This Week: Do Duncan and Richard take a week off, kick back, drink that eggnog Duncan makes with lighter fluid???
NO, no they do not. They undertake to make a holiday special so labor intensive, so wacky, so stupid it is hard to beleive. Yes, it is here.
AND, if you survive the dramatic reading, you will be rewarded by some rare and amazing Christmas Classics, about Daleks, sex, and stuff like that.
HO HO HO.
This week: Duncan and Richard at Expo Chicago 2013 talking to Sanford Biggers, Elysia Borowy-Reeder and JosÃ© Lerma.
From Expo’s info:
Sanford Biggers, Elysia Borowy-Reeder and JosÃ© Lerma in conversation with Richard Holland and Duncan MacKenzie for another rousing Bad at Sports discussion, hosts Richard Holland and Duncan MacKenzie will field interviews and commentary from Artist Sanford Biggers (SAIC MFA 1999, moniquemeloche, David Castillo Gallery, MASSIMO DE CARLO), Director of the Museum of Contemporary Art Detroit Elysia Borowy-Reeder and Artist JosÃ© Lerma (SAIC Painting and Drawing), most recently featured in a solo exhibition for â€œChicago Worksâ€ at the Museum of Contemporary Art Chicago.
Related articles across the web
This week: First up, Sonnenzimmer! Duncan talks to Nick Butcher and Nadine Nakanishi about the poster scene, the business of art and design and more! ThenÂ What’s the T’s Dana B. makes her podcast debut in an interview with Sarah Weber, whose solo exhibition at Rena Sternberg Gallery is open through December 28th.
SARAH WEBER (b. 1988) is an artist currently working in Chicago. She received her MFA from the Pennsylvania Academy of the Arts in 2011 and her BFA from the School of the Art Institute of Chicago in 2009. Her work has recently been exhibited in Heaven Gallery (Chicago), Lloyd Dobler Gallery (Chicago), and Galerie Nord (Berlin). Sarah was the recipient of The Ox-Bow Scholarship, funded by the Joan Mitchell Foundation. Her first solo show at Rena Sternberg Gallery (Glencoe) will run through January 2014.
Sonnenzimmer is the Chicago-based studio ofÂ Nick ButcherÂ andÂ Nadine Nakanishi. Merging backgrounds in typography, printmaking, graphic design and fine art, we create hand-crafted posters, books, and music packaging for a wide array of clients. Most of our projects are screen printed in-house. We are always up for the challenge of creating unique visuals for projects. If you are interested in working with us, donâ€™t hesitate toÂ contact us. To read about our process, check ourÂ FAQ page.
Weâ€™ve had somewhat of an elastic existence in our 7 year history. Beginning as a shared painting studio, equipped with industrial screen printing equipment, the venture quickly morphed into a design and print studio specializing in hand-crafted prints and design for some of the cityâ€™s most recognized cultural institutions. As image making is becoming more and more present in commerce and enjoying a true revival in print making and painting, we hope our mixture of fine and applied art will be looked at as complimentary assets. That people understand they are not mutually exclusive. We are interested in idiosyncratic imagery. This is explored through many lenses of an ongoing practice â€“ may it be of collaborative, experimental, or commercial nature.
This week: San Francisco checks in with a great interview.Â Bad at SportsÂ contributors Brian Andrews and Patricia Maloney sat down with artist Takeshi Murata and sound designer Robert Beatty on November 9, 2013, at Ratio 3, in San Francisco, to discuss Murataâ€™s most recent digitally animated video,Â OM Rider(2013).Â OM RiderÂ follows two animated creatures: a wizened old man that Andrews describes as â€œhalf theÂ Curious GeorgeÂ Man in the Yellow Suit, half like the butler fromÂ Rocky Horror Picture Show,â€Â and a hipster wolf, which rides a moped through a barren landscape and performs other aimless tasks. The video begins with the creature playing a synthesizer that gives the video its title.Â Om RiderÂ contains Murataâ€™s characteristic absurd humor and aesthetic, which mixes highly attuned lighting and composition with more retro modeling and minimalist, almost antiseptic spaces.
Takeshi Murata was born in 1974 in Chicago. In 1997, he graduated from the Rhode Island School of Design, where he studied film, video, and animation. He currently lives and works in Saugerties, New York. Murata has exhibited at the New Museum, New York; the Museum of Modern Art, New York; the Museum of Fine Arts, Houston; the Fondazione Sandretto Re Rebaudengo, Turin, Italy; Sikemma Jenkins & Co., New York; Gladstone Gallery, New York; and Salon 94, New York. Murataâ€™s work is featured in the collections of the Hirshhorn Museum and Sculpture Garden, Washington DC; DESTE Foundation for Contemporary Art, Athens; and The Smithsonian Museum of American Art.
FYI, AP will post an excerpted text version of this interview on Dec. 3, and the link for that conversation should be:
And here is a related review Brian wrote for his previous show: http://www.artpractical.com/review/get_your_ass_to_mars_andrews/
November 25, 2013 · Print This Article
“Who owns the internet?”
Josh Baer -Â Baer Fax
Forrest Nash -Â Contemporary Art Daily
Paddy Johnson -Â Art F City
Richard Holland and Duncan MacKenzie -Â Bad at Sports