Edition #30

May 12, 2014 · Print This Article

Disco Fever: Isa Genzken’s Retro-spective at the MCA

You probably know of Isa Genzken as the iconic German artist famous for her wild sculpture assemblages. And you may have heard that her MCA exhibition which opened mid-April had a lot to do with 9/11, but what’s suspiciously absent from the reviews of the show is that Genzken is a super freak. References to disco, colorful music and clubs are constant throughout the exhibition. Genzken’s cement boom box table is solemn but still lyrical, and the 2002-2003 series “Social Facades” are like flattened disco balls. Mirrored plastic panels and bright club kid colors are incorporated in many of the sculptures and 2-D works on view at the museum.

Isa Genzken cement boom box sculpture

One of the most prominent sculptures included in the show looks like and is called “Disco Soon” from the “Ground Zero” series. A multicolored party light in a shopping bag stands out in a room of installation behind the disco sculpture.

Disco shopping mall.

Aside from the disco vibes, the video work on display is pretty entertaining. One piece is a lo-fi amorphous melodrama featuring fellow German art superstar, Kai Althoff. At one point Genzken waxes poetic on the weather reporting in Europe and how much better it is in the US. She also made a tourist-y video of skyscrapers and facades in Chicago called “Drive Chicago” when she visited the city for a show at the Renaissance Society in 1992. It’s presented in a room that’s kind of too bright for video, but you can lounge in those comfy Pippiloti Rist bean bags while you watch.

Disco Soon Sculpture

Disco ‘Soon’ (Ground Zero), 2008.

In addition to video and disco, Isa is the OG queen of selfies (telling you, there’s a lot more than 9/11 and mannequins). Portraits comprise a subtle but sustained presence in her work. Genzken is seen at various points in her life: as a young artist in various statues of undress for a video performance, in still photographs amongst a collage of other artists, as an x-ray image drinking wine and then there’s the photo of her ear taken by Gerhard Richter.

Disco might be silly, but it’s way less ridic than that other major solo retrospective in town. The exhibition is on view at the MCA until August 3rd.

#T of the Town

And you thought there were a lot of openings during the winter.

Caroline Carlsmith’s work at the Northwestern MFA exhibition at the Block made viewers get down. Literally. Emily Kay Henson and Robert Chase Heishman underneath Carlsmith’s table with precisely arranged pyrite.

Diana Harper reading Carlsmith’s poem “The Procedure of Pyritization”.

Way easier to fit entire Northwestern MFA class in a single photo. Raphaël Fleuriet, Caroline Carlsmith, TJ Proechel, Nicole Wilson and Jason Dixon.

Cardinal Cross entrance

The spooky entrance to Cardinal Cross. If you missed the opening you can still visit the exhibition (if you dare!) on May 17th from 3-10PM.

This is your brain on Tony Balko. Peep this video from last weekend’s Cardinal Cross.

Work by Michael Kloss in If I had my life to live over, I’d live over a delicastessen on view at Johalla until June 15th.

Thorne Brandt, Chris Cook, and Anna Cerniglia at the opening for “If I had my live to live over, I’d live over a delicatessen” (mouthful) at Johalla this past Friday night.

Work by Ilie Paun Capriel on view at Johalla until June 15th.

The Weatherman Report

David Hockney, The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) – 18 December, 2011. IPad drawing printed on four sheets of paper, mounted on four sheets of dibond
92 9/10 × 70 1/10 in. Edition of 10. Annely Juda Fine Art.

All T All Shade

PS- did you hear that the #Logansquarist is “hiring”?

THIS happened Saturday night. You’re welcome. Photo by Mike Paro.

Work by Anaïs Daly (ceiling) and Ron Ewert on view at Johalla until June 15th.

18th street was packed on Friday night as art lovers (?) came out of the woodwork for Pilsen Art Walk. This is the scene outside of ROOMS gallery during a performance in the front window.

Work by Jeremiah Jones on display at rooms. Watch the video (of the video), it’s really cool!

Christian Cruz with Elee Eck at the ROOMS gallery opening for Jones Friday night.

