Duncan talks with James Elkins about globalism, imperialism’s and all sorts of lighthearted stuff. This is audio that was recorded this summer at The Stone Theory Institute’s first iteration; 2007: The Globalization of Art, co-organized with Zhivka Valiavicharska.
Bad At Sports sat in on the whole thing and has pretty much every second on tape. We will be posting five sections over the next month or two as raw audio with a short introduction by Elkins himself. These will not be the polished “podio” that you have been used too but for those of you academically inclined it will be freaking awesome…
check the blog regularly as we will update with out notice.
We have a James Elkins original picture of all the scholars involved with their names for download at…http://www.badatsports.com/megsmagic/2007-panorama.jpg
The show opens with an indictment of Duncan’s mean-ness.
Marc and Brian interview Dawn Kasper with John Knuth of Circus Gallery featuring Michael Bauer of The Confederacy of Creative Ephemera.
Duncan talks to the delightful Ryan Schultz of Navta Schultz Gallery in Chicago about running a gallery, art fairs and the trajectory of the business.
NEXT WEEK: The Festival of Elkins!!!
November 25, 2007 · Print This Article
Amanda is back and you’re gonna be in trouble, hey nah hey nah, Amanda’s back!!!
Amanda Browder and Nathan Rogers-Madsen talk New York.
Mike Benedetto reveals his Transformer wish.
Critic and Curator Jeff Ward joins Duncan and Richard in interviewing Comic theorist, artist, educator and all around kickass guy Scott McCloud.
From Scott McCloud’s website (www.scottmccloud.com)
“At the age of 15, I remember telling my friend Kurt Busiek “I’ve decided to become a professional comic book artist.” It was the Summer between 10th and 11th Grades. My previous decision to become World Chess Champion had proved impractical, but this time I knew I could pull it off and a year and a half out of college, I finally did.
Today, I’m probably best known for:
Understanding Comics. A 215-page comic book about comics that explains the inner workings of the medium and examines many aspects of visual communication along the way. Understanding Comics has done well in stores, is in over 15 languages and, while not universally liked, is about as close to it as I’m ever likely to see. A favorite of interface, game and Web designers despite the fact that it doesn’t mention computers once. (Published 1993).
Reinventing Comics. The controversial 242-page follow-up to U.C. advocates 12 different revolutions in the way comics are created, distributed and perceived with special emphasis on the potential of Online Comics. Nearly every page seemed to step on somebody’s toes, and the debates in the comics industry over comics on the Web have gotten increasingly heated since its publication. Reinventing Comics is the only book I’ve ever written that’s been actually described as “dangerous.” (Published 2000).
My Online Comics. They’re all here (or at least linked to from here). Take a look.
Public Speaking and Teaching. Click to find out more.
Zot!. My first series ran for 36 issues at California’s Eclipse Comics. Though ostensibly a superhero story, Zot! had an alternative flavor and featured some unorthodox storytelling and compositions. “A cross between Peter Pan, Buck Rogers and Marshall McLuhan” is how I usually describe it. (1984-1991)
My Inventions. Over the years, I’ve created a number of strange, comics-related, um… things. Enough that I decided to give them their own section of this site. Check it out.
My Other Comics.Though not numerous, I have done other printed comics including 1985’s Destroy!!, a 12 issue stint writing Superman Adventures, in the mid-90’s, a bizarre and generally disliked graphic novel about Abraham Lincoln, some mini-comics, short pieces, and various comics-style articles in magazines like Wired, Nickelodeon, Computer Gaming World, Wizard and Publishers’ Weekly.
Depending on who you ask, I’m either comics’ leading theorist or a deranged lunatic, but life continues to be very interesting for me and the ideas that I’ve raised continue to provoke reactions throughout the comics community and — increasingly — beyond it. Pick up Understanding Comics (or look for it at your local library) to begin finding out why.”
ALSO: Mark Staff Brandl checks in to review art with his students from the Central European Bureau!
Lastly Duncan and Joanna act wacky and Joanna has some interesting ideas.
November 11, 2007 · Print This Article
Holy crap! This show is an instant classic. Richard returns; not only to production duty but also, at long last, to interview duty. Painter and art legend Judy Ledgerwood is our guest. Guest host Tony Tasset joins in on interviewing duties to ask the hard hitting questions. Not to be missed.
The following bio is shamelessly stolen from the Hyde Park Art Center, please don’t sue us:
In the tradition of Modernist painting, Judy Ledgerwood paints monumental abstract compositions that explore light, color, and structure. Her paintings are formal, decorative, and tranquil while simultaneously being highly personal, optically challenging, and inherently subversive. In her compositions, she creates a dialogue that is uniquely feminine but also powerful and authoritative. Early in her career, Ledgerwood began incorporating traditionally feminine pastel colors into her landscape based paintings in an attempt to challenge and undermine the historically male-dominated tradition of gestural abstract paintings. Today her compositions include circular motifs typically associated with the decorative arts tradition. In the 1970s many feminist artists identified and celebrated circular patterns as being connected to female identity. Ledgerwood acknowledges this tradition through her continued use of dot motifs, which she identifies as her form of non exclamatory mark-making. Ledgerwood is the recipient of a Tiffany Award in the Visual Arts, a National Endowment for the Arts Award, an Illinois Art Council Award and two CIRA Grants from Northwestern University. Her work is represented in the public collections of the Art Institute of Chicago, the Metropolitan Museum of Art, the Milwaukee Museum of Art, the Museum of Contemporary Art Chicago, and Swissbank New York. Her degrees are from the Art Academy of Cincinnati, BFA, and the School of the Art Institute of Chicago, MFA.
If that werenâ€™t enough, crack open a diet coke plus and sit down for Mike Benedetto who is joined by Tony Fitzpatrick as they review the new Jodi Foster Revenge thriller The Brave One during which they use the phrase â€œCharles Bronson with titsâ€.
And for you Encyclopedia Brown sleuths out there, allegedly there is a secret message from Tony Tasset hidden somewhere in the show.
If you listen to one freaking episode of BAS this year it sure as hell better be this one.