Q&A with Volume Gallery, A Roving Venue for Contemporary American Design

March 24, 2010 · Print This Article

Jonathan Nesci, THE NEW, 2010

Last weekend I checked out Volume Gallery‘s debut presentation, an exhibition of limited edition furniture pieces by designer Jonathan Nesci titled THE NEW. The show was held for three days only at Andrew Rafacz Gallery. Nesci, whose design firm Hale is based in Chicago and Scottsburg, Indiana,  finds inspiration in the idiosyncratic details of urban infrastructure: the angle of street curbs, the unobtrusive design and placement of electrical meters, the base of a street light. The limited edition pieces comprising THE NEW also reference minimalist sculpture: a day bed and side chair are named after Sol Lewitt,  a wall-mounted aluminum plate bookcase that self-consciously evokes a Donald Judd sculpture is called the Reference Shelf.

Nesci favors industrial materials like metal and concrete, coated in a matte white finish that draws in surrounding light. My favorite piece was the Standard Table: a concrete disc that appeared to float within a circular bed of powder-coated aluminum and steel. In the picture above, its pale grey tabletop appears chalky white — an example of the way that Nesci’s pieces suck up light and transform hard-edged materials into objects that appear light-weight and almost ethereal. I also loved the smart, streamlined Seattle Planter, a combination planter/umbrella stand, which ingeniously re-uses dripping rainwater to nourish the plants in its base (the piece was designed with rain-soaked regions in mind, natch).

Jonathan Nesci, Standard Table. Powder-coated spun aluminum, concrete, steel.

Jonathan Nesci. Seattle Planter. Wax-polished aluminum plate.

Appropriately, Sam Vinz and Claire Warner, the co-founders of Volume Gallery, chose a white cube-like gallery space to showcase Nesci’s editions. Future iterations of Volume will likely look very different. I asked Vinz and Warner if they could answer a few questions about their new endeavor, and they kindly agreed. Check out Volume’s website for information on the next show, an exhibition of new editions by Felicia Ferrone that will take place sometime next Fall.

CI: Tell me a little bit about both of your backgrounds. You worked at Wright Auctions for a time?

Claire Warner: I graduated with a BA in Art History from Denison University, with an emphasis in Decorative Arts, spent several years at Wright Auction in Chicago as a specialist and appraiser in 20th century and contemporary design. While at Wright, I had the opportunity to help organize exhibitions by contemporary designers such as Arik Levy and Martino Gamper. Also spent time working at Luminaire, Chicago.

Sam Vinz: I graduated with a BA in Art History from UW-Madison with an emphasis in 20th century European architecture. In 2008 I completed my MA in Art Business from Sotheby’s Institute in London, and I wrote my dissertation on an analysis of the contemporary design market. I have worked at Phillips de Pury, Carpenter’s Workshop Gallery, Wright Auction, and Chase Art Companies. Read more