More to come as it unfolds…..
Duncan and Richard talk to Dominic Molon about, Sympathy for the Devil: Art and Rock and Roll Since 1967. There are lots of “Rock out with your cock out!” kind of stupid comments. Paul Klein and Wesley hated it, hear from the curator go check out the show and see what you think.
From the MCA site:
“Sympathy for the Devil: Art and Rock and Roll Since 1967 examines the dynamic relationship between rock music and contemporary visual art, a relationship that crosses continents, generations, and cultures. Since the late 1950s this unlikely hybrid of rhythm-and-blues and country music has had an undeniable impact on society while drastically changing with the times. Artists from the 1960s to the present have maintained a strong connection to rock, beginning with Andy Warholâ€™s involvement with The Velvet Underground (who released their Warhol-produced landmark album The Velvet Underground and Nico in 1967 — the same year the MCA opened its doors). More recently, artists such as Slater Bradley, Raymond Pettibon, and Mike Kelley have created album covers and music videos for rock bands, while many noted rock musicians such as John Lennon, Bryan Ferry, and Peter Townsend have emerged from art schools.
This exhibition is the most serious and comprehensive look at the intimate and inspired relationship between the visual arts and rock-and-roll culture to date, charting their intersection through works of art, album covers, music videos, and other materials. The exhibition addresses the importance of specific cities such as London, New York, Los Angeles, and Cologne; rock and rollâ€™s style, celebrity, and identity politics in art; the experience, energy, and sense of devotion rock music inspires; and the dual role that many individuals play in both the sonic and visual realms. This exhibition is curated by MCA Curator Dominic Molon.”
October 7, 2007 · Print This Article
Is there an art scene in Wicker Park anymore? Why does Around the Coyote have such a crap reputation these days? Duncan asks the hard questions to Around the Coyote Executive Director Allison Stites and festival coordinator Jessie Cochran about what they are doing, what they are working on, and how they are trying to turn the program around, bring in quality curators and artists and make it relevant and interesting. They donâ€™t shy away from straight answers.
This week the San Francisco Bureau introduces their new co-host, the fabulous Patricia Maloney, in a survey of the fall season exhibitions. Brian, Marc, and Patricia review a smorgasbord of shows including: Olafur Eliasson at SFMOMA, the opening of the new Ratio 3, Jessica Silverman Gallery, Ping Pong, Queens Nails Annex, Heather Marx Galley and a cavalcade of others. Meanwhile, Marc pitches in with a report of the LA Chinatown openings while Brian and Patricia debate anatomical merits of R. Crumb and Tom of Finland. Good Times!
The Show kicks off with Caroline Picard discussing a Three Walls/Green Lantern project that breaks American indie arts ground. A communication resource for art like this country has never seen. It will blow your mind.
ALSO, NOT FOR THE FAINT OF HEART. Seriously, if you react negatively to the phrase blow job or the f-boom stay the hell away.
Jason Dunda and Teena McClelland (from the Alliance of Pentaphillic Curators) are back, along with Kathryn, Christopher Hudgens in a rare on mic appearance, Duncan, Terri and Serena all providing team coverage of opening extravaganza 2007.
You are mentioned in this episode, seriously, no name drop list this week because you know you are in here, someone is talking about you, maybe something good, maybe something bad, youâ€™ll just have to listen.
Mike B. is back with 28 somethings later.
Direct download: Bad_at_Sports_Episode_107-opening_shots.mp3
This week Clare Britt from Fraction Workspace stops by to give the run down on a couple of the European shows with Duncan and Joanna. Namely Documenta and Munster. She will be back next week To consider Venice.
Also the fine and wacky folks from The Alliance of Pentaphilic Curators show up to encourage Philip von Zweck’s friends to explain why it should have been them while they “roast the bastard” in recognition of the sizable grant he won this year.
The opening and closing songs of this week’s show are there largely to amuse Kaveh Soofi.
If you don’t get it, you don’t, sorry.