This week: recent addition to the BAS family Anna Kunz talks to indie rock legend Lou Barlow (Dinosaur Jr., Folk Implosion, Sebadoh, Sentridoh, and his own solo work) about the creative process, his music, and other exciting stuff. Lou recently released a spectacular new album out Goodnight Unknown. Richard will kick himself for a long time that he wasn’t there for this interview. Bad at Sports congratulates the Barlow family on the addition of a recent bundle of joy! The baby thing is catching kids, watch out. Before you realize it everyone you know will have a couple ankle biters running around.
Clipped from Wikipedia, and redundant:
Lou Barlow is an American alternative rock singer, songwriter and multi-instrumentalist.
A founding member of the groups Dinosaur Jr., Sebadoh and The Folk Implosion, Barlow is credited with helping to pioneer the lo-fi style of rock music in the late 1980s and early 1990s. Barlow was born in Dayton, Ohio and was raised in Jackson, Michigan and Westfield, Massachusetts. Read more
This week: Guest interviewer Anna Kunz (accompanied by Pamela Fraser) talks to Carroll Dunham about his show at He Said/She Said and more!
American painter. He completed a BA at Trinity College, Hartford, CT, in 1971 and later settled in New York. Initially influenced by Post-Minimalism, process art and conceptual art, he was soon attracted to the tactility and allusions to the body in the work of Brice Marden, Robert Mangold and Robert Ryman. Spurred on by the revival of interest in Surrealism in the 1970s, Dunham began to make abstract, biomorphic paintings reminiscent of the work of Arshile Gorky and AndrÃ© Masson, executed with a comic twist enhanced by lurid colours and the suggestion of contemporary psychedelia.
In the 1980s he began to paint on wood veneer and rose to prominence in the context of a broader return to painting in the period. Age of Rectangles (1983â€“5; New York, MOMA) is a highly abstract composition of differing forms, symptomatic of his work at this time: geometric sketches co-exist with eroticized organic shapes while the forms of the wood veneer show through the surface of the paint to suggest surging forces.
Towards the end of the 1980s he began to move towards single, dominating motifs; wave-like forms were particularly common. In the Integrated Paintings series he applied paint-covered balls and chips to the surface of the canvas to further develop the sense of organic life. Mound A (1991; priv. col.) is typical of Dunhamâ€™s work of the early 1990s in which his forms began to resemble mounds of live matter, covered in orifices. Around 1993 his paintings began to feature schematic, cartoon figures which suggest the influence of Philip Guston. Read more
This week: Duncan and guest interviewer (who really does most of the interviewing while Duncan slumbers) Anna Kunz talk to artist and educator Jay Wolke! This entertaining and at times wacky interview is not to be missed. As you listen to this you can think to yourself; “I wonder what general zaniness was in the 10 minutes Richard chopped out of this show for the purposes of brevity and flow”, but you can rest comfortable that most of it consisted of Anna giving Duncan a hard time.
Do not miss the longest, most unfocused and rant laden outro/credits in the history of the show, where Richard and Duncan are interrupted by Buses, the El, a panhandler, and Richard’s spontaneous rant about a cop on a Segway smoking a cigarette. This spawns a discussion about the ascendancy of “douchebag” in the contemporary lexicon.
Wow. That is a lot of quality show!
Lifted shamelessly for somewhere else:
Jay Wolke is professor and chair of the department of art and design at Columbia College Chicago, and the author of All Around the House: Photographs of American-Jewish Communal Life. Dominic A. Pacyga is a professor at Columbia College Chicago, and the author and editor of numerous books on Chicago’s history, including Polish Immigrants and Industrial Chicago and Chicago, both published by the University of Chicago Press. Read more