Need something to listen to during your holiday travels? Well we are back once again with the BAS Holiday Spectacular! Over an hour of eclectic holiday related music, mirth and mayhem.
First a solid hour of gems from the BAS vault, some things you love, some things you hate, some things that will surprise you.
We finish it off with the West Coast Bureau playing holiday madlibs.
Not to be missed.
Direct download: Bad_at_Sports_Episode_121-Holiday_Spectacular.mp3
First: Shannon and Duncan talk Robert Reinard, Program Director, Collections & Exhibitions and Amanda Curtis, Program Director, Education from Intuit.
Intuit is a not-for-profit organization founded in 1991. Our mission is to promote public awareness, understanding, and appreciation of intuitive and outsider art through a program of education and exhibition.
Toward this end, Intuit strives to discover, document, maintain, preserve, exhibit, and collect examples of intuitive and outsider art; and to operate a permanent facility in which to pursue such activities.
Intuit defines “intuitive and outsider art” as work of artists who demonstrate little influence from the mainstream art world and who seem instead motivated by their unique personal visions. This includes what is known as art brut, non-traditional folk art, self-taught art, and visionary art.
Next: Terri and Joanna talk to Gretchen Kalwinski and Eugenia Williamson from Literago.org
Literago.org is intended as a portal to news and information about literary goings-on in and around Chicago. The site features a curated calendar with a corresponding weekly newsletter, news and photos, post-event write-ups, and the occasional essay about the state of literature in Chicago.
New York Magazine has published their “Best in Art 07” with their choices for the top shows in 10 different categories as well as Best Debut and Failure.
Debatable highlights include:
Best Show: Matthew Barney’s performance with Dog, Band, Bull, Urine & ’67 Chrysler
Freshest Century-Old Painting: Picassoâ€™s Les Demoiselles dâ€™Avignon turned 100
Best New Scene: The Lower East Side Gallery District aka the last cheap place in Manhattan for real estate
Read them all here and let the argument begin.
The 6th annual Art Basel Miami Beach closed Sunday reporting a higher overall attendance, more gallery participation and more international media coverage than in past years.
Messe Schweiz, the art fair’s owner, reported 43,000 visitors attended the fair, which officially kicked off Dec. 6 but began informally with collector parties, museum exhibition openings and other cultural events on Dec. 3.
The 200 galleries from 30 countries were selected from 850 applicants — the most the fair has received since it launched in December 2002. Art works by more than 2,000 artists were exhibited for sale inside the Convention Center and in shipping containers retrofitted for gallery space in Collins Park.
In addition to setting new attendance and gallery participation records, this year’s fair was the last under Art Basel Miami creator & director Sam Keller, who launched the inaugural fair as a sister to the original Art Basel in Switzerland.
In January, Keller will become director of the Fondation Beyeler in Riehen, Switzerland.
He will be replaced by a triumvirate to include director of operations and finance Annette Schonholzer, artistic director Cay Sophie Rabinowitz, and director for strategy and development Marc Spiegle.
December 12, 2007 · Print This Article
The Art Institute of Chicago announced yesterday that the Gauguin ceramic sculpture “The Faun” which has been on display for about a decade is infact a forgery by Shaun Greenhalgh who is part of a larger family of forgers that has been under investigation by Scotland Yard for some time.
The Museum purchased the sculpture form a private dealer in London, who in turn bought it from a Sotheby’s auction in 1994.
Shaun Greenhalgh received a prison sentence of 4 years and 8 months last month. His mother, Olive, 83, was given a 12-month suspended sentence. The father, George, 84, broker of all the forged objects, had a deferred sentence pending medical reports.
For 17 years, the family carried on one of the most sophisticated forgery operations in modern history, faking scores of objects including antiquities, watercolors, paintings and modern sculpture, authorities said. Many of the pieces were copies of ancient objects or artworks thought to be lost.
UPDATE The Art Newspaper has published that the purchase price of the sculpture that the Art Institute would not like to declare was $125,000. The London dealer that sold it to the Institute bought the piece in 1994 for Â£20,700 or $42,382. Making a profit of $82,618 on the transaction.