Andrea Fraser: Thursday, February 12, 6pm
SAIC Auditorium, 280 S. Columbus Drive
Andrea Fraser will be kicking off this season of SAICâ€™s Visiting Artist Program series entitled â€œArt and the Right to Believe Lecture Series.â€ The performance artist whose work often is rooted in feminism and institutional critique will be worth catching.
â€œAdmission: $5 per person for the general public; $3 per person for SAIC alumni, non-SAIC students, and seniors; and FREE for students, faculty, and staff of the Art Institute of Chicago.â€
For more information please visit the visiting artist programâ€™s website
November 17, 2008 · Print This Article
In the soon to be released issue of bootprint (Vol. 2, Issue 2) Danyel Ferrari interviews Clementine Deliss. Assistant Editor Tim Ridlen sent me an excerpt which coincides with Deliss’ lecture tomorrow, Tuesday, November 18th at 3pm.
The lecture will be held at:
The Franke Institute for the Humanities
The University of Chicago
1100 East 57th Street, JRL S-102
Chicago, Illinois 60637
“Danyel Ferrari: Questions of space and mobility were often discussed as a part of Future Academy. What do you think about the place of architecture in the architecture of ideas, should there be walls?
Clementine Deliss: I might have a different perspective on that than, say, the students I have worked with in Future Academy. For the students I have worked with, this was actually one of the clearest issues and it came up very early on with regard to future buildings. The majority of students, whether they were based in Mumbai, Bangalore, Dakar or Edinburgh generally felt that they didnâ€™t need buildings in the first instance. They sought more face-to-face contact in the sense that they wanted field studies in locations and therefore a kind of plug-in system to enable contact to be played out. So they proposed the â€œshack academy,â€ built on existing tea shops, usually roadside venues where more discussions took place than within the walls of the academy buildings. They effectively wanted a more informal location for the production of ideas. The Bangalore group felt that it wouldnâ€™t be advantageous at this stage to invest in a large amount of technology, but safer to wait a while and test out the conditions that might develop over the next few years. So it wasnâ€™t just about buying computers and various technology that would allow for this kind of plug-in mobility, it was something else. What they felt needed to be created was a quasi-business model where information, contacts and networks between these students could be developed into an economic set of relations as they became professionalized and entered into various careers. They wanted to build on the structures that they were already developing through Future Academy and create â€œroving collegesâ€ that might provide a more equitable framework for them than the type of expansionism that we have known from the colonial period and that is in some cases, though not everywhere, being reformulated today.
Personally, I think one should be more careful and more sensitive to the fact that artists, if they work in the art college context, are actually moving into a back-stage condition. And this back-stage condition is enormously enriching for students. So sure they will teach, theyâ€™re always teaching, but they do not need to do courses so much as to be able to mediate what it is they are working on. In an art college, everybody is in a research context and for that purpose they need space. So I would argue that if you invite an artist to work within the art college, as much as possible you need to provide a certain space, a notion of â€œstudio,â€ rather than creating staff rooms where they all check their emails and then go home. So Iâ€™m quite old fashioned in that I favor the artistâ€™s studio within the art school context. And that is something that is either being reduced or is, in some parts of the world, utterly nonexistent.”
Read the full article when the latest issue of bootprint drops in December.
Tonight, November 13th at 6:00 pm Amanda Ross Ho will be lecturing at Depaul’s Art Museum. It is located at 2350 N. Kenmore Ave.
For more info please visit their website.
September 26, 2008 · Print This Article
Francis AlÃ¿s has a show opening this Sunday, Sep 28, 2008 at 4:00 pm at The Renaissance Society. He will be giving an artist talk from 5-6pm in University of Chicago’s Cobb Hall. Cobb Hall is located directly below the Ren in room 307.
The Renaissance Society is located on University of Chicago’s campus at:
5811 S. Ellis Avenue
Bergman Gallery, Cobb Hall 418
Chicago, Illinois 60637
THE AMANDA BROWDER SHOW: Amanda and Tom talk to artist William Powhida, about coke, naked girls, and even some talk of art. Bad at Sports get added to William’s enemies list.
Next: Duncan presents a lecture by Pete Fagundo at Dan Devening’s space.
THIS FRIDAY: GardenFresh closes their space at 119 Peoria with a final show//event, come check it out!