This week: San Francisco checks in with a discussion with Aaron GM and Ginger Wolfe-Suarez
In this episode Art Practical contributors Zachary Royer Scholz, Elyse Mallouk, and Patricia Maloney speak with artists Aaron GM and Ginger Wolfe-Suarez. This was one of several conversations held over the weekend of the fair as part of “In and Out of Context: Artists Define the Space between San Francisco and Los Angeles,” a program that invited artists to consider the two cities as a continuously evolving constellation of dialogues, shared interests, and overlapping approaches. An abridged transcript of the conversation can be read on Art Practical.
Aaron GM lives and works in Los Angeles. He studied at both San Francisco Art Institute and UCLA. Recently he exhibited a solo presentation at the NADA Art fair in Miami Beach (2010). Other Recent solo exhibitions include capezio (2010) at ltd los angeles, Timeshares (2009) at Parker Jones Gallery in Los Angeles, and sales calls(2008) at Blanket Gallery in Vancouver. Aaron has shown in group exhibitions both nationally and internationally.
Ginger Wolfe-Suarez is an emerging conceptual artist, writer, and theorist. Her work often takes the form of large-scale sculpture, exploring the psychology of built space. Both an exploration into the experiential phenomena of body-object relationships, and a questioning of the material nature of sculpture interweave concepts of memory and process. Wolfe-Suarez teaches studio critique and art theory, and is currently Visiting Faculty in the graduate program at San Francisco Art Institute. Her writings on art criticism have been published internationally, and her artwork has been recently exhibited at Silverman Gallery, ltd Los Angeles, KUNSTRAUM AM SCHAUPLATZ in Vienna, Artist Curated Projects in Los Angeles, Mills Art Museum, Yerba Buena Center for the Arts, and High Desert Test Sites, among others. She studied at Goldsmiths College in London and later received her BFA from The School of the Art Institute of Chicago, and her MFA from the University of California at Berkeley. Wolfe-Suarez lives and works in Richmond, CA, where she raises her three-year-old son.
This week: Brian sits down with Ava Jancar and Eric Jones of Jancar Jones galley in San Francisco. They discuss their peculiar gallery space, what it is like to be a young art dealer after the financial meltdown, and the future of the contemporary art scene. Enjoy!
This week Brian sits down with Eleanor Hanson and Oliver Wise, the Oakland-based founders of The Present Group, who describe the project as “like a mutual fund that produces art instead of profits.”; A quarterly art subscription project, The Present Group enables a community of subscribers to create a new avenue of support for contemporary artists.
They produce thought-provoking work in a variety of media, and each of the four annual limited editioned art works is paired with an essay contextualizing the edition.
Their goal is to engage art enthusiasts who never thought of themselves as art collectors and to introduce them to the experience and pleasures of owning contemporary art. This is the next installment of the collaboration between Art Practical and Bad At Sports.
An abridged transcript of this interview appears in AP Issue 13. http://www.artpractical.com
Image: David Horvitz. Hermosa Beach, CA, Issue 9, Winter 2009; viewmaster reel, viewer, and Somerset cotton rag paper card. Courtesy of The Present Group.
This week: Brian and Patricia sat down with Oakland-based artist Michelle Blade on February 20 in her storefront studio, which is also the location of Sight School, the alternative space she created in 2009 to encourage dialogue around the connections between art and life.
It was the day following the opening for her solo exhibition, “Blow As Deep As You Want to Blow,” on view at Triple Base gallery in San Francisco through March 21. Their conversation tackled a range of topics, from the economic realities that perennially plague artists in the Bay Area to the pleasures of walking across a painting.
This is the second collaboration between Art Practical and Bad At Sports. Image: Music from the Mountaintops, 2010 (still). Courtesy of the Artist.