Work by Samantha Simpson.
Firecat Projects is located at 2124 N. Damen Ave. Reception Friday, 7-10pm.
Work by Amanda Visell.
Rotofugi Gallery is located at 2780 N. Lincoln Ave. Reception Friday, 7-10pm.
Work by Miyeon Kwon.
Prak Sis Gallery is located 1917 W. Irving Park Rd. Reception Saturday, 6-9:30pm.
Work by Frol Boundin, Michael Coleman, Chadwick, Karsten Creightney, Jessica Chao, Aaron Ishaeik, shaurya kumar, and Galina Shevchenko.
Chicago Art Department is located at 1932 S. Halsted Ave. Reception Friday, 5-9pm.
Work by Eric Holubow.
Eyeporium Gallery is located at 1431 N. Milwaukee Ave. Reception Friday, 6-9pm.
125 N. Harvey Ave.
Sunday 2-4 PM.
Book of works by Tom Burtonwood
1104 S. Wabash, 2nd Fl.
Friday 5-8 PM
Work by Chris Silva, Chuck Przybyl, Teppei Katori, Lisa Chiodini, Frederic Moffet, Todd Frugia, Clifford Novey, Jason Frohlichstein, Timothy Olson, Edyta Stepien, Agnieszka Kulon, Mark Salach, Dandee Petr, Benjamin Thorp, Martin Rille, and Nat Soti.
1932 S. Halsted St. #100
Friday 6-10 PM.
Work by Amy Babinec, Jessica Taylor Caponigro, and Neal Vandenbergh.
1906 S Throop St #2F
Saturday 6-9 PM.
Group exhibition of gallery artists.
310 N. Peoria St.
Friday 6-10 p.m.
This weekend is making up for the last couple slow ones. In all, 35 openings, with shows in all the standard art districts, a few museum events, and an awesome array of shows at the weird-ass venues that make Chicago such a vibrant art scene. Here’s my picks:
1. Living Treasure at Pentagon
“Living Treasure is a shadow of Pentagon Gallery’s first opening Nemesis, A show that engaged cultural others and darkness in music, film, literature and athleticism. Living Treasure attempts to take note from Nemesis but focuses on current global issues and America’s involvement with in them. Each artist transforms ideas of violence, destruction, environment, religion, and sexuality by utilizing different mediums and engaging the viewer to be critical of their own social nature. The show it’s self might seem sinister but stays satirical with subject and matter.” Work by Carl Baratta, Carolina Wheat, Montgomery Perry Smith, Theodore Darst, Ryan Ingebritson & Flash Gordon (1980).
Pentagon is located at 961 W. 19th St., 1F. Reception is PLEASE NOTE: Saturday from 7-10pm.
2. Younger Than Janis at Noble & Superior Projects
“The work of all of these artists (who together cover film, sculpture, sound, food, printed matter, painting, photography and video) considers the ephemeral nature of youth and beauty. The work ranges from musings on death to pursuit of an infinite youth, covering all the fleeting affect in between.” Work by Marcel Alcala, Ryan Barone, Lucas Blair, Patrick Bobilin, Connor Camburn, Kevin Clancy, Adam Cruces, Cara Anne Greene, Eliza Koch, Andre & Evan Lenox, Vanessa Macholl, Celia Marks, Ross Meckfessel, Michael Morris, Erin Nixon, Michael Radziewicz, Anna Rochinski, Steve Ruiz, Liz Rugg, Hannah Verrill, Blair Waters, Ali White, Andrew Norman Wilson, and Travis Wyche.
Noble & Superior ProjectsÂ is located at 1418 W. Superior St. Reception is Friday from 6-10pm, film screening is Saturday from 7-10pm.
3. A Packer Schopf 3-fer: “South County Scrapbook”, “Gleaners, Hawkers, and Reapers” and “Skivery”
Danny Hein: South County Scrapbook – “My drawings are inspired by romantic memories of growing up in rural Indiana. I always felt there was a lot of mystery there. The figures here represent the land. I think of them as corn-fed-ghosts.”
Catherine Jacobi: Gleaners, Hawkers, and Reapers – “The Histories of Objects are platforms from which Jacobi starts her pieces – considering a narrative that has already existed and one that she will have imagined existed. The novelty of form is that it leads you to believe it will endure. Look at a body, her body – immortality it seems is mortal.”
Nancy Bardawil & Casey Gunshel: Skivery – “Nancy Bardawil started her art career as a painter and a sculptor, but for the last twenty years she has been working in film as a director. Although she’s been painting since she was six-years-old, this is the first time she’s shown her paintings in public. As a child, Casey Gunschel learned to draw by way of National Geographic and Dungeons and Dragons monster manuals. That introduction has inspired a lifetime fascination with animals, creatures and all things wild.”
Packer Schopf Gallery is located at 942 W. Lake St. Reception is Friday from 5-8pm.
4. Action! at Chicago Art Department
“ACTION! is a Chicago Art Department exhibition themed around the idea of the Hollywood summer blockbuster movie.Â Since the release of Jaws in 1977, the summer movie season has, for better or for worse, become characterized by over the top, big budget, action, special-effects laden movies that we now know as â€œthe summer blockbusterâ€.Â Â Â The art in this exhibition looks at the summer movie as cultural phenomena and symbol, as nostalgia and memory, and yes even simple, mindlessÂ fun.” Work by Ryan Roberts, Christophe Roberts, Clare Rosean, Nat Soti, Jim Jeffers, Ali Serradge, Sarah and Joseph Belknap, Kayce Bayer, Chris Lin, and Kerry Flaherty.
