Sydney artist Cameron Sparks, 78, is being operated on in Royal North Shore Hospital after his 41-year-old neighbour allegedly attacked him in the backyard of one of their houses at Waverton. The latest reports are that his alleged attacker Peter Grayson, 41, was refused bail at Manly Local Court and has claimed to be suffering from paranoid schizophrenia at the time of the attack.
Mr. Sparks is in critical care and has recently gotten out of the OR.
Mr Sparks regularly showed his watercolours at the prestigious Macquarie Galleries, which has since closed. He also compiled a catalogue of the work of Australian artist David Davies.
*Why not take Aderall? (Chicago Weekly).
*Forget the death of print–the revival of cassette tape is well underway.
*In second round of layoffs, MOCA cuts Robert Hollister, its director of registration and collections (Culture Monster).
*Curator Jeffrey Grove to leave High Museum for Dallas Museum of Art (UnBeige).
*In the nick of time, Scope Basel announces new location (Art in America).
(above image credit: Bertrand Goldberg Associates. Marina City South Elevation, ca. 1962. “Marina City” on view at ArchiTech Gallery from June 5-August 29, 2009).
â€œWe call for all artists in the U.S. to put down their tools and cease to make, distribute, sell, exhibit or discuss their work from January 1, 1990 to January 1, 1993. We call for all galleries, museums, agencies, alternative spaces, periodicals, theaters, art schools etc., to cease all operations for the same period. Art is conceptually defined by a self-perpetuating elite and is marketed as an international commodity; the activity of its production has been mystified and co-opted; its practitioners have become manipulable and marginalized through self-identification with the term ‘artist’ and all it implies.’ – YAWN
The proposed early-â€™90s Art Strike is an interesting and largely forgotten footnote in contemporary art history. I encountered it for the first time while doing some research with back issues of Artpaper, the paper of record for the 1980s and â€™90s art scene in Minneapolis-St. Paul. A full-page ad reproduced the text of YAWNâ€™s inaugural broadsheet, and listed various resources one could write to learn more. Two ‘Action Committees’ â€” one in London, one in San Francisco â€” were listed, as well as YAWNâ€™s mailing address in Iowa City, Iowa.”
This weeks video pick is Gary Panter on VBS.TV. The five part series checks in with Gary to discuss all of the projects he has been a part of including Pee-weeâ€™s Playhouse, Dal Tokyo, and my personal favorite Jimbo. I would also highly recommend checking out the K8 Hardy interview and the comments if your looking for a laugh.
Herb and Dorothy. I’d like to see this film screened in Chicago. Has anyone seen it here? I didn’t see any mention of an upcoming Chicago venue on the website.Â Please don’t tell me I’ve missed it. The synopsis, from the film’s website:
HERB & DOROTHY tells the extraordinary story of Herbert Vogel, a postal clerk, and Dorothy Vogel, a librarian, who managed to build one of the most important contemporary art collections in history with very modest means. In the early 1960s, when very little attention was paid to Minimalist and Conceptual Art, Herb and Dorothy Vogel quietly began purchasing the works of unknown artists. Devoting all of Herb’s salary to purchase art they liked, and living on Dorothy’s paycheck alone, they continued collecting artworks guided by two rules: the piece had to be affordable, and it had to be small enough to fit in their one-bedroom Manhattan apartment. Within these limitations, they proved themselves curatorial visionaries; most of those they supported and befriended went on to become world-renowned artists including Sol LeWitt, Christo and Jeanne-Claude, Richard Tuttle, Chuck Close, Robert Mangold, Sylvia Plimack Mangold, Lynda Benglis, Pat Steir, Robert Barry, Lucio Pozzi, and Lawrence Weiner.
After thirty years of meticulous collecting and buying, the Vogels managed to accumulate over 2,000 pieces, filling every corner of their tiny one bedroom apartment. “Not even a toothpick could be squeezed into the apartment,” recalls Dorothy. In 1992, the Vogels decided to move their entire collection to the National Gallery of Art in Washington, DC. The vast majority of their collection was given as a gift to the institution. Many of the works they acquired appreciated so significantly over the years that their collection today is worth millions of dollars. Still, the Vogels never sold a single piece. Today Herb and Dorothy still live in the same apartment in New York with 19 turtles, lots of fish, and one cat. They’ve refilled it with piles of new art they’ve acquired.
HERB & DOROTHY is directed by first time filmmaker Megumi Sasaki. The film received the Golden Starfish Award for the Best Documentary Film and Audience Award from the 2008 Hamptons International Film Festival. It has also received Audience Awards from the 2008 SILVERDOCS Film Festival and the 2009 Philadelphia Cinefest. Palm Springs International Film Festival named HERB & DOROTHY one of their “Best of Fest” films in 2009.