The opening for Miss Kilman and She Were Terrible Together curated by none other than Matt Morris at The Hills Esthetic Center on Saturday night.

Morris with Ben Foch and Chelsea Culp at the opening for the exhibition, Miss Kilman and She Were Terrible Together at The Hills Esthetic Center on Saturday night.

Giving good face: Andrew Holmquist with Eric Ruschman in front of a painting by Joan Snyder at The Hills.

Can’t decide if I was more into this belly button eye print or the painting of Tupac. Like Chromatic Consortium, we loved this show for the effortless mixing of more recognizable names like Richard Hawkins, Miller/Shellabarger and Alex da Corte with students from Morris’s undergrad studio seminar.

Ladies Who Wear Leopard: Curator Kristin Korolowicz VS. The Franklin’s Edra Soto at Dock 6 Design + Art #7 this past Friday.

Trending

Vitrines

If you’ve been to the SAIC MFA show, you know the process and trappings of exhibition display are IN. Here are just a few recent encounters.

Matt Morris sculpture

With back to back exhibitions at Peregrine Program and The Hills, Matt Morris is right on trend. His exhibition i’m issue; i’m free is on view at Peregrine until May 25th.

OG exhibition practice: work by Larry Bell on display at the Art Institute. Did you know Bell was born in Chicago?

Arguably one of the contemporary kings of vitrine making, Dan Baird has impeccably executed work on display in There is a Screen with Ryan Lauderdale at LVL3 until June 15th.


Happy Mothergirl Day

Mothergirl “What You Look Like, Now” performance at the MCA. Photo by Abraham Ritchie.




Images of Our Future: One View of Two Cities

April 18, 2014 · Print This Article

Changes are coming to the Twin Cities. Spring is slowly arriving. Daylight lingers. I can look up and around when walking outside. I notice the holes from trees felled in last summer’s storms, but I find the tulips poking through in their place. We need this renewal. We need these moments to gather strength after winter’s long cold nights before heading out into the rush of spring. I have seen great shows throughout the Twin Cities, great works of art, openings and closings left and right, an embarrassment of riches. I am, however, still lingering in the quiet moments, the eddies in the cultural stream rushing around us.

I have been consistently impressed with the Minneapolis Institute of Art’s New Pictures exhibition series. Last year’s Stan Douglas and Sarah Jones‘s exhibitions were excellent, expanding into multiple places throughout the MIA, engaging other works in the collection, rewarding multiple viewings. Tucked into a small gallery, next to flashy 20th century design and big name artists, New Pictures 9 features Rinko Kawauchi’s works from Illuminance. They are quiet, thoughtful moments that stretch into deep concentration and surprising connections

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Rinko Kawauchi, Untitled

Kawauchi’s investigations of light, as the title suggests, come forth in large individual prints and clustered groups of smaller images. The arresting images of a dead deer with livid blood, a cluster of fish eyes, a sparkling diamond are quickly lost in the iterations of light. The exhibition builds a language of light, but there is no need to become fluent to be absorbed in depth of her process, her exploration as end not as means.

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Rinko Kawauchi, Untitled

The looping video, Illuminance, extends and enlivens the process, endlessly teasing out the subtleties of light in the everyday situations it presents. The subtle, ambient audio soundtrack was barely audible at times, but the suddenly louder rushing of water or rustling of leaves brought her abstracted process back from the realm of static image making to the world around us. The beauty of the exhibition is that Kawauchi presents no conclusions, but it prepares us to see the world differently. I left full of questions. I struggled to distinguish the works in the rest of the museum from the play of gallery lighting, the wash of grey, clouded light from the windows, the sudden shadows of people walking past.

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Rinko Kawauchi, Untitled

Whenever I visit the MIA, I am drawn to the period rooms, sparsely populated, austere, in sharp contrast to the lines for the cafe and the children running between family activities. They are moments of concentrated attention and time. They simultaneously hold the past of their objects and the past of their meticulous reconstruction in one moment. I entered the period rooms to consider the light they would have seen, the electric light that illuminated it now never envisioned in their original homes.

