Episode 408: Juan William Chavez, Kiersten Torrez and the Northside Workshop

June 24, 2013 · Print This Article

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This week: After an inexcusably self-indulgent, alcohol fueled intro where Duncan, Richard, Dana and Emily and Nick from ACRE join us, we get on to an excellent interview. Part three of our St. Louis series recorded at the Contemporary Art Museum-St. Louis. This time we talk to Juan William Chavez and Kiersten Torrez about the Northside Workshop, bees, social practice, and record an advert for penicillin.

Northside Workshop (NSW)
Mission

Northside Workshop (NSW) is a non-profit art space dedicated to addressing cultural and community issues in North Saint Louis. Our programming focuses on incorporating socially engaged art and education with the goal of fostering social progress in North Saint Louis communities.
Description

In 2010, a collaboration with the Old North Saint Louis Restoration Group, the Kranzberg Arts Foundation and artist/cultural activist Juan William Chavez began an intervention to regenerate a historic North Saint Louis brick building in danger of being destroyed. Two years in the making, this building is now transformed into a dynamic community art space.
Juan William Chavez
Founder and Director

Juan William Chavez (born in Lima, Peru) is an artist and cultural activist whose studio practice focuses on the potential of space by developing creative initiatives that address community and cultural issues. His projects include Urban Expression for the Pulitzer Foundation for the Arts, the Northside Workshop and the Pruitt-Igoe Bee Sanctuary. His awards include the Art Matters Grant, the Missouri Arts Award and the Graham Foundation for Advanced Studies in the Fine Arts. In 2012, Chavez received a John Simon Guggenheim Memorial Foundation Fellowship.

Kiersten Torrez
Director of Programming & Sustainability

Kiersten Torrez is an arts organizer focused on innovative sustainable practices. She has aided in developing community-based projects such as Beautification of Vacant Space, the Pruitt-Igoe Bee Sanctuary and Team Cookbook (creative workshops designed to community build through the sharing of recipes and stories in Old North Saint Louis). Torrez is currently planning a Year of Listening, a series of socially engaged events focused on co–generating programs to address the physical and social dimensions of the Old North Saint Louis neighborhood.




Episode 407: Jessica Baran

June 17, 2013 · Print This Article

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jessica baran
This week: Part 2 of our residency project at the Contemporary Art Museum of St. Louis! This week we talk to critic, poet, gallerist, the award winning Director of the Fort Gondo Compound for the Arts Director and Art in America contributor Jessica Baran. This was one of those interviews that I will look upon as a personal favorite. Besides Bad at Sports declares war on Art News. What could be better.

 

http://jessicabaran.com

http://www.fortgondo.com

Contemporary Art Museum St. Louis

Fort Gondo Compound for the Arts

Jessica Baran

Equivalents

White Flag Projects

Andy Warhol Foundation

Folk Art

Jennifer Kronovet

Paul Foster Johnson

George Romero

Roger Ebert

”Close Reading” The art of Close reading

Lori Waxman

Thomas LaniganSchmidt

Donald Judd

Jerry Saltz

Peter Schjeldahl

Art in America

Art News

Jessica Baran is the author of the poetry collections “Remains to be Used” (Apostrophe Books, 2010) and “Equivalents” (winner of the Besmilr Brigham Women Writers Award, forthcoming from Lost Roads Press, 2013), as well as the poetry chapbook, “Late and Soon, Getting and Spending,” produced by All Along Press (2011). She lives in St. Louis, Missouri, where she is a freelance art writer and co-curator of the fort gondo poetry series.




Episode 406: Contemporary Art Museum St. Louis Director Lisa Melandri

June 10, 2013 · Print This Article

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Lisa Melandri
This week: The first in our St. Louis trip interviews. We talk to Contemporary Art Museum St. Louis Director Lisa Melandri live and without a net at our opening, in front of a moderately baffled audience. Topics include the Jeremy Deller show that was up at the time, institutional purpose, why certain LA museums are looney tunes, and so much more!

 

From Alive Magazine:

When Lisa Melandri took her position as Director of CAM just last August, she brought with her some serious credentials. While she was Deputy Director for Exhibitions and Programs at the Santa Monica Museum of Art, the museum grew significantly, nearly doubled its staff and budget, and drew national and international acclaim. Now she plans to bring the same magic to St. Louis. “I’m really thinking in depth of what a contemporary art institution is and who it can serve,” Melandri says, envisioning a space that functions as a living room where people come just to “hang out.” It’s what she calls a “sea change” in perception. Part of that change is using the museum to its fullest capability, where even a discreet nook is potential exhibit space. “You should always be running into art,” Melandri says, referencing the highly anticipated Jeremy Deller exhibit this month. “I want to see art in the bathrooms and elevators.”
Go buy the Mr. Litte Jeans single Oh Sailor on Itunes, it’s swell.

Bad at Sports at the St. Louis Contemporary Art Museum photo by Christopher Hudgens