Chicago Art DepartmentÂ is located at 1837 S Halsted St. Reception is Friday from 6-10pm.
5. Visible City: Map Room at Fill in the Blank Gallery
“Visible City: Map Room is part of an ongoing body of work by Aaron Delehanty in which painted images and drawn maps work together to build a mythos of a nonexistent place called Visible City. This exhibition highlights two features of this cityâ€”its urban physical space and its mental spaceâ€”by showing scenes of the city as being designed in harmony with its surroundings. The maps of Visible City are strange and unique, different from your usual map because Visible City is a different kind of human settlement.”
Fill in the Blank Gallery is located at 5038 N. Lincoln Ave. Reception is Friday from 7-11pm.
Ok, so for those of you who don’t know yet, CAA (College Art Association) has dubbed Chicago worthy for it’s pedagogical adventures, and has settled in our fair city for the weekend. As a member of CAA, I’ll be cruising from lecture to lecture the next few days, trying to suck up as much strange knowledge as I can while the circus is in town. But I’m not the only one excited about the CAA crew. As a result of the conference, just about everyone else in town is trotting out something or other, much of which is AWESOME! As a result, I bring you The Biggest Top 5 You’ve Ever Seen! Rather than picking individual galleries for the Top 5, I’ve corralled a Top 5 of places (in no particular order) you should go this weekend. Hope ya’ll enjoy.
The self-proclaimed Chicago Arts District is holding it’s monthly 2nd Fridays round of openings. Here’s the places I’d go if I were you:
Chicago Art Department – 1837 S. Halsted. Cultural Excavation, work by Christopher Piatt, Ben Valentine, Wayne Bertola, Virginia Broersma, Allison Rae Butkus, Seth Gershberg, Jennifer Hines, Jennifer Jackson, Sarah Leitten, Amanda Paulson, Aaron Wooten and others. Reception Friday, from 6-10pm.
ROOMS Gallery – 645 W 18th St. ORACLE:CHANNELING, with Marrakesh & Todd Frugia. Performance Friday, from 8-10pm.
What do you call an artist who uses Twitter as their main medium–a Twartist? Ugh, forgive me; I’ve been exposed to too many stupid Twitter puns lately and I still haven’t had enough coffee this Monday morning. As part of my ongoing (if admittedly somewhat half-assed) efforts to track the intersection of contemporary art and social networking technologies, I present for your consideration a couple of interesting upcoming Twitter-related art projects that have crossed my screen of late. The first is “Twitter Island,” a social networking experiment and art performance piece that will take place here in Chicago this Saturday, March 28th.
Organized by Seth Gershberg and Lauri Apple for The Chicago Art Department, the project is limited to 30 volunteer Twitterers who will convene at the Chicago Art Department with their laptops and/or cell phones and be given an anonymous Twitter account. The volunteers will be divided into two groups of fifteen; the control group will be asked to respond to specific questions from a moderator, the other group allowed to tweet to their heart’s content without outside influence. The experiment will last for ninety minutes, after which both groups will be invited to “create something” (as the press release puts it) based on their experience.
Notes Apple, again from the project’s press release:
“What I’m most curious about is the tension that will inevitably be created as people are required to use Twitter to communicate with people who they could just walk over and say hello to — how will this manifest in how the participants act, and what they say? I’ve seen people texting at crowded parties and social functions; why not talk to the people who are already in the room? Also, I have friends who live down the street who don’t call me, but will tweet or Google chat me to tell me how lonely they are. What is driving these choices we’re making, and are we cognizant of the emotions that result from these choices? With Twitter Island, we’re telling people they don’t have a choice to talk to each other — they have to use technology. Will they rebel? Get bored? Get angry? Or will it seem perfectly natural to stay at their computers and phones?”
Secondly, @platea is a still sorta nebulous something that sounds somewhat similar to the Twitter Island project (without the control group part). Spearheaded by artist An Xiao, it’s an ongoing public art meets social media project. On the project’s blog, Xiao offers this description of @platea:
“a stweet art collective consisting of artists and non-artists who share an interest in the power of public art carried out in the digital megacity. “Platea,” from the Latin for “street”, came to signify in medieval theatre a neutral space on stage. It morphed and changed as necessary, depending on the actors’ actions and the assumed setting. I find it a fitting analogy for the swiftly-evolving, redefining nature of social media, whose tenors change with the tide of user activity but whose effect–discussion and connection–remains overall the same.”
I’m still cringing over the term “stweet art,” just give me a few seconds to get over that….ok, better. Xiao was interviewed recently on the blog smArts&Culture (oh yeah, today is gonna be shitty pun day) about her thoughts on Twitter as a medium; she also did a “Twitterview” with art blogger Hrag Vartanian last March 18th that’s hard to follow when read only in retrospect, but a summation of the conversation is supposed to be forthcoming on Vartanian’s blog soon here. In addition, @platea’s first large-scale online “happening” is slated for this week; apparently, you can join in by following @platea on Twitter.
If you wind up participating in either of these events, I’d love to hear your take in the comments.