As I exited The Providence Parlor, I saw a little girl pull on her father’s hand, point excitedly to a portrait of George Washington, and exclaim, “Dad, look! It’s President Obama.” I could not have said it better. The world is new with spring, with refreshed eyes that allow us to see our future in our past, to see our presidents for who they really are.




EDITION #26

March 19, 2014 · Print This Article

March Goes in Like a Lion and Out Like a 501(c)3

Nothing says Spring like “Gala,” WTT? couldn’t be more excited to see the ice finally THAW. Speaking of, have you bought tickets for the Links Halls annual spring fling? It’s on April 4th, and really more like a three-storey drunk performance art odyssey than a party. Last year I got an sickening sparkly free mani from Aiden Simon at the Girl Don’t be Dumb salon, went inside of a space photo booth, saw Hope Esser ice skate on soap and watched more burlesque than I’d like to admit. For performance art, it’s not too weird, it’s really fun and it’s not that expensive for how open the bar is, what more could you ask from a Thursday night? And the inclusion of DJ CQQCHIFruit and La Spacer this year? Too much.

Enough gushing. Clearly, this benefit season is going to be huge, but don’t worry, WTT?s got you. Here are some notes on the best auctions and charity bashes around, in my not-so humble opinion. Can not wait to see what everyone looks like without a coat on!

Spotted: Todd King getting his feet did at THAW in 2013. Andrew Mausert-Mooney does his best Jesus in the front.

THAW

You already know the scoop, tickets can be purchased through their website.

hArts for Art 5 : LVL3

LVL3’s annual benefit auction is known to bring great names at reasonable prices with all works starting at $30. Past years auctions have featured Jon Rafman and Israel Lund amongst others. This years is no exception. We also love the LVL3 auction because the raffle prizes are copious and always awesome and it doesn’t hurt that each year the event benefits local non-profit, Arts of Life. Learn more about the auction and the organization here on the LVL3 website. Full disclosure: I take no prisoners on the auction floor. The event takes place on March 29th from 6 to 10PM at 1542 N. Milwaukee Ave. Last bid is accepted at 9:30PM so be on time!

Summer Forum : Hosted by TUSK

Sandwiched comfortably in-between the LVL3 and R&C auction is the Summer Forum fundraiser and art auction at everyones favorite bite-sized boutique, TUSK. There are quite a few repeats from both LVL3 and the R&C auction, though it doesn’t look like anyone got the hat trick. E-Dogz will be on hand, serving some serious benefit crossover and unlimited food with the purchase of a ticket ($25 presale or $35 ATD). Advance online bidding begins March 31, and the IRL event starts at 7pm on Saturday, April 5th at TUSK, 3205 W. Armitage Ave.

Roots & Culture 8th Annual Spring Gala

You don’t have to be Hamza Walker to know that Roots & Culture’s Eric May throws some of the best events in Chicago. Did someone say sangria and tapas? The lineup for the auction is pretty impressive too. Britton Bertran wasn’t kidding when he called the night’s auction list an Who’s Who. The List features some of my favorite Chicago art luminaries and at least one Whitney Biennial-er.

I’d tell you who I’m excited about seeing at the auction, but I want the art all for myself! Find out yourself, the auction takes place May 3, from 7-11PM at 1034 N. Milwaukee Ave.

Threewalls

Spring benefit season is bookended by major heavy hitters with Threewalls rounding out the season. Another reliably good time, this year’s gala is being held in the spacious digs down south at Mana Contemporary. The full lineup hasn’t been revealed but, I’m jazzed on the news that DJ Earl (who you might have read about in the last edition of the T) will be there. The details might still be a little fuzzy but you can already buy tickets on their site. Looking forward to finding out what a Gunnatowski “wearable” looks like.

FLASHBACK! Trending artist Jesse Malmed (right) with Trunk Show co-director, Raven Munsell (left) and artist Jason Lazarus (center) at Salvage One last year for Threewalls Spring Gala.

The Weatherman Report

Charles Ephraim Burchfield, Early Spring, 1917, Watercolor and graphite on paper, 21 × 28 1/4 inches. James Goodman Gallery.

