Artist Profile: Jenny Polak

Artist Profile: Jenny Polak

New York City-based artist Jenny Polak has long dealt with issues of citizenship and legality through her site-specific and socially-engaged projects. Drawing heavily on her background in architecture, but working across a variety of media, Polak’s work brings human...
Episode 430: EXPO panel Josh Baer, Paddy, and Forrest Nash

Episode 430: EXPO panel Josh Baer, Paddy, and Forrest Nash

http://traffic.libsyn.com/badatsports/Bad_at_Sports_Episode_430__EXPO_Panel_Internet.mp3 download This week!   EXPO Panel!   “Who owns the internet?”   Josh Baer - Baer Fax Forrest Nash - Contemporary Art Daily Paddy Johnson - Art F City     Richard...

“I’d be safe and warm if I was in LA…”

Towards the end of The Function of Criticism, Terry Eagleton suggests that the “role of the contemporary critic,” which is of course a different thing than the function of criticism – right? a role and a function are different things, but of course the function of something might be to provide a role, or a role might be to serve a function, in both cases it seems like function is greater than, trumps or possibly dictates, role – is to reconnect “the symbolic to the political,” by which he means “engaging through both discourse and practice with the process by which repressed needs, interests, and desires may assume the cultural forms which could weld them into a collective political force.” He is emphatic in pointing out that this role, this idea, is not new at all, but – like many ideas around a liberatory role for art, theory, etc – harks back to an earlier historical moment.