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Episode 539: Catherine Wagner

February 11, 2016  

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This week, we join Brian and Patricia as they chat with Bay Area artist, doyenne, and badass Catherine Wagner following a decadent champagne brunch in her studio to ring in the New Year. For over thirty years Catherine Wagner has been observing the built environment as a metaphor for how we construct our cultural identities. She’s examined institutions as various as art museums and science labs, the home and Disneyland. Ms. Wagner’s process involves the investigation of what art critic David Bonetti calls “the systems people create, our love of order, our ambition to shape the world, the value we place on knowledge, and the tokens we display to express ourselves.”

While Ms. Wagner has spent her life residing in California, she has also been an active international artist, working photographically, as well as site-specific public art, and lecturing extensively at museums and universities. She has received many major awards, including the Rome Prize (2013-2014), a Guggenheim Fellowship, NEA Fellowships, and the Ferguson Award. In 2001 Ms. Wagner was named one of Time Magazine’s Fine Arts Innovators of the Year. Her work is represented in major collections nationally and around the world, such as the Los Angeles County Museum of Art, SFMOMA, The Whitney Museum of American Art, MOMA, MFA Houston. She has also published several monographs, including American ClassroomArt & Science: Investigating Matter, and Cross Sections.

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We Woke Up Like This: Reflections on Social Practice in the Sunday New York Times

February 11, 2016 ·  

On Sunday February 7, 2016, the date that will now forever be known as the day a politically aware and majestic Beyoncé won the Super Bowl, an article written by Daniel Grant ran in the Education/Life section of the New York Times titled “For These Pieces Hold the Paint: Social Practice Degrees Take Art to a Communal Level.” The Art and Social Practice MFA program at Portland State University (PSU), where from 2008-2014 I taught and was for the majority of my time there the Co-director and Chair,  was heavily featured... Read More