January 15, 2008 · Print This Article
In February’s edition of Chicago Magazine ( soon to be on newsstands ) they rate the top websites that are Chicago focused and/or based.
Bad at Sports was kindly named and showcased in the Art & Culture category along with other Chicago resources as Sharkforum, Chicago Artists Resource & Paul Kline’s Artletter. Not to forget the personal writings of Edward Lifson, cough, cough.
We thank every listener that has made this possible for the last 2+ years & the editorial staff of Chicago Magazine for recognizing the hard work of a handful of Chicago street punks like us.
In true form we take the recognition with one hand and flip off the establishment with the other hand (minus a few fingers). At least thats what I think the artist handbook decrees, who knows we were never good with rules.
FIRST: Duncan and Jeff Ward talk to photographer Laura Letinsky about her work and recent exhibition at Monique Meloche.
Laura Letinsky has exhibited her color photographs in numerous venues, including the Museum of Modern Art, New York City; Casino Luxembourg; The Nederlands Foto Institute; the Canadian Museum of Contemporary Photography, Ottawa; and the Museum of Contemporary Photography, Chicago. Her series of still-life photographs, Morning, and Melancholia, has been shown at Edwynn Houk Gallery, New York City, Copia, Napa Valley, and Stephen Bulger Gallery, Toronto. More recent and upcoming exhibitions include Time Was Away at the Art Institute of Chicago, I did not remember I had forgotten at the Monique Meloche Gallery, Chicago, and Hardly More Than Ever at the University of Chicago’s Renaissance Society and the Shine Gallery in London. Her work is collected by LaSalle Bank Photography Collection; Yale University Art Gallery; the Museum of Contemporary Art, Chicago; the Art Institute of Chicago; the Museum of Fine Art, Houston; and the San Francisco Museum of Art. Letinsky received her B.F.A. from the University of Manitoba in 1986 and her M.F.A. from Yale University 1991.
NEXT: Kathryn Born talks to sculptor Sabrina Raaf.
Sabrina Raaf is a Chicago-based artist working in experimental sculptural media and photography. Her work has been presented in solo and group exhibitions at Mejan Labs (Stockholm), Stefan Stux Gallery (NYC), Ars Electronica (Linz), Opel Villas Foundation Art Center (Rüsselsheim), Museum Tinguely (Basel), Espace Landowski (Paris), Artbots 2005 (Dublin), San Jose Museum of Art, Kunsthaus Graz, ISEA (Helsinki), Klein Art Works (Chicago), The Lab (San Francisco) and Painted Bride Center (Philadelphia). She is the recipient of a Creative Capital Grant in Emerging Fields (2002) and an Illinois Arts Council Fellowship (2005 & 2001). Reviews of her work have appeared in Art in America, Contemporary, Chicago Tribune Sunday Magazine, Leonardo, www.lab71.org, The Washington Post, and New Art Examiner. She received an MFA in Art and Technology from the School of the Art Institute of Chicago (1999) and is currently Assistant Professor in the School of Art and Design at the University of Illinois at Chicago.
The music in this week’s show is in honor of Duncan and the shady company he has been keeping.
Sir Robert J. Loescher, 70, died on December 8, 2007.
Mr. Loescher was Professor Emeritis at the School of the Art Institute of Chicago and founder of SAIC Art History Department. He was knighted in 1990 by King Juan Carlos, of Spain.
He was preceded in death by his parents and his infant brother, George. He is survived by his brothers, Thomas Loescher, of Tucson, Arizona, and Richard Loescher, of Appleton, Wisconsin; friends, Shay DeGrandis, Nathan DeFoor, Brian Sikes and Bibiana Suarez, of Chicago; Joyce Neimanas, of Albuquerque; Wendy Woon, of New York; and many other colleagues and friends.
A memorial service to honor Sir Robert Loescher, in conjunction with the Midwest Art History Society Conference, will be held on April 4, 2008, at the Gene Siskel Film Center.
Robert J. Loescher, a specialist in Spanish and Latin American art, helped revolutionize the art history program at the School of the Art Institute of Chicago, where he taught for more than 30 years.
Mr. Loescher, 70, died in his Lake View home Saturday, Dec. 8, having had suffered from heart problems and was weakened by a recent operation.
Richard & Sarah had the pleasure of knowing and working with Mr. Loescher and will miss him greatly.
Brian and Marc recently collaborated on a review of Tony Lebat’s Bulk at Queens Nails Annex for Shotgun Review. Here’s an excerpt:
“Tony Labat’s exhibition Bulk opened to throngs of art students, smoking and drinking on the sidewalk. At first, the event seemed like any other gallery reception. However, as a show focusing on the manifestation of social relations in an art event, the students hadn’t come to see anything in particular, but to rather simply be with one another. With the gallery’s main space converted to a bar, complete with amateur bartenders, swill cocktails at criminal prices, and makeshift wooden tables; Bulk turned Queens Nails Annex into a speakeasy, one built like a cheap theatrical set.
… Bulk’s events have drawn together those who share in a common perspective – art students, gallerists, curators, etc.- participating in their prescribed roles of social exchange and power dynamics, as if the events had a written script. The exhibition doesn’t challenge itself to compose the audience, who provide its labor, or translate their efforts into meaning. Any examination into the relationship between the mechanics of audience as a means of production, and how it conditions the possibilities of interpretation, is absent. Without intervention, the events emerged as expected; codified and rigid. Creating work that fosters social relations shouldn’t reduce an event to the calling together of a coterie, turning the artist into a socialite of aesthetics whose practice would be a chain of well-hosted shin-digs. Bulk is emblematic of this festivalist, lackadaisical attitude that’s far too common in contemporary art.”
From everyone at BaS we all wish the King of Canada the best on now being part of North America and with his work to restore the National Parliament Igloo building.