Bad at Sports finally trending.

What’s the TRENDING?

Pillows: After being relegated to cameos in the backgrounds of painting and photographic portraits for centuries, pillows are finally stepping out on their own. Last week during the Whitney Biennial/ New Yawk City hullabaloo the internet was plastered with images of the biennial and various fairs, but nothing stood out more than the freaky pillows of Bjarne Melgaard at the #WhiBi. With the help of NY based artist and collaborator Amanda Browder, Bad at Spots finally reached the cutting edge with their Volta bed-in installation and recording booth. As if the original Richard and Duncan aren’t creepy enough on their own, Browder created life-size pillow versions for the Volta booth. Good work, team!

Detail of Norwegian American artist Bjarne Melgaard’s cracked out living room installation. Image by Hyperallergic.

Browder with pillows only a mother could love.

Jesse Malmed: Usually it’s difficult for individual artists to be in enough places at once to qualify as a trend, by that’s no problem for trending artist, Malmed. The co-director of Trunk Show and UIC grad student must not sleep. This past weekend Malmed did double duty at the MCA, as one of The Nightingale programmers on Friday night and then again on Saturday for his own presentation of selections from The Body Electronic: What Television Taught Me about Art, a live televisual lecture performance. Trunk Show also hosted an opening/ 5-act play by artist Brandon Alvendia outside the Multiples fair on Sunday and whatever HALLWALLS2 is had an opening on Monday afternoon. And that’s just over four consecutive days. If you’re interested in getting in on the Malmed Madness, and you clearly should be, the artists’ MFA show at UIC is opening on April 18th. If you feel like waking with the sun tomorrow, he’s also hosting a dawn equinox performance, more info here.

Eric Fleischauer’s official Alvendia for Trunk Show Vine. More official documentation can be found on Fleischauer’s “vine box”.

I’ll take all of it! Images from Drapes by Ashley Scott.

Drapes: Thank god standing out and looking good are finally back in style. The Ashley Scott designed brand has already been getting some much deserved exposure for her tremendous style, but the recently released images for the Chicago designers ‘Drapes of Wrath’ Collection, styled by Mister Wallace and shot by Foto by Mateo, are to die for. Not only are the boys beautiful, the accessories are killer (see what I did there?) and SO MANY TASSELS. The collection debuts April 1st, check out the rest of the images and prepare for the wrath on the the Drapes website.

Foto by Mateo gets Draped.

Chicago CD Showcase Back for 2nd Edition at The Mutiny

What? Did you really think we’d spend out St. Patty’s day anywhere else? Sorry Charlemagne Palestine. If you missed last year’s showcase, here’s a little refresher. Don’t do it again!

Despite reports that Thorne Brandt would never play, he softened a tough crowd with his flashing lights and “worst samples ever.”

After last year’s majorly lazery blow out, Free the Universe was resurrected as Apocalypse Forever. Their “children of the corn” performance was a seriously trippy affair.

The love child of Chicago CD Showcase.

This years showcase saw the merger of two of last years performers. Pajama band made their jammy debut featuring members of Fish, Phish, Ghosts and My Bad at The Mutiny on Monday night.




Object Revelations: One View of Twin Cities

March 13, 2014 · Print This Article

Winter is not yet over, but I have already felt the urge to start spring cleaning. I want to air out the bedroom and beat the rugs, to scrub the floors and clear the clutter hidden behind the heaviest winter clothes in the back of the closet and the last summery jars of canned vegetables in the far reaches of the pantry. My house is heavy with things, and I am ready to clear them out. I am ready for objects that play multiple roles, that open the doors to new thoughts, new worlds, new seasons.

