Errol Morris the director of “Thin Blue Line” and “Fog of War” new film about the Abu Ghraib photos asks:
Is it possible for a photograph to change the world? Photographs taken by soldiers in Abu Ghraib prison changed the war in Iraq and changed Americaâ€™s image of itself. Yet, a central mystery remains. Did the notorious Abu Ghraib photographs constitute evidence of systematic abuse by the American military, or were they documenting the aberrant behavior of a few â€œbad applesâ€? We set out to examine the context of these photographs. Why were they taken? What was happening outside the frame? We talked directly to the soldiers who took the photographs and who were in …
First there was Hevetica, the documentary about the font and typography in general. It was all the rage in art circles for a week and now comes the spiritual sequel Objectified which promises to do the same for industrial design.
Check out the trailer below.
Based out of the University of Wisconsin-Madison “The Onion” is one of the leading, if not now the leading weekly satire publications and has now seen fit to give the spiritual sequel to “The Kentucky Fried Movie” which if you have not yet seen let your fingers do the walking to the nearest phonebook and find a video rental place.
November 11, 2007 · Print This Article
Holy crap! This show is an instant classic. Richard returns; not only to production duty but also, at long last, to interview duty. Painter and art legend Judy Ledgerwood is our guest. Guest host Tony Tasset joins in on interviewing duties to ask the hard hitting questions. Not to be missed.
The following bio is shamelessly stolen from the Hyde Park Art Center, please don’t sue us:
In the tradition of Modernist painting, Judy Ledgerwood paints monumental abstract compositions that explore light, color, and structure. Her paintings are formal, decorative, and tranquil while simultaneously being highly personal, optically challenging, and inherently subversive. In her compositions, she creates a dialogue that is uniquely feminine but also powerful and authoritative. Early in her career, Ledgerwood began incorporating traditionally feminine pastel colors into her landscape based paintings in an attempt to challenge and undermine the historically male-dominated tradition of gestural abstract paintings. Today her compositions include circular motifs typically associated with the decorative arts tradition. In the 1970s many feminist artists identified and celebrated circular patterns as being connected to female identity. Ledgerwood acknowledges this tradition through her continued use of dot motifs, which she identifies as her form of non exclamatory mark-making. Ledgerwood is the recipient of a Tiffany Award in the Visual Arts, a National Endowment for the Arts Award, an Illinois Art Council Award and two CIRA Grants from Northwestern University. Her work is represented in the public collections of the Art Institute of Chicago, the Metropolitan Museum of Art, the Milwaukee Museum of Art, the Museum of Contemporary Art Chicago, and Swissbank New York. Her degrees are from the Art Academy of Cincinnati, BFA, and the School of the Art Institute of Chicago, MFA.
If that werenâ€™t enough, crack open a diet coke plus and sit down for Mike Benedetto who is joined by Tony Fitzpatrick as they review the new Jodi Foster Revenge thriller The Brave One during which they use the phrase â€œCharles Bronson with titsâ€.
And for you Encyclopedia Brown sleuths out there, allegedly there is a secret message from Tony Tasset hidden somewhere in the show.
If you listen to one freaking episode of BAS this year it sure as hell better be this one.