Recorded live in front of a studio audience at Triple Base Gallery on July 10th, 2008 as a part of the exhibition “Open for Business”. In this raw interview Brian and Patricia talk to RenÃ© de Guzman about the cultural origins of art, how museums can be relevant in the 21st century, and Oakland’s future as an art center.
RenÃ© de Guzman is the senior curator of art at the Oakland Museum of California. Previously, he was the director of visual arts at San Francisco’s Yerba Buena Center for the Arts (YBCA).
This week: First we had James Elkins and the raiders of the lost ark, then James Elkins and the temple of doom, next James Elkins and the last crusadeâ€¦.now.
James Elkins and the crystal something-or-other.
No, no, But James Elkins is back to talk with Duncan about the Stone Summer Theory Institute, the Art Phd. and why your sorry ass is going to be in school forever.
Stone Summer Theory Institute at SAIC: What Is an Image?
From July 13-19, the second annual Stone Summer Theory Institute at the School of the Art Institute of Chicago will present a forum for some of the world’s foremost art theoreticians to address unsolved issues in the field.
This year’s Institute is focused on three fundamental questions: What is the nature of the visual? What are images? What are pictures?
A combination of public events and private discussions, the Summer Theory Institute invites fifteen young scholars to explore issues in art conceptualization with renowned international scholars, artists, and authors, this year including Gottfried Boehm, W.J.T. Mitchell, Jacqueline Lichtenstein, and Marie-Jose Mondzain.
ALSO: WEST COAST PEOPLE READ AND OBEY!
In conjunction with â€œOpen for Businessâ€, Brian and Patrica will interview RenÃ© de Guzman live in public at Triple Base Gallery on Thursday, July 10th at 5:00 PM. The raw interview will then be posted to the site as that weekâ€™s show.
RenÃ© de Guzman is the senior curator of art at the Oakland Museum of California. Previously, he was the director of visual arts at San Franciscoâ€™s Yerba Buena Center for the Arts (YBCA).
First, some generally embarrassing banter, Duncan discusses his dance career, we talk about Richard’s terminal nerd-dom, and eventually introduce the show. Brian and Richard have announcements
Second, Terri and Serena interview artist Mary Rachel Fanning about her many and varied projects.
Third, Duncan talks to Diane Grams about her book “Entering Cultural Communities: Diversity and Change in the Nonprofit Arts”.
Next, more silliness in the closing, and then, you sit and wait until next Sunday where we send more wackiness your way. [Read more]
This week Duncan and Richard are joined by guest host Tony Tasset to talk to Pamela Fraser and Randall Szott about their work, arguing and their project he said-she said.
From their web site: http://hesaid-shesaid.us
he said-she said is an exhibition and event series held in the home of Pamela Fraser and Randall Szott. They will take turns presenting what amounts to an ongoing conversation about art and culture – Ms. Fraser presenting art and artists, and Mr. Szott sharing the activities of people who work in other contexts. Together they hope to offer up a fun and thoughtful take on current ideas in art and life.
Richard makes Duncan feel bad. Much mirth is had by all.
Direct download: Bad_at_Sports_Episode_147-Faser-Szott.mp3
A Bad at Sports Basel Art Fair Overdose!
The intro and outro are extra creepy this week. Highlights(?) include Duncan talking about some fantasy involving wearing tight short shorts and Teena McClelland!!! Tom Burtonwood interrupts the recording by shooting rubber bands. Chaos!
After Richard and Duncan are done making a mess of things, the real pros come in and present a fantastic report from Basel.
Lamis El Farra, emerging artist, and the EuroShark Mark Staff Brandl, seemingly perennially emerging black sheep artist, traverse and discuss the entirety of the King of Art Fairs, Art Basel. Yes: the Fair Itself, Art Statements, Art Unlimited, Scope, and the Solo Project. They only missed Liste and Print Basel. Sorry, but all the rest was already enough. Of course they were at the VIP opening (ahem) and managed to talk to more people than you can shake a stick at: artists, gallerists, museum directors, curators, critics, art magazine editors, fair organizers, all the hangers-on, â€¦erâ€¦, important elements of the international artworld.