
This week: AA Bronson! Artist, curator, General Idea founder, former President of Printed Matter, magazine publisher. And more!
This week: The second installment of our pirate radio sessions, recorded live from NADA 2011! We are joined by local heroes The Museum of Contemporary Art, Chicago curators Michael Darling and Naomi Beckwith.
Naomi Beckwith is a curator at the Museum of Contemporary Art, Chicago. Beckwith joined the curatorial staff in May 2011. A native Chicagoan, Beckwith grew up in Hyde Park and attended Lincoln Park High School, going on to receive a BA in history from Northwestern University in Evanston, Illinois. She completed an MA with Distinction from the Courtauld Institute of Art in London, presenting her master’s thesis on Adrian Piper and Carrie Mae Weems.
Afterward, she was a Helena Rubenstein Critical Studies Fellow at the Whitney Museum Independent Study Program in New York. Beckwith was a fall 2008 grantee of the Andy Warhol Foundation for the Visual Arts and was named the 2011 Leader to Watch by ArtTable. She serves on the boards of the Laundromat Project (New York) and Res Artis (Amsterdam).
Prior to joining the MCA staff, Beckwith was associate curator at The Studio Museum in Harlem. Preceding her tenure at the Studio Museum, Beckwith was the Whitney Lauder Curatorial Fellow at the Institute of Contemporary Art, Philadelphia, where she worked on numerous exhibitions including Locally Localized Gravity (2007), an exhibition and program of events presented by more than 100 artists whose practices are social, participatory, and communal.
Beckwith has also been the BAMart project coordinator at the Brooklyn Academy of Music and a guest blogger for Art21. She has curated and co-curated exhibitions at New York alternative spaces Recess Activities, Cuchifritos, and Artists Space.
Beckwith curated the exhibition 30 Seconds off an Inch, which was presented by the Studio Museum in Harlem November 12, 2009 â€“ March 14, 2010. Exhibiting artworks by 42 artists of color or those inspired by black culture from more than 10 countries, the show asked viewers to think about ways in which social meaning is embedded formally within artworks.
Michael Darling (born 1968) is the James W. Alsdorf Chief Curator at the Museum of Contemporary Art, Chicago (MCA). Darling joined the MCA staff in July 2010.
Darling received his BA in art history from Stanford University, and he received his MA and PhD in art and architectural history from the University of California, Santa Barbara. Darling has worked as an independent writer and curator, contributing essays on art, architecture, and design to publications including Frieze, Art Issues, Flash Art, and LA Weekly. Darling frequently serves as a panelist, lecturer, and guest curator on contemporary art and architecture.
Prior to joining the MCA, Darling was the Jon and Mary Shirley Curator of Modern and Contemporary Art at the Seattle Art Museum (SAM), where he was awarded SAM’s Patterson Sims Fellowship for 2009-10. In 2008, Darling began the program SAM Next, a series of contemporary art exhibitions presenting emerging or underappreciated artists from around the globe. Artist Enrico David, who exhibited as part of SAM Next, has since been nominated for the Turner Prize.
Darling curated the SAM exhibitions Target Practice: Painting Under Attack 1949-78 (June 25 â€“ September 7, 2009), and Kurt (May 13 â€“ September 16, 2010). Target Practice showcased the attacks painting underwent in the years following World War II. Kurt explored Kurt Cobainâ€™s influence on contemporary artists.
Darling was associate curator at the Museum of Contemporary Art, Los Angeles, before joining SAM. He co-curated The Architecture of R.M. Schindler (2001), which won the International Association of Art Critics â€œBest Architecture or Design Exhibitionâ€ award. The exhibition also won merit awards for interior architecture from the Southern California American Institute of Architects and the California Council of the American Institute of Architects.
Good news for long time friend of Bad at Sports, Anthony Elms, he is heading to Philadelphia to curate for the Institute of Contemporary Art!
We say Hell Yes!
Anthony’s departure will be a major loss to this community but our loss, is there gain and it is nice to know that the Philadelphia recognized what we had. We are sure that this is just theÂ beginning of some fabulous things for our friend and regular contributor, Anthony.
Photo: Erin Leland
INSTITUTE OF CONTEMPORARY ART APPOINTS
ANTHONY ELMS AS NEW CURATORÂ Â
The Institute of Contemporary Art at the University of Pennsylvania, is pleased to
announce that Anthony Elms will be joining the ICA as Associate Curator. Anthony
has worked as an independent curator and writer, and he was Assistant Director
of Gallery 400 at the University of Illinois at Chicago for six years. He edits and is
the curator of WhiteWalls, an alternative space for artistsâ€™ publication projects
founded in the 1970s. Anthony is just completing work as part of the organizational
team behind this yearâ€™s PERFORMA visual art performance biennial in New York.
â€œIt is common to think of museums like the ICA as non-collecting, but that isn’t true,â€
Anthony said. â€œThey do not have art objects, but they collect histories and
experiences with the artists that have exhibited. In that sense, I could not be
happier to join a museum with the distinguished and energetic collection of the ICA.â€
â€œI am looking forward to having Anthonyâ€™s vision, and his passion for publications,
enrich the work of our stellar curatorial team,â€ says Robert Chaney, Interim Director.
â€œWe met Anthony when he co-curated the Sun Ra exhibition that ICA hosted,
organized by Hyde Park Art Center,” adds Senior Curator Ingrid Schaffner. “This is a
wonderful outcome to our first collaboration,â€ adds Senior Curator Ingrid Schaffner.
Anthonyâ€™s recent projects includeÂ Blast Counterblast;Â More Alive Than Those Who
Made Them;Â Glenn Ligon / A People on the Cover,Â andÂ Unicorn Basking in the Light
of Three Glowing Suns.Â He was a co-curator ofÂ Pathways to Unknown Worlds: Sun
Ra, El Saturn and Chicago’s Afro-Futurist Underground 1954-1968, which enjoyed
enormous success when it traveled to ICA in 2009. His writings have appeared in
Afterall, Art Asia Pacific,Â Art Papers,Â Artforum,Â May Revue,Â Modern Painters,Â New
Art Examiner, andÂ Time Out Chicago, and he has also written essays for numerous
catalogues. He received a BFA in painting from Michigan State University and an
MFA from the University of Chicago, and he continues to exhibit as an artist. In
addition, Anthony is an enthusiastic drummer and record collector. He is also
interested in ghosts.Â