I just wanted to call attention to this awesome web symposium inspired by Wassily Kandinsky’s book, On the Spiritual in Art. It looks amazing and people have already started posting their remarks. The announcement is as follows:
The year 2011 marks the centennial of the publication of Wassily Kandinsky’s classic text, On the Spiritual in Art. Inspired by this anniversary, this project seeks to explore the place of the spiritual in contemporary art and to propose a challenge to the current devaluation of the inner life that prevails within the art world in our market-driven era.
Beginning today – Wednesday, March 30th – a ten-day virtual symposium moderated by Taney Roniger and Eric Zechman will be held in this forum.
Our symposium participants are: Suzanne Anker, Laura Battle, Connie Beckley, Anney Bonney, Deirdre Boyle, Nathaniel Dorsky, Jeff Edwards, James Elkins, Max Gimblett, Tom Huhn, Atta Kim, Roger Lipsey, Enrique Martinez Celaya, Joseph Nechvatal, Daniel Siedell, Charlene Spretnak, David Levi Strauss, Alan Wanzenberg, and Pawel Wojtasik. For participant biographies and other project details, please visit our site: www.beyondkandinsky.net.
March 30th–April 1st: Session I: The Spiritual Then and Now
April 2nd–April 3rd: Session II: The Changing Shape of Art
April 4th-5th: Session III: Art and Its Audience
April 6th–April 7th: Session IV: The Artist in Society
April 8th: Conclusions
(And then I just thought I’d quote the very first post, since it seemed particularly interesting to me…)
Wednesday, March 30, 2011
A response to Session I questions
Posted by Max Gimblett at Wednesday, March 30, 2011
(1) How have our ideas about the spiritual changed with the dissolution of the Modernist dream, in which Kandinsky’s vision was so deeply embedded?
What dissolution?! The Modernist dream has deepened and magnified.
(2) How has the notion of transcendence changed? Is transcendence still viable in a largely secular, postmodern culture?
Yes. We know much more about the world’s cultures. For instance: the phenomenal growth of American Buddhism; our understanding and study of Indian Gurus; and the emergence of current Indian Art.
(3) What might account for the deep suspicion — or indeed denial — of the spiritual shared by many artists and intellectuals in our culture?
Postmodernism, cynicism, parody, materialism, suicide. These nihilistic tendencies choose academic study and ritual in an effort subvert our collective spiritual connectivity. Spirituality is perception and clear perception delivers the truth. Krishnamurti delivers the truth. My primary school model was “seek after truth.”
(4) How have attitudes toward nature, the material world, and the body changed since Kandinsky?
As art history moves forward artists have branched off into ever more specialized investigations into all things. New and old ideas are explored and enriched. Beauty is found and lost.