In The Late Afternoon of Modernism: An Interview with Graham Harman

In The Late Afternoon of Modernism: An Interview with Graham Harman

In any case, four or five centuries from now when the end of modernism seems as obvious a historical fact as the birth of it, I think Latour will be seen as the one who really put his finger on what is central to modernism: an artificial taxonomy of natural and cultural (or world and thought) in which the two realms are supposed to be purified from one another. The reason so many philosophers have a hard time appreciating this is that philosophers are still pursuing a modernist project even as other disciplines have been compelled to move beyond it. The Owl of Minerva flies at dusk, so it must not be dusk quite yet. We are still in the late afternoon of modernism.

How We Work: An Interview with Kate Ruggeri

How We Work: An Interview with Kate Ruggeri

Guest post by A.Martinez Kate Ruggeri is a Chicago-based artist, DJ, and curator who has shown at Roots & Culture (Chicago), Green Gallery East (Milwaukee), Western Exhibitions (Chicago), and Important Projects (Oakland). She is one of those people who exudes a...
Chicago Art in Pictures: March-April 2013

Chicago Art in Pictures: March-April 2013

A graphic, editorial overview of art, artists, and visual art events, found in and around Chicago over the course of the preceding month. All artwork copyright original artists; all photography copyright Paul Germanos. Daniel Shea @ Gallery 400 Above: Daniel Shea with...