Having finished his speech to the visiting journalists, Christian Ringnes picks a beer from a large bucket of ice and retires to a chair. The bottle has his name on the label. And perhaps if it wasn’t for his ownership of Norway’s largest brewery none of us would be here. Indeed beer, and interests in restaurants and hotels, have allowed the Oslo businessman to amass one of the world’s largest private collections of art. Just as they have allowed him to spend $70 million on the sculpture park that the UK press are here to see.
Ekeberg Park is on a hill to the East of the Norwegian capital. It commands views of the stunning modern opera house which sits on the edge of the nearest fjord. After lunch, Ringnes shows us round a few of his favourite pieces, a Dalí here, a Rodin there, a good showing from Scandinavia, a skyscape by James Turrell, a pavilion by Dan Graham. The philanthropist scrambles around the wooded hillside in suede shoes, oblivious to the drizzle, with evident glee about his collection.
Some 40 miles north is sculpture park Kistefos, which is expanding at the same rate as Ekeberg. Two days after Ringnes unveils new work by Damien Hirst and the Chapmans, rival and friend Christen Sveaas, is cutting the ribbon on a monumental new piece of steel engineering by Philip King. The colourful arrangement of beams and struts may be symbolic of a family unit but there is nothing homely about its juxtaposition with the forested landscape of Oppland county.
Subsequent to the applause and the de rigeur gasps, the assembled crowd, comprising some of the wealthiest people in Norway, make their way to the complex of museum and gallery buildings for a charity auction. At this former mill, they are raising money for water supply in the developing world. A man from Sotheby’s rattles through 49 lots while the guests drink prosecco and bid five figure sums, as if for fun. A smaller piece by Philip King goes for more than half a million Krone, almost $70,000. And when the final bid is sold, we are rewarded by a set from a local covers band.
Kistefos is another family business, an investment company which began life in the lumber business. Visiting their offices on the waterfront in Oslo, the contemporary paintings are wall to wall, all of them monumental. A suite of mirrored clouds by Tomas Saraceno has just been installed in the atrium. And the company employ a young man in an impeccable suit to direct the company’s art holdings on a full time basis. We have been in Oslo for no more than 48 hours and already it is clear that wealthy collectors are thick on the ground.
A few hundred yards along the waterfront, Astrup Fearnley glitters in the sun: a private art gallery with a private beach. This space stems from a merger between two foundations, the founders of which both descend from shipping magnate Thomas Fearnley, born in 1841; his father, another Thomas, was one of Norway’s preeminent Romantic painters and the family’s chief love remains collecting art. Unprepared visitors may be surprised to find Jeff Koons’ iconic statue of Michael Jackson and his pet chimpanzee has made it this far north.
Things get more unexpected in Asrtup Fearnley’s temporary exhibition space. Here lie holdings by another magnanimous collector, Erling Klagge. This famous character has published his own book on purchasing art. It figures he is also a lawyer. You might just buy the fact he’s a philosopher. But if you’re not Norwegian, the fact that Klagge is a polar explorer to boot is fairly hard to swallow. No one in the UK is so adventurous and at the same time as discerning, as this additional Oslo player.
In short, the capital of Norway is rich and rich in art. There are collectors with money to spend, plus an educated audience with time to kill. At the Office of Contemporary Art (OCA) we even learn that, despite having less than a million inhabitants, Oslo has among the highest numbers of artist led spaces of any major city. As the National Gallery and Munch Museum move to larger premises in the city centre, they bring with them two versions of that famous scream. If Munch could see the city now, he might have had no complaints.
Here are the Chicago-based collectors on the magazine’s 2009 list, in alphabetical order as listed on ARTnews’ website:
Neil G. Bluhm
Collection focuses on Contemporary art
Stefan T. Edlis and H. Gael Neeson
Chicago; Aspen, Colorado
Plastics Manufacturing (Retired)
Collection focuses on Contemporary art
Anne and Kenneth C. Griffin
Collection focuses on Impressionism; Post-Impressionism
Elizabeth and Harvey Plotnick
Publishing and investments
Collection focuses on Old Master prints; Islamic ceramics
Real estate, hotels (Hyatt), and financial information
Collection focuses on Contemporary art
None made the magazine’s Top Ten list. Interestingly, Chicago has just slightly fewer collectors on the list than the 6 boasted by Los Angeles (9 if you count those who have secondary residences in Southern California) as reported by Suzanne Muchnic on the L. A. Times’ Culture Monster blog.
This is the first time in my life I have ever paid any attention to this list or its rankings–so take it for what it’s worth to you.
Herb and Dorothy. I’d like to see this film screened in Chicago. Has anyone seen it here? I didn’t see any mention of an upcoming Chicago venue on the website.Â Please don’t tell me I’ve missed it. The synopsis, from the film’s website:
HERB & DOROTHY tells the extraordinary story of Herbert Vogel, a postal clerk, and Dorothy Vogel, a librarian, who managed to build one of the most important contemporary art collections in history with very modest means. In the early 1960s, when very little attention was paid to Minimalist and Conceptual Art, Herb and Dorothy Vogel quietly began purchasing the works of unknown artists. Devoting all of Herb’s salary to purchase art they liked, and living on Dorothy’s paycheck alone, they continued collecting artworks guided by two rules: the piece had to be affordable, and it had to be small enough to fit in their one-bedroom Manhattan apartment. Within these limitations, they proved themselves curatorial visionaries; most of those they supported and befriended went on to become world-renowned artists including Sol LeWitt, Christo and Jeanne-Claude, Richard Tuttle, Chuck Close, Robert Mangold, Sylvia Plimack Mangold, Lynda Benglis, Pat Steir, Robert Barry, Lucio Pozzi, and Lawrence Weiner.
After thirty years of meticulous collecting and buying, the Vogels managed to accumulate over 2,000 pieces, filling every corner of their tiny one bedroom apartment. “Not even a toothpick could be squeezed into the apartment,” recalls Dorothy. In 1992, the Vogels decided to move their entire collection to the National Gallery of Art in Washington, DC. The vast majority of their collection was given as a gift to the institution. Many of the works they acquired appreciated so significantly over the years that their collection today is worth millions of dollars. Still, the Vogels never sold a single piece. Today Herb and Dorothy still live in the same apartment in New York with 19 turtles, lots of fish, and one cat. They’ve refilled it with piles of new art they’ve acquired.
HERB & DOROTHY is directed by first time filmmaker Megumi Sasaki. The film received the Golden Starfish Award for the Best Documentary Film and Audience Award from the 2008 Hamptons International Film Festival. It has also received Audience Awards from the 2008 SILVERDOCS Film Festival and the 2009 Philadelphia Cinefest. Palm Springs International Film Festival named HERB & DOROTHY one of their “Best of Fest” films in 2009.