Which artists should the Obamas add to the White House walls? Artinfo.com asked 21 artists, curators, dealers and bloggers–including Agnes Gund, Shepard Fairey, Andres Serrano (who suggests his own work, natch), Emilio Steinberger (of Haunch of Venison gallery) Edward Winkleman and Paddy Johnson to make suggestions. Their proposals, and the reasoning behind them, are fascinating to consider.
(Via Culture Monster).
*Why not take Aderall? (Chicago Weekly).
*Forget the death of print–the revival of cassette tape is well underway.
*In second round of layoffs, MOCA cuts Robert Hollister, its director of registration and collections (Culture Monster).
*Curator Jeffrey Grove to leave High Museum for Dallas Museum of Art (UnBeige).
*In the nick of time, Scope Basel announces new location (Art in America).
(above image credit: Bertrand Goldberg Associates. Marina City South Elevation, ca. 1962. “Marina City” on view at ArchiTech Gallery from June 5-August 29, 2009).
The Wall Street Journal reports on the new works of art the Obamas are adding to the White House walls, their political implications, and the potential market effects for the artists they’ve selected (particular the lesser-known ones). From the article:
The Obamas are sending ripples through the art world as they put the call out to museums, galleries and private collectors that they’d like to borrow modern art by African-American, Asian, Hispanic and female artists for the White House. In a sharp departure from the 19th-century still lifes, pastorals and portraits that dominate the White House’s public rooms, they are choosing bold, abstract art works.
The Obamas have great taste, no? A few examples…(the Ruscha is my favorite pick…so great!).