Yesterday, Collier Schorr had a book signing at Dashwood Books for her latest release “There I Was”. In the fall of 2007 I had a chance to see “There I was” at 303 gallery. The show was a departure from Schorrâ€™s photographic work. Through drawings, photographs, source images, and letters Schorr retells the vivid story of Charlie â€˜Astoria Chasâ€™ Synder. While accompanying her father on a interview in 1967 , Schorr met the 19 year old drag racer and his “Ko-Motion” Corvette. By the time the article was released Synder had already been killed while fighting in Vietnam. Based on both facts and fantasy Schorr retells the last days of â€˜Astoria Chasâ€™.
The Long Century has a small musing from Schorr about Synder and war films.
â€œI was talking to a friend about a scene in Full Metal Jacket and he said â€œthat is my favourite war movieâ€. Later, I thought, what does that mean? What does a favourite war movie satisfy? What makes it so desirable? All narrative cinema pivots on the transformation of a protagonist and so most war movies satisfy this requirement in spades. From An Officer and a Gentleman to Platoon, the young soldier is transformed into a man, either ruined by brutality or recused by structure, there is a simple pleasure in watching someone (other than oneself) abused into a potential killing machine.
â€¦When I starting making drawingâ€™s based on a young friend of my fatherâ€™s who was killed after just on month of serving in Vietnam, I re-engaged with all those Vietnam movies I thought I loved and I no longer could love them. The fact that they were a fetish for me, and an ideal about masculinity that I couldnâ€™t afford to indulge.â€
Read the full article at This Long Century.
For more information and to pre-order a signed copy please visit Dashwood Books