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Brian Thomas Daly, via White Page Gallery

EVEN IF IT KILLS YOU by Bryan Thomas Daly at White Page Gallery is an attempt to move away from the “library of Alexandria” he had amassed around himself, a purposely object-full attempt to transcend the physicality of the collections that maintain our place in consumer society while reinforcing the belief in our individuality. The modified vinyl and record covers revel in their identity as objects that contain the depths of content we know exist in their grooves. Daly levels their value, eliminating their use through his playful, spirited modifications. The work was made as part of a residency in the gallery, and it is in conversation with the objects that fill the corners, hallways, and studio spaces in the other half of White Page Gallery. The finished and in progress pieces, the raw materials, the tools, the giant, decades-old, fire hazard of a boiler all bear witness to the diverse studio practices, the collective experience of working and making decisions together. They are a testament to exploration and the opening of horizons.

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23-string banjo, via Paul Metzger

Objects were also at the forefront of the first Sound.Art.MIA event at the Minneapolis Institute of Arts. Paul Metzger‘s sublime performance was mesmerizing. His 23-string banjo was inescapable as the visual locus of his plucking, strumming, bowing. Similarly, the Body/Head performance was centered around their guitars as objects, as unfamiliar extensions of their body to be explored by pushing, pulling, swinging, and hefting them through waves of feedback and mountains of sound. The video projected behind them distracted from their performance, pulling attention away from the objects they lovingly cradled, stroked, and manhandled. The night culminated in minutes of Kim Gordon exploring the crackling, scratching soundscape of the length of her output jack, flooding the room with the slightest adjustments of the very place her body flowed out into the rest of the room.

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The recent few days of thaw have transformed the monochrome snowscape into the grey rainbows of exhaust-filled slush and ice. The receding snow reveals more than the objects hidden beneath it. It reveals the forgotten body of the city that surrounds us. It unleashes the vast symphony of drips and rushing torrents that arise from the barely visible stormdrains, and it opens windows onto the vast water system that has silently been working beneath our feet throughout the winter. It embues the objects that surround us, that care for us, with a new life, an unfolding wonder that will continue to expand as the weather warms and as I make more room for it in my less cluttered house.




EDITION #25

March 3, 2014 · Print This Article

Behind the scenes photos from Pedro Vélez‘s Instagram.

City Vacant as Artists Depart for Chicago Edition of Whitney Biennal

Did some big movie thingy happen last night? Whatever. The real thing we’ve been waiting for is finally here: The Whitney Biennial plus Armory double punch. Chicago is about to be quieter than a John Cage performance and emptier than Detriot as the Midwesterners gear up for their big moment at the WB this week. Nevermind this list of 21 art events in March, the action’s happening in NYC.

In the tradition of William Siertua’s 2012 Whitney Houston Biennial at Murdertown in Logan Square, another posthumous tribute biennial is set to take place at Julius Caesar in Chicago. Painter and pedagog, Molly Zuckerman-Hartung is the only artist to appear in both the 2014 Whitney and 2012 Whitney Houston Biennials, but MZH and co-2014 “participant” Diego Leclery are absent from the 2014 WHB at the space they formerly ran together. Opening March 16th, the Julius Caesar edition of the Whitney Houston Biennial features those artists who assist and collaborate with Whitney Biennial artists.

Not to be one-uped by Chicago, NYC is countering with their own “everywoman” Whitney Houston Biennial in Dumbo, and raises with the last ever Brucennial, which we hear is also a ladies only exhibition. Looks like women, or at least nods to them, are big in the forecast in 2014.

At least those of us back home in Chicago can take some solace in the fact that the VIP opening is shaping up to be the equivalent of a really good Ren opening. No shade though, WTT? couldn’t be more stoked for the 17 or so Chiagoans in the Biennal. We’re especially curious to see what cool dad Diego Leclery cooks up, and who doesn’t love a good Elijah Burgher occult dropcloth? Oh and did we mention that you should also totes go gawk at B@S’s own Duncan MacKenzie and Richard Holland doing interviews at Volta?

We’ll be here waiting on the couch until y’all get back.

Sassy Fleischauer takes on Hollywood Sign Meme

Hollywood Sign Gif

“Here’s how to use that hollywood sign generator,” asserted Fleischauer last week on Facebook.

NY artists bring “Borough” to Chicago

The West Loop felt anything but “regional” at Deanna Lawson’s and Derrick Adams’ opening at RHG last Friday night. Hour d’erves were passed and the galleries were filled with well suited-up New York banker looking cats. Posh attendees, including artist Mickalene Thomas (both artists first appeared at Hoffman’s in Thomas’ exhibition tête-à-tête in 2012) and Bomb Mag editor, Betsy Sussler, (who both flew in for the affair) swirled around the charasmatic and stylish Lawson and Adams, who were just as striking as the work. Blurring the lines between the two, Adams showed up to the exhibition in a herringbone suit and camoflague print button-up that matched the patterns in the trees of his large scale collage works.

Photo by Deanna Lawson

Bad Mickey!

The main gallery was devoted to Deanna Lawson’s nothing if not sumptuous large format photographs. The most arresting piece in the show is arguably Mickey & Friends <3, 2013, a commanding horizontal photograph of unclad women embracing in front of a Mickey Mouse mural. Mickey licentiously glances over at them. The three nude ladies posing in unison in front of a red velvet curtain was a close second. Lawson even manages to make a simple pink blanket on a red bench look steamy.

Work by Derrick Adams in “Borough”

Karthik Pandian and Derrick Adams

Dapper Dudes: Karthik Pandian and Derrick Adams in front of Adams’ work.

Gallery girls and Rakowitz

Gallery Girls: Claire Flannery, Anastasia Karpova Tinari and Cara Lewis with The Breakup artist Michael Rakowitz.

In the front two rooms of RGH, Derrick Adams’ large collages merged the architectural with the psychological. Adams constructed his own “Borough” of homes from elementary school fence decorations, Restoration Hardware catalog furniture, and camoflague pattern trees. Figures are incorporated into the doll houses through fashion mag cutouts, sewing patterns and art historical fragments. Further underscording the metaphorical dimension of the homes are the miniature versions of portraits from Adams’ Deconstruction Worker series hanging on the walls of his own doll houses. The exhibiton is capped by an actual doll house in the front gallery window construced from silhouettes in Adams’ distinctive style.

Adams' dollhouse

Adams’ doll head house.

Rhona’s been killing it on the freshness tip lately. The Lawson and Adams exhibitions are on view until April 5th.

Rhona Hoffman Gallery is located at 118 N Peoria St #1A.

Who wore it better? Mexican Andrew or Chicago Andrew? Did you hear there’s a California Andrew version as well? Rafacz just went public with a gallery he’s opening in L.A. called Loudhailer.

Cultural Center Legitmately Cultural

DJ Earl

Lunch party time with Deejay Earl.

If you work anywhere near the Cultural Center you owe it to yourself to visit for Wired Fridays. We caught footwork master Deejay Earl two Fridays ago and it was pretty much life changing. The “study room” area on the first floor turns into a club with most eclectic midday crowd you’ve ever seen. Best people watching ever, old ladies, footworkers, tourists, you name it. Earl took the bizarre scene in stride and his set was on point.

Every first and third Friday of the month at the Chicago Cultural Center, Randolph Square, 1st Floor North. 78 E. Washington St.

Reading is Fundamental

Case of the Vase. Art never makes the headlines unless it’s something bogus like that whole Ai Wei Wei fiasco at the Perez Art Museum in Miami. Be still my Facebook stream. At least this one thoughtful meditation by Ben Mauk on the medias overblown reaction to the case almost makes up for it. Mauk’s mention of Damien Hirst’s hundred million dollar monstrosity also reminds us of Rachel Cohen’s fascinating piece for Believer Magazine on the relationship between bankers and artists throughout the ages. Overlap much?

Really though? If you do happen to find yourself in big ol’ New York City trying to fit in at Whitney Biennial Fashion Week, you might want to stock up on ADIDAS pants and slip on sandals with socks. Just remember one thing: no one out-normals Chicago. We’re not even really gonna get into it but this article pretty much sums up our feelings on the norm-non-matter.

[Social] Practice makes perfect at CAA. Obvi must read Jason Foumberg’s Scene + Herd for Artforum. That Dieter Roelstraete photo is beyond.

#Your an idiot. Can’t help it, I really feel that “really annoying—while at the same time making you kind of half smile every time you read